The Prime Gig

This is a great movie with a great cast however Vince Vaughn gives perhaps his best dramatic performance to date. Unlike Will Ferrel, Vaughn can do both comedy and drama.

This is a great movie thats shows us the real sleazy and corrupt world of telemarketing. In fact if your a telemarketer watching this film , youll probably be mad since it exposed your corrupt jobs!! lol

Vaughn plays Penny Wise, a small but great telemarketer who knows how to con people into making sales for his cheap company.

Eventually a bigger telemarketing scheme headed by the character of Ed Harris wants to use Penny's "skills" in this area to pull of a Million Dollar scam.

Meanwhile Penny's friend is out of work and relies on him for support.

Penny is caught in a corner, work with this rich white scoundrels to steal millions and sell his soul to the devil , so to speak, or do the right thing?

This a great movie about moral dilemna and what you really do if you really had to put your money where your mouth and live up to your own idealogies.

All the performances are great and the movie, doesn't really tell you what Penny's "final decision" will be until the 10 minutes he "goes along" with the scam and looks like he will do it with the rest of them.

Highly recommended.

This movie was total crap. I am quite embarrassed that there is record of me having rented this film. I'm a really big fan of Vince Vaughn, but a 5 minute scene of him posing is not exactly what I'd call 'entertaining.' The dialogue was very noticeably forced, and I can actually list porn films with a more intriguing plot than "Let's take Boiler Room, strip it of all interesting characters, remove any semblance of a plot, and film THAT." If you're interested in Julia Ormond love scenes, or have some kind of obsession with that odd kid from Empire Records, this film is for you, but otherwise I suggest consuming a large quantity of painkillers before watching this drivel.

I love watching movies. I work for blockbuster for God's sakes....I watch movies all the time. I thought this movie had a good premise and that the actiing was fine(although not stellar). The thing that bothers me about this movie was the ending...it left too many unanswered questions....to many unknowns....It is good for a bored night when u don't have anything else to do but don't ask questions after it's over because they will be unanswered and unknown...big dissappointment. Overall decent movie but not great. if you can see it for free like I did...it's not a bad way to spend an hour and a half if not...wait till it comes on cable

Telemarketeers...just the sound of it makes some of us cringe because not everyone likes those telemarketers to 'harass' us over the phone over something they want to promote on.

And when moral questions are being raised about what is right and wrong, it has become a grey area. This is where Penny Wise (Vince Vaughn) has to deal with his own conscience.

Scamming people through the phone is what Penny is good at for his job as a telemarketer, and when he was being hired to be part of this million-dollar scam, he was rather being hesitant at first. It's where his conscience starts to collide.

Very interesting and quirky look at telemarketers who scam for the sake of money. Vince Vaughn portrayed it that well.

Guess I will never see those telemarketers the same way again.

Knowing the subject matter of this film - shilling fraudulent "whatever's" in a boiler room - I assumed it would follow closely in the footsteps of David Mamet's incomparable "Glengarry Glen Ross" (as was the case in the over-hyped and disappointing "Boiler Room"). Almost immediately, however, it becomes apparent that such is not the case. While "GGR" gave us stark images of the salemen's desperation in the context of their work, "Gig" delves completely into the life of Pendleton (Penny) Wise, played by Vince Vaughn. It is in showing the emptiness of his entire existence - and not just his work life - that one can see how susceptible he is to the machinations of the almost mythical Kelly Grant (Ed Harris), and his partner Caitlin Carlson (Julia Ormond). From his shabby apartment to his touching relationship with childhood friend Joel (Rory Cochrane) - who is, in spite of or because of his physical handicap, an even bigger loser than Wise and all of Wise's foundering sales cronies - you know he is destined for littler and worser (hey, if Shakespeare can use it, so can I) things. Wise is, as Grant puts it, "a big fish in a little pond." His ego won't let him believe it, but ultimately experience is a hard teacher. For those who just like Harris' style, you won't be disappointed. And Ormond does manage to sum up far more emotion than she did in the pathetic "Sabrina." But it is Vaughn, as stoic as Sheriff and as cynical as Trent Walker, who draws you into his character and keeps you from guessing too far ahead. The movie is worth watching just for the last five minutes or so, from the time Grant claims, "I'm not a closer" to the rolling credits. You'll think about this one for quite a while after viewing. And that's a good thing.