A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn they must kill it in order to avoid becoming werewolves themselves.A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn they must kill it in order to avoid becoming werewolves themselves.A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn they must kill it in order to avoid becoming werewolves themselves.
- Awards
- 3 nominations
Daniel Edward Mora
- Jose
- (as Daniel Mora)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn 2014, Judy Greer spoke of the film in an interview. Greer states, "I don't know why that movie got so fucked up. I don't understand it. I thought the script was fine. Honest to God, I didn't get the big deal. I don't know who kept making them fuck with it". She goes on to say, "Then we shot the movie for, like, seven years. I think they said we had four movies worth of footage. It was so fun, but so weird. I don't get it. I couldn't figure it out."
- GoofsThe pentagrams on many characters' hands appear and disappear with each camera angle change.
- Alternate versionsThe Canadian theatrical version of the movie is the original US R-rated cut, which was later released in the U.S. as the unrated DVD. In Canada, the DVD was only released in the uncut version, labeled as "Uncensored" (see below).
- SoundtracksLil' Red Riding Hood
Written by Ronald Blackwell
Performed by Bowling for Soup
Courtesy of Jive Records
Featured review
I went into "Cursed" with high expectations, I'll admit. But how could I resist the re-teaming of the "Scream" team, director Wes Craven and screenwriter Kevin Williamson? I should have known after re-shoots and delay upon delay of the film's release (It should have come out last November), that this would not be another masterpiece in the works. Though I tried to keep my hopes up, the results of this recombination are mixed at best.
Christina Ricci ("Monster") and Jessie Eisenberg ("Roger Dodger") star as siblings who are attacked by a mysterious animal in the Hollywood hills while trying to pull a woman from a wrecked car. Both are wounded by this animal and as the days go by, they begin to change. Eisenberg is most convincing as the younger brother who researches the animal that attacked them. He believes they were infected by a werewolf. The rest of the film chronicles their changes and quest to find the beast who infected them.
Aside from Ricci and Eisenberg the cast mainly consists of a smorgasbord of television actors, mostly from the WB. And I'm not sure that I'd call what they were doing acting. It seemed they mostly showed up and had a good time. Which can work, as long as the audience is enjoying it, too. However, I found myself groaning at much of the dialogue and wincing during emotional moments.
The film is slow to take off but does pick up the pace in the middle before falling off again towards the end. The computer graphics already look dated, and the werewolf makeup is most definitely sub par. A word to filmmakers everywhere, if you can't make a werewolf transformation look convincing, then don't show it at all. There's a lot to be said for implication.
Though there are several scenes where something pops up in the frame to make you jump in your seat, nothing haunts you as you leave the theater. There's no fear of bad dreams here.
Overall, the geniuses behind one of the classic fright films of the 90s (and possibly of all time) did not bring their best work into this decade. I hate to say it, but Wes Craven seems to be suffering from his own curse - the loss of fright.
For a smarter, more imaginative take on the werewolf theme, check out "Ginger Snaps" or "Dog Soldiers."
Christina Ricci ("Monster") and Jessie Eisenberg ("Roger Dodger") star as siblings who are attacked by a mysterious animal in the Hollywood hills while trying to pull a woman from a wrecked car. Both are wounded by this animal and as the days go by, they begin to change. Eisenberg is most convincing as the younger brother who researches the animal that attacked them. He believes they were infected by a werewolf. The rest of the film chronicles their changes and quest to find the beast who infected them.
Aside from Ricci and Eisenberg the cast mainly consists of a smorgasbord of television actors, mostly from the WB. And I'm not sure that I'd call what they were doing acting. It seemed they mostly showed up and had a good time. Which can work, as long as the audience is enjoying it, too. However, I found myself groaning at much of the dialogue and wincing during emotional moments.
The film is slow to take off but does pick up the pace in the middle before falling off again towards the end. The computer graphics already look dated, and the werewolf makeup is most definitely sub par. A word to filmmakers everywhere, if you can't make a werewolf transformation look convincing, then don't show it at all. There's a lot to be said for implication.
Though there are several scenes where something pops up in the frame to make you jump in your seat, nothing haunts you as you leave the theater. There's no fear of bad dreams here.
Overall, the geniuses behind one of the classic fright films of the 90s (and possibly of all time) did not bring their best work into this decade. I hate to say it, but Wes Craven seems to be suffering from his own curse - the loss of fright.
For a smarter, more imaginative take on the werewolf theme, check out "Ginger Snaps" or "Dog Soldiers."
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- La marca de la bestia
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $19,297,522
- Opening weekend US & Canada
- $9,600,000
- Feb 27, 2005
- Gross worldwide
- $29,621,722
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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