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Amistad

  • 1997
  • R
  • 2h 35m
IMDb RATING
7.3/10
86K
YOUR RATING
POPULARITY
3,511
145
Djimon Hounsou in Amistad (1997)
Theatrical Trailer from Dreamworks
Play trailer2:32
2 Videos
99+ Photos
DocudramaPeriod DramaBiographyDramaHistory

In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must deci... Read allIn 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.

  • Director
    • Steven Spielberg
  • Writer
    • David Franzoni
  • Stars
    • Djimon Hounsou
    • Matthew McConaughey
    • Anthony Hopkins
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    86K
    YOUR RATING
    POPULARITY
    3,511
    145
    • Director
      • Steven Spielberg
    • Writer
      • David Franzoni
    • Stars
      • Djimon Hounsou
      • Matthew McConaughey
      • Anthony Hopkins
    • 272User reviews
    • 84Critic reviews
    • 64Metascore
  • See production info at IMDbPro
    • Nominated for 4 Oscars
      • 11 wins & 44 nominations total

    Videos2

    Amistad
    Trailer 2:32
    Amistad
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    Video 2:02
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    Video 2:02
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best

    Photos187

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    + 181
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    Top cast99+

    Edit
    Djimon Hounsou
    Djimon Hounsou
    • Cinque
    Matthew McConaughey
    Matthew McConaughey
    • Roger Sherman Baldwin
    Anthony Hopkins
    Anthony Hopkins
    • John Quincy Adams
    Morgan Freeman
    Morgan Freeman
    • Theodore Joadson
    Nigel Hawthorne
    Nigel Hawthorne
    • Martin Van Buren
    David Paymer
    David Paymer
    • Secretary John Forsyth
    Pete Postlethwaite
    Pete Postlethwaite
    • Holabird
    Stellan Skarsgård
    Stellan Skarsgård
    • Tappan
    Razaaq Adoti
    Razaaq Adoti
    • Yamba
    Abu Bakaar Fofanah
    • Fala
    Anna Paquin
    Anna Paquin
    • Queen Isabella
    Tomas Milian
    Tomas Milian
    • Calderon
    Chiwetel Ejiofor
    Chiwetel Ejiofor
    • Ensign Covey
    Derrick N. Ashong
    • Buakei
    Geno Silva
    Geno Silva
    • Ruiz
    John Ortiz
    John Ortiz
    • Montes
    Ralph Brown
    Ralph Brown
    • Lieutenant Gedney
    Darren E. Burrows
    Darren E. Burrows
    • Lieutenant Meade
    • (as Darren Burrows)
    • Director
      • Steven Spielberg
    • Writer
      • David Franzoni
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews272

    7.385.6K
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    Featured reviews

    10OttoVonB

    The most un-Spielberg film of his oeuvre.

    Dismissed on its release as a dry civics lesson or as "Schindler's List with slaves", which is a shame, because there is so much intricate stuff going on here that fans of Spielberg and his normally in-your-face approach might not grasp the moral ambiguity and more subtle touches that roam beneath the surface. In a year dominated by Titanic this was publicly dismissed as too serious or arty...

    Why is it un-Spielberg? Ponderous pacing replaces storytelling fluidity and speed, his normally active camera is replaced by more painterly compositions.. Instead of having stuff jump at you, you have to search for it or feel it without truly realizing it: touches of genius are very present, but differ from the original style (like the brutal insurrection scenes, cargo dumping scene, etc).

    The story itself focuses on a mutiny aboard a transatlantic slave ship, led by Cinque. The ship is intercepted by the American navy and a messy trial ensues to see who has rights regarding the cargo, Spain, America... or are the slaves not "legal" slaves after all? Cue abolitionists hiring young property lawyer Baldwin. These events, based on facts, occur before the Civil War.

    I can feel people sighing from here. "Oh, no: not a courtroom drama...". Labelling it as such would be missing the point by a mile. It is so much about context and moral ambiguity, and ultimately the tragic ridicule of the situation. Amistad is also a technical marvel. Janusz Kaminski's (SPR, Schindler's List, AI, Minority Report...) photography is superb, a dark study in sepia browns. The acting is magnificent, mainly two amazing performances. One by Anthony Hopkins as former president John Quincy Adams (an unusual turn for him, where he really soars), and the other by Djimon Hounsou (later cast as Juba in Gladiator) as Cinque being the true gem.

