Vendetta

This was a fairly interesting historical drama, but the portrayals were so black and white that the story seemed improbable to me. I suspect the true story is a bit more "gray" than the movie suggests. Our politically correct society allows these one sided views only when the "white anglo saxon protestant" male is the villain.

The story is great, and the actors are very good too. I guess I like the story more than the acting. Though it has no happy ending, but it feels real. Wonderful movie.

African Americans were not the only group lynched in the US. In the 1890s, there were six lynchings of Italians, three of them in Louisiana. This is the story of one such lynching in New Orleans.

After the emancipation in 1865, the power in New Orleans imported Sicilians to replace the African American. After a time, they came to regret this decision, as the Italian population grew to about 30,000 by 1890. They, particularly James Huston (Christopher Walken), set about trying to play the two factions of Sicilians (the Machecas and the Provenzanos) against each other.

It should be noted that politically correct terminology is not used for the two races.

Since the Sheriff (Andrew Connolly) wouldn't go along with the Mayor (Kenneth Welsh) and the other leaders, he was disposed of. Another policeman (Luke Askew) reported that "dagos" did it and riots ensued. Six men were pointed out by a "witness" that was intimidated by the police.

A "trial" was held, but the results weren't what the town expected, so they took matters into their own hands, stirred up by the Mayor with threats by Huston that it will be done "with you or without you." Of course, many more were murdered in the real event that took place, but this is a movie.

Huston got what he wanted.

Although it has one of the more depressing endings ever filmed (and I normally don't like that kind of thing), I was unable to stop watching it. The story, no doubt simplified for the screen, was engaging and has me interested in seeking out Gambino's book to get the broader picture as well as the facts. :) Christopher Walken's accent was a tad iffy, but he wasn't the main attraction of the film. The collection of players were extremely well-balanced so that everyone had a chance to do their stuff and be memorable and they were! Darragh O'Malley as the Irish investigator was a pleasure to see after the days of Sharpe's Rifles and Joaquim de Almeida likewise captured interest with his diginified performance. Bruce Davison and Edward Herrmann as the warring attornies were also solid and interesting. I completely enjoyed this film.

9/10

Theodore Roosevelt was contemptuous of races and nations he considered inferior. When a mob in New Orleans lynched a number of Italian immigrants, Roosevelt thought the United States should offer the Italian government some remuneration, but privately he wrote his sister that he thought the lynching was "rather a good thing" and told her he had said as much at a dinner with "various dago diplomats . . . all wrought up by the lynching."

This was the attitude of America in 1891. The New York Times on March 14, 1891, published an article describing the events in this film with the following headline: CHIEF HENNESSY AVENGED; ELEVEN OF HIS Italian ASSASSINS LYNCHED BY A MOB. The attitude of the whites in New Orleans can best be summed up by the comments from one businessman, "I would rather have a thousand Chinamen, than one Italian.

This information is critical to understanding the movie, the truth of which is well documented. It was not just African Americans that suffered lynching after the Civil War, many Italians suffered the same fate across the country, but mostly in the South.

Timothy Prager's script hewed very closely to Richard Gambino's book. The performances were outstanding, particularly Christopher Walken, Joaquim de Almeida, and Clancy Brown, in the short time he was on screen. Alessandro Colla and Megan McChesney provided a romantic distraction amid the chaos. This was their only screen roles, and they did very well.

I am grateful to Alan DiFiore, Mark Israe,Sue Jett,Gary Lucchesi,Tony Mark, Nicholas Pileggi, and Gary A. Randall for making this important film.