Georgia

Jennifer Jason Leigh is an incredible actress, climbing into a character and making you feel what the character feels. She accomplishes that to an intense degree as Sadie Flood in "Georgia." The problem is that I didn't really want to feel what Sadie felt. She scared and disgusted me. Mare Winningham (who knew she had such a clear, sweet singing voice?!?) matches Leigh's believable portrayal, but had a more sympathetic character with which to work. The stand-out, though, is Max Perlich as Sadie's worshipful husband/doormat. My heart broke for him. While the acting was strong, I found this film exhausting and kept checking to see how much time was left - it felt more like an assignment than entertainment.

Sadie is desperately looking up to her older sister Georgia who is a famous C&W artist. Sadie wants to be a famous artist like her sister, but is always doing everything wrong. Her desperate need to be accepted by her sister is constantly complicated by her drug and alcohol problems.

Beyond anything else you can say about this film, it is a showcase for Jennifer Jason Leigh. She not only stars -- and sings -- but produced the film, and along with her mother (Barbara Turner) wrote the script, based on a real-life experience.

The casting of Ted Levine is interesting. Apparently he was cast to help distance him from the "Buffalo Bill" image he had acquired. But they made little attempt to modify his look. He still looks very much like Buffao Bill, though he is quite capable of altering his appearance by merely growing a mustache (see "Monk").

I read with effervescent amusement and disbelief the comments below. Jennifer Jason Leigh the best actress of the color film era? Goodness, where on EARTH are such judgments formed? From "Fast Times at Ridgmont High" ??? She is that rare actress who is unable to communicate either via verbal or nonverbal means - whatever drugs some of you folks might be on, send me some!

This is an unholy MESS of a movie - it has the worst of everything - a horribly written script, a plot with no point, a non-credible storyline and some of the most poorly drawn, stereotypical characters I've seen in a movie. Add to that hamfisted acting, labored directing and you have one royally screwed up-movie!

I think a few of the people below who have thrown laurels this movie's way would love to buy a suit of the emperor's new clothes - rare is the movie that comes along which is as pointless, vapid and obnoxious as this one.

Hello, Brazilians! Georgia is such a touching film. I saw it once in one of the BAND's dawns, and then it didn't leave my mind anymore. After a long time, I saw it again, VHS, then I could remind it... still touching. A beautiful view of a beautiful life. Sadie is quite full of life. This life, sometimes, flees from her, but she's always trying to take it back. And there's no doubt about her ability... "She swallow people" - Georgia said. Yes, she's strong... she is Sadie Flood. And I really love this movie. I wish I could leave the Contracampo's (a Brazilian movie magazine)commentary here, but only English posts are accepted... what a pity!

'Georgia' is a strong, sometimes harrowing drama about the relationship between two singing siblings: the eponymous elder sister, an established country-folk star, and the less talented Sadie, who is actually the central character of this film. Jennifer Jason Leigh is in her element as the self-destructive, self-loathing Sadie, and delivers perhaps her finest performance; but Mare Willingham is also good in the subtler role of Georgia, a woman whose capacity to feel compassion has been tested to the limit, and which only survives when focused through a prism of superiority. Georgia is instinctively careful with words but Sadie compulsively goads her into betraying these instincts; the telling dialogues between them are constructed with a deadly precision, the high points of a generally excellent screenplay. What's also surprising is that the music is also good. In any film about art, a central problem for the director is creating a belief in the merits of the fictional work; in 'La Bellie Noiseuse', for example, Jean-Jacques Rivette created an explicit plot justification for not having to show the painting that is the film's centrepiece to his viewers, rather than letting us judge it. By contrast, in this film, Georgia sounds genuinely good, while Sadie veers between downright awful and almost interesting; this allows the film to actually use the music as a means of conveying the narrative of the story. This slows the pace of the film, and if you don't like the types of music played, might be excruciating; but it's interesting to see the (fictional) truth conveyed through the medium of performance.

One of the film's strengths is that it grants us no indulgent fantasies; because of this, the narrative arc is limited (especially as the film is quite long). In some senses, the film resembles other great films about the self-destructive, like 'Five Easy Pieces' or 'Naked'. It's not quite in that class, but it's double-headed structure makes it more reflective, less visceral, but by no means uninteresting. Overall, it's an unjustly neglected work.