Double Take

An all around great movie. It was clever in the way Orlando Jones and Eddie Griffith switched characters and the jokes were all solid. There was a lot of depth to the characters that you usually don't get from comedies. A must see. Avoid Undercover Brother! See this instead.

I wasn't expecting a whole lot from this movie. The trailers that I'd remembered seeing were pretty funny, but I'd assumed that those were the best parts of Double Take. Anyway, I watched it nonetheless and didn't think it was half bad. There were several parts not included in the trailer that were laugh-out-loud funny. Some might be offended by the fact that Griffen's character is (in the filmic sense) a "coon." Although nowhere near as good a comedy as Blazing Saddles, it is comparable in certain aspects. Double Take could be considered racist, but like Blazing Saddles, it uses racial stereotypes to emphasize the stupidity of their existence. Here, instead of black vs. white, we see upper-class African-Americans ashamed of the Sambo stereotype, and thus not associating with other African-Americans with lower social status. I'm not sure if this message was intentional in Double Take, but it was there nonetheless. Orlando Jones had a pretty good performance and Griffen was a convincing character (some might say he was over-the-top, but again I'd say this was essential). One problem was that the movie quite suddenly switched gears from a comedy to a somewhat serious action/suspense flick. I felt the heavy emphasis upon the latter took away from its comic moral message and made the movie shallower. So, it had potential. They could have recruited a few more writers to add in funnier jokes. All in all, a 6 out of 10.

All right, I'll admit the movie itself lacked in certain places (such as extensive lag time in key areas), but I was on the floor crying with the great quips each lead character used. There is no doubt Griffin and Jones are wonderful comedic actors...Jones' performance in Replacements is proof positive of his talent. The problem most people have, though, is they can't see his ability clearly because of career moves he has taken. In Double Take, though, both Jones and Griffin shine in two different comedic styles, both jaw dropping funny and incredibly illustrated. I rented this movie solely to see Jones, and now I have a newfound respect for Griffin's ability, as well.

Director George Gallo penned MIDNIGHT RUN, one of the very best action / buddy-buddy pictures ever to have graced our screens. More than ten years on, and this feels like an ill-advised and incredibly anaemic imitation. The lead characters here are marginally appealing, but as the script races on at breakneck speed and virtually collapses under the number of twists, they are given precious room to develop and engage our sympathies. It all feels so very daft and inconsequential in the final analysis. A time-filler at best, but in the context of MIDNIGHT RUN, also a considerable letdown.

Apparently some people DIDN'T like this movie, but its hard to see why. While certainly not destined to become a film classic, the miscellaneous plot holes are CERTAINLY no worse than most Hollywood fare, and as an overall movie I think rates a whole lot better than a lot of what's cranked out these days (2006). I REALLY enjoyed this movie, as did most of the other people who I have persuaded to watch the DVD, which I purchased after seeing the movie in the theater. JOnes and Griffin are both in great form, with the edge definitely going to Griffin's thoroughly brilliant comedy throughout. A great buddy movie, with great performances and production values, thoroughly entertaining, and very, very, funny. If you don't mind a movie that's not too cerebral, doesn't take itself too seriously, and doesn't aspire to be anything more than a thoroughly enjoyable comedic romp (with more than a few twists and a fair amount of action along the way), then you'll appreciate this. I don't think Mr. Gallo was aiming for an Oscar with this one, but it was completely satisfying for what it was. Incidentally, the music score and soundtrack were also remarkable.