The Fighting Temptations

Cuba Gooding, Jr. is among one of the most likable actors I can think of, who always seems subjected to bottom-barrel dreck. His performance as Tre Styles, living on the wrong side of the town with a smart brother and a thug for a friend in John Singleton's Boyz N The Hood is one I recall as one of the strongest of the eighties and one of infinitely powerful emotional impact. On a lighter not, he too gave a quick-witted, inspired performance as a luckless schmuck in pursuit of $2,000,000 in Rat Race. In Jonathan Lynn's Fighting Temptations, his character is Darrin Hill, an advertising executive in New York, who roots stem from Monte Carlo, Georgia. He learns of his aunt Sally's death just as he was leaving his firm with all his things after being informed he was fired for having a resume consisting mainly of false pretenses. He flies down to Georgia to attend the church he did as a child, and is reacquainted with the heat, the atmosphere, and the backsides of the girls by Mike Epps' Luscious. Darrin, then, learns that his aunt left him $150,000 in her will if he can rebuild the church's choir from the ground-up in six weeks. Learning that those who willingly want to join are less than qualified, he holds auditions, wanders around town, and in the meantime, constantly tries to form a relationship with Beyoncé Knowles' Lilly, his crush at a young age who had her heart set on Michael Jackson.

The story here is told with an alertness to its formula, yet a bounce in its step, fully capitalizing on the potential of Gooding, Jr. as an actor and Beyoncé Knowles as a screen presence. As someone who had no desire to watch any film Beyoncé went near and a distaste for her music, she is wonderful here, playing a character not as helpless or as self-consumed as I thought. She also isn't placed in the foreground either, nor does the film feel like it's simply capitalizing off her bankability as a singer. Her and Gooding, Jr. make a perfect pair.

Yet what's really to praise and write home about with The Fighting Temptations is the soundtrack. The choir sequences are energized precisely to give them the added effect and extra boost they need to work. The little rap tune, "To Da River," that comes relatively late in the game, is about as catchy as any song can be, and so often do the songs break free from the depressing shackles of being trite or undercooked.

If there's one point of "triteness" the film incorporates, it's the melodrama and Darrin's slightly smarmy attitude to the idea of running this choir and his romance, which is played out and redundant. It's not as painstakingly cheesy or as tiresome as it could've been (worse, more confused writing that is present in a melodramatic picture like Tyler Perry's Diary of a Mad Black Woman would've steered this film off the nearest cliff). Not to mention, if the film would've had, say, lesser performers, ones with not nearly as much drive, passion, or soul as the cast presented here, this would've spiraled further into lame, contrived mediocrity.

There isn't too much in The Fighting Temptations, and it does go a tad too long, with a story that reaches the two hour mark. It's not great cinema by any stretch; it's the kind I call "Sunday morning-fare," the kind of film you tune into fifteen minutes after it started, watch till the credits, and resume your day unaffected in any way, positive or negative. As awkward of a statement this may be, there's worse "Sunday morning-fare" out there. Certainly it'd be harder to find one as nice, free-spirited, genial, and effervescent as this.

Starring: Cuba Gooding, Jr. Beyoncé Knowles, Mike Epps, and Steve Harvey. Directed by: Jonathan Lynn.

High-class New York advertising executive Cuba Gooding, Jr. is fired for lying on his resume (firing someone for that is about as dumb as firing someone for killing a cockroach). Immediately following that he learns that his elderly aunt has died. He decides to go back to the town of his youth, a place he has always been ashamed of, and finds out that she wanted him to take over the job of conducting the choir in the local Baptist Church. Gooding does not show much interest until he learns that $150,000 is involved. Thus he passes himself off as a musical specialist with hit-and-miss comedic results. Beyonce Knowles sizzles, as she always seems to do, as a cocktail bar singer who has been banned from the congregation for having a child out of wedlock. Needless to say, the choir needs her though and it becomes apparent that Gooding needs her as well. Wendell Pierce is impressive as the church's minister and his annoying sister (LaTanya Richardson) ends up being the villain here. Lots of energy from the cast and some admittedly great vocals are not enough to endear "The Fighting Temptations". The main problems are Gooding's uneven character (it is hard to always like him) and a seemingly endless running time (going just over two hours, too long for a movie like this). Knowles is the greatest reason to watch. She downs Pepsi Colas and sings her heart out with vigor and intensity. 2.5 out of 5 stars.

To my surprise, this was not a movie about the Temptations.

This is one of those cute "black" movies that makes white people wish they were black so they could have so much fun -- and I don't necessarily mean that in a cynical way. Others that come to mind are "The Preacher's Wife", "The Five Heartbeats"... I like movies like this, if only for relief from always seeing the same white actors on screen.

Of course, just like all Hollywood movies, it is total fantasy, and this one even more so seeing as it it was made by MTV (just check out the number of deleted music sequences on the DVD!).

And if you love gospel music (even some who don't), you will love this movie, despite the fact that it looks like the songs were written first and a script later to patch them all together, taking many shameless cues from "Sister Act" -- both One and Two.

The script is pretty lame in many parts -- mostly with Cuba Gooding's lines -- and the punch depends on the goings-on of mostly bit parts. LaTanya Richards as Paulina is extremely convincing as the self-righteous church treasurer, but there are no really strong protagonists (the only one around dies in the first fifteen minutes) so she pretty much controls the plot single- handedly.

The movie is all about cameos. Cameos, cameos cameos!! Even Shirley Caeser plays (who else?) herself ! ! They might as well have called Beyonce Beyonce and Cuba Cuba.

One other good thing I can say for the movie is the positive mixing of races it shows, among so many movies that tend to show mainly conflict among them. In my experience, the kind of mixing as shown in this movie is the real world, rather than the 99.9% black "Preacher's Wife", or for that matter 100% whiteness of so many movies. Sure, it may be fantasy (there is absolutely no racial tension present in this movie despite so much mingling), but I root for the positive image it projects.

If you are a cynic, this movie is not for you, but if you need some warm fuzzies, go for it!

I can not believe I almost forgot to write about this film. It was a rare one that I really enjoyed. It had some funny moments and some great music. Now I'm not saying this movie was perfect b/c it was far from it but it was very entertaining and sometimes that is what a movie is supposed to be. The acting was okay and Beyonce is not bad at acting and is great at singing. The plot was nothing monumental but it dealt with something my wife was actually going through at the time. I will definitely own this movie.

This is one of Cuba Gooding's best performances in years. Mr. Gooding has been on a dry run since his Oscar win in the supporting category for Tom Cruise's famous line-Show me the money!

This is basically a fun film. Cuba Gooding, recently fired from his job, returns to Georgia for the funeral of his beloved Aunt Sally. That funeral scene in the church is just memorably realized.

Gooding captures the part of the not so competent worker, with a kind and understanding heart.

He can keep the inheritance providing that he does something is an old Hollywood line. This time, it's the taking up of the choir.

LaTanya Richardson gives a stoic performance as the holier than thou choir leader who looks to trip the Gooding character up so that she can maintain her position. She is just great as one who preaches reverence but has strayed herself.

Beyonce Knowles belts it out. Of course, her rendition of fever can't be compared to that of the great Peggy Lee.