Chandni Bar

After you have seen Chandni Bar, your perception of any prostitutes around the world will change drastically. Instead of looking at a prostitute as a sexually satisfying object, you will look deeper into her and realize "why she ever became a prostitute in the first place". It is too easy to say that "there is no excuse for being a prostitute, and one can choose his/her own career in life", but after you have seen Chandni Bar, your view point will change completely and you will want to help many women who are helpless/poor/prostitutes around the globe.

Chandni Bar starts by introducing the main character's traumatic beginnings that locks her into doing things she willingly doesn't want to. Throughout the film, the "change room door" in the bar signifies the actual life of helplessly trapped women on one side of the door, and the "pretentious women" on the other side of the door who make a living by selling themselves.

In conclusion the film has been very well put together, and has an excellent direction (worthy of film awards).

I have had tears rolling down my cheeks over ten times when I watched this film, and I suggest you view it with someone who has very little respect for women or views them as sex object. This is a very hard hitting film that will touch you deep within.

My Score: 10 / 10 (for all the ten tears I had)

Watch, listen and understand !

NEIL BHATIA

Chandni Bar is an intrguing film and, to this day, remains Madhur Bhandarkar's best film. Bhandarkar gives us a glimpse into the filthy world of Mumbai's lower strata of prostitution, and it is a very truthful look at once. I'm not going to drag it, the one who gives the film its realistic edge and poignancy is its leading lady. Tabu is tremendous in this film - totally there, committed, real, and very credible. You really feel for her throughout the film and want her best interest. She lives her role rather than just playing it and even though she is at times lacking in energy, she is the film; nothing else in it works as well as her story and superlative performance. She is well supported by a competent Atul Kulkarni as the tough but kind husband, and Anaya Khare gives a remarkably realistic performance in a tiny short role with just a few scenes to deliver. Chandni Bar is gritty, gripping, and for the most part rings true, which is a surprise considering the director's other works. Sadly Bhandarkar seems to have fallen too much in love with the idea of showing "the dark side of" that his next projects revolved around similar ideas but focused on providing the viewers some shock value, with much less credibility. Chandni Bar is one piece he could always be proud of, it is worth a watch as a film, and the brilliant Tabu remains its prime asset.

What worked:

• an inner view of the life of the bar girl in Mumbai; some of the plots seemed stereotypical but indeed true to the fact
• strong screenplay and lead actors

What did not work:

• maybe the ending was necessary the way it was, but we could hope for some alternative endings with something optimistic. However, the ending is still as powerful as it should have been

Final verdict: Recommended.

"Chandni Bar" is the BEST movie to come out of Bollywood in 4 decades. Its a brave film, speaking unabashedly about the seemy underbelly of Bombay (and YES it is and always will be Bombay to many), about the nexus between crime and the corrupt police in this city, about sin and the hope of redemption dashed by a vicious system. No wonder this was NOT India's entry to the Oscars....our politicians would be loathe to export something that could "create a bad impression" (they sent the ghastly jingoistic "Lagaan" instead). Pity, because, as an example of cinema verite at its grittiest, it would have probably won. Tabu would have definitely been in the running for Best Actress --- her performance is a study in truth and control. I happened to meet her on a plane and asked whether the film was shot more-or-less in sequence; and she answered in the affirmative --- no doubt this helped her create a slowly-intensifying graph of emotion, peaking at her gut-wrenching howls in the final scene. Her subtlety and sensitivity in the role of the dance-hall girl have had few equals seen by this writer in the cinema. Also the film's design, capturing the slums, back-alleys, police-stations and of course the seedy, sexual, smoky, boozy atmosphere of the dance-bar (changing its decor and its music with the passage of time in the plot) has an attention to detail and a REALISM that anyone who has ever been to these places will marvel at. Bravo to all concerned....and now may we PLEASE have this available on DVD?

Although I rented this movie on Video, I am still very moved by it. It was quite an experience. Hats off to the director and all the actors especially Tabu & Atul Kulkarni are very effective. The director has done a lot of non-routine stuff like the narration, the lights, the bar songs and background music etc. Hopefully the people get the right message the director wants to convey.