    Ultimately, Amistad's greatest strength is that it avoids offering any easy answers and in that sense, does to subconscious issues about race and slavery what Kubrick's 2001 did to space travel and progress, albeit with more humanity and more accessible drama. It's a shame this film is never talked about.
    8Barky44

    Powerful for Images of Slavery, but Only a Fair Portrayal of Legal Battle

    I am a fan of historically-based dramas. I enjoy the genre, and Amistad did not disappoint me. It is well shot, the look and feel is quite right, and it pulls no punches in its cruel depiction of the slave trade.

    Amistad shows this terrible business better than any other film I've ever seen. It portrays all the horrors: the capture of Africans at the hands of rival tribes; the abusive loading of slaves onto ships; the deplorable conditions; the murder and violence conducted in the name of economics; the hopelessness of the slaves' position; the crass indifference felt by the traders, auctioneers, owners and passers-by. Spielberg pulled few punches, only darkening the worst scenes to keep it from degenerating into some Rob Zombie horror film (thereby retaining an audience).

    The film also does a good job with the portrayal of the heroes, the slaves who fought for their freedom aboard the schooner Amistad. You can really feel their anger, confusion, and frustration as the events unfold. They are a people pushed from one holding cell to another, subjected to trials and procedures incomprehensible to them (both for language barriers and for the inanity of it all).

    One part the filmmakers did a fine job with was the communication barrier. Some of the best scenes involve the ignorance of the Connecticut gentry as they stare blankly at the Africans as they speak their tongue; incompetent linguists stating the obvious and disguising it as "science"; lawyers trying to figure out the slaves' stories; and finally the leader of the escaped Africans declaring "Give us free!" That part really stood out for me.

    There are a few criticisms I can lay upon this film, however. Firstly, they didn't do that great of a job in portraying courtroom drama. Filmed in '97, this film predates some great television courtroom dramas (Law & Order, The Practice). Much of what happens in court is either boring or confusing or pointless. I think if Spielberg was able to study some of these great courtroom dramas, these parts would have had a lot more "punch". Having said that, Anthony Hopkins did some fine delivery as John Quincy Adams...

    Another element I disliked was the clumsy interweaving of the "Big Slavery Picture" elements. There's a scene at President Van Buren's state dinner where Senator John Calhoun of South Carolina shows up and makes threats of civil war. The scene was really just thrown in there to try to put in some jeopardy, but the film was doing just fine without that. The intrigue between Van Buren and the Spanish girl queen was really nice, however (a very young Anna Paquin!).

    The last element that didn't work too well was Morgan Freeman's character, Joadson. He really comes across as little more than an extra. He's such a fine actor, the script doesn't do him justice.

    For the most part, this is a fine, and important, film. It just misses a few marks that would have made it a great film.

    8 out of 10.
    8mstomaso

    Whoever tells the best story wins

    Amistad is a very well crafted, well acted, and well told story. It is also mostly true to the history of events surrounding the Amistad 'mutiny', and the defense of the Africans responsible for it by John Quincy Adams and a young lawyer named Baldwin. I put the word mutiny in quotes because it is absurd to think of people fighting against murder, enslavement and rape as any form of crime. The film is unabashed about showing us the brutality and outrageousness of the covertly institutionalized slave trade that haunted one of America's darkest, most retrograde periods, and pulls no punches about the cultural differences between its victims, its culprits, and those who felt that it was not their problem.

    Amistad ranks as one of McConaughey's finest performances, perhaps his best. But nearly the entire cast is blown off the screen by the passionate, sensitive and profound performance of Djimon Hounsou. Hopkins is good as Adams, but what else is new? Though the film does not have a literary feel - it is pure cinema - it is a truly great story featuring bold characters and a deep and simple emotionality which draws its audience in. Alistad has a spirit that can only be described as truthfulness.

