The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
- Awards
- 5 wins & 36 nominations
Storyline
Did you know
- TriviaThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of The Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- GoofsWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Quotes
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Crazy creditsThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Alternate versionsWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnectionsEdited into The Matrix: Path of Neo (2005)
- SoundtracksThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Featured review
I never saw The Matrix on the big screen, in fact I had never heard of it till it came out on DVD. I watched it and was amazed. Such a unique take on a familiar concept (Dark City anyone?). New and fantastic special effects and good flowing and thought provoking dialogue. This was surely a film that the filmmakers could see as risky, since all the special effects were groundbreaking and cost so much. Adding to the problems was that it starred Mr. Whoa!, Keanu Reeves, who I feel has never proven himself a strong lead in any role. In sense I could tell they were holding back what they were capable of, mostly due to lack of money. In time The Matrix became a huge success and the Wachoski's had all the money they would ever need. With the money came the possibilities of a sequel. (it seems these days that if any film makes enough money that it deserves a sequel.) Well the ideas started brewing and soon Reloaded and Revolutions were announced and then filmed back to back.
I went into Reloaded with really high expectations. My expectations were so high based on the possibilities The Matrix left us with and where the story could go from there.. Boy was I let down. The negative definitely outweighed the bad in Reloaded. The editing, the pacing, the dialouge, and the acting, all horrendous. The only saving graces of Reloaded are two action sequences, Neo vs. The Merovingian's henchman and the freeway chase. The burly brawl was cool, but not needed and overdone. It seemed to be filmed only to make the fanboys cream thier pants. Overall a slow and pointless transition for the trilogy. Pointless, only because none of the questions asked in it are answered in Revolutions.
Revolutions on its own is good film. It doesnt quite fit into the trilogy, but considering Reloaded, that is a good thing. It's nowhere near as good or wonderous as The Matrix, but it has it's own sense of wonder. We finally get to see the scorched remains of the earth. We see how populated the machine world actually is and what it looks like. The first twenty minutes or so are just filler and confusion that leaked over from Reloaded. Once the main conflict gets started, the film really grows on its own. The defending of the dock in Zion was incredible, some people have said it's overdone, I disagree. The attack is massive and it needed to be. I was just in awe at the swarms of squids streaming in. The people of Zion knew it was hopeless, yet they fought on.
Neo vs. Smith, probably the one moment in film I have been anticipating all year. Was it cool? Yes. Was it necessary? Probably not. It was a combination of the subway fight and the burly brawl. I couldn't help but laugh a bit as these two unstoppable forces beat the crap out of each other in each overly exaggerated shot. Have you ever wondered what a fist looks like flying toward a face in pouring rain? Well Revolutions shows you.
This film worked for me because all the stuff that was pounded into us in Reloaded was dropped. All the philosophy is gone, for the most part. The ending itself is a bit anti-climatic, too happy and sequel fodder. Why can't films just end anymore? Why do filmakers insist on leaving open possiblities for sequels? I just don't get it. The Matrix Reloaded was a dark, violent and sometimes over the top action movie. I bought it and I liked it.
And to those of you who haven't heard of or seen Dark City. Go see it and watch a much better movie than The Matrix that has almost the exact same concept.
***/*****
I went into Reloaded with really high expectations. My expectations were so high based on the possibilities The Matrix left us with and where the story could go from there.. Boy was I let down. The negative definitely outweighed the bad in Reloaded. The editing, the pacing, the dialouge, and the acting, all horrendous. The only saving graces of Reloaded are two action sequences, Neo vs. The Merovingian's henchman and the freeway chase. The burly brawl was cool, but not needed and overdone. It seemed to be filmed only to make the fanboys cream thier pants. Overall a slow and pointless transition for the trilogy. Pointless, only because none of the questions asked in it are answered in Revolutions.
Revolutions on its own is good film. It doesnt quite fit into the trilogy, but considering Reloaded, that is a good thing. It's nowhere near as good or wonderous as The Matrix, but it has it's own sense of wonder. We finally get to see the scorched remains of the earth. We see how populated the machine world actually is and what it looks like. The first twenty minutes or so are just filler and confusion that leaked over from Reloaded. Once the main conflict gets started, the film really grows on its own. The defending of the dock in Zion was incredible, some people have said it's overdone, I disagree. The attack is massive and it needed to be. I was just in awe at the swarms of squids streaming in. The people of Zion knew it was hopeless, yet they fought on.
Neo vs. Smith, probably the one moment in film I have been anticipating all year. Was it cool? Yes. Was it necessary? Probably not. It was a combination of the subway fight and the burly brawl. I couldn't help but laugh a bit as these two unstoppable forces beat the crap out of each other in each overly exaggerated shot. Have you ever wondered what a fist looks like flying toward a face in pouring rain? Well Revolutions shows you.
This film worked for me because all the stuff that was pounded into us in Reloaded was dropped. All the philosophy is gone, for the most part. The ending itself is a bit anti-climatic, too happy and sequel fodder. Why can't films just end anymore? Why do filmakers insist on leaving open possiblities for sequels? I just don't get it. The Matrix Reloaded was a dark, violent and sometimes over the top action movie. I bought it and I liked it.
And to those of you who haven't heard of or seen Dark City. Go see it and watch a much better movie than The Matrix that has almost the exact same concept.
***/*****
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Matrix: Revoluciones
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $139,313,948
- Opening weekend US & Canada
- $48,475,154
- Nov 9, 2003
- Gross worldwide
- $427,344,325
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content