    Despite his detractors, Spielburg proves again and again that morally decent films with positive messages can be entertaining and artfully crafted.

    Highly recommended.
    8helpless_dancer

    excellent, thought provoking tale of the agony of slavery

    The horrors of slavery are depicted here in graphic detail. The scenes dealing with the ships carrying their human cargo were awful - very hard to sit and watch. When the slaves were brought to America, a huge trial ensued over whether or not they should be freed or not. This was a big production complete with all the costumes of the era - the early 19th century. Great story, dialogue, and acting made this a must see film.
    8philip_vanderveken

    Another historic masterpiece from one of the greatest directors ever

    There is one thing that I've never understood about Hollywood. When it comes to historic and realistic movies, they have used about every possible subject. Think of the American Civil War, the Hollocaust, the Second World War, the Vietnam war,... Each of these historic subjects has been used in a movie at least once. And there is absolutely nothing wrong with that, as long as it is done properly and accurately, because these movies are often the only source of new knowledge for a lot of people once they have left school (and even at school they hate history classes because they don't seem to understand the importance of it). But why aren't there so many movies about the slave trade and the plantations? Are the studios afraid of that subject or are they so racist, that they have never been able to come to terms with the abolishment of slavery?

    "Amistad" tells the story of a group of Africans who start a revolt against the crew of the slave ship La Amistad and get adrift for several weeks after this horrible event. Then they are discovered by some American marine officers, who bring the ship into harbor and hand over the slaves to the local authorities. Soon they have to stand trial for this revolt and the fact that they have murdered the crew. But a couple of honorable men, who want to end the slavery in the New World, will defend them with everything that is within their power ... even if that means that they will offend some other countries or start a civil war.

    At the same time it's very easy and very hard to say what I liked about this movie. I liked almost everything about it, but explaining why will take some time. Let me start with the story on itself. The fact that it hasn't been told at least a dozen times makes it original, but doesn't make it easy to compare it to other similar movies of course. Still, the quality was more than OK and had a lot of variation to offer. It's clearly well-written with a good eye for detail and even though I'm normally not a fan of court room drama's, I must say that it didn't even bother me that a court room was the place where the biggest part of this movie was set. What I also liked was the acting. From people like Morgan Freeman and Anthony Hopkins you can't expect anything else but a fine performance, but it was the rest of the cast that offered me a nice surprise. Djimon Hounsou for instance still isn't a house hold name, even though he has played in a few excellent movies like "Gladiator" and "In America", but once again he proves that he's a talented actor and I sure hope to see him in many more big productions soon.

    Even though a large part of this movie was shot in a court room, it also offered plenty of other sets. You'll get to see the fort in Sierra Leone where the slaves were brought together to be shipped to the New World, you'll see a nice representation of the American cities of those days, you'll see the ships of that time... And perhaps it's the slave boat and all the scenes on it that were the most incredible. I don't think the horror of the slave trade was more obvious as it was in those scenes. They certainly aren't suited for people who can't stand the sight of blood or very graphic violence, but excluding them from this movie would not only be a shame, it would harm the sense of reality. And it's that sense of reality that makes this movie so special. Of course Steven Spielberg knows exactly how to make a movie feel as real as possible. Think of "Schindler's List" and "Saving Private Ryan", both movies that will always be in my list of the best movies I've ever seen, but with this movie he has proved that he can do more than telling a story situated in WWII.

    In the end I can only say that this is a movie that every American and every European should see. The Americans should see it because the slaves ones were the reason why the plantations in the South prospered and the civil war was fought and the Europeans shouldn't miss it, for we should never forget that the slave trade will always be a dark page in our long history. This movie is for so many reasons worth to be seen (not once, but at least a couple of times), that it doesn't deserve anything less than an 8.5/10.

    Storyline

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    Did you know

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    • Trivia
      Sir Anthony Hopkins astounded the crew by delivering the entire seven-page courtroom speech in a single take. Steven Spielberg was so in awe, he couldn't bring himself to call him Tony, and insisted on addressing him as Sir Anthony throughout the shoot.
    • Goofs
      Martin Van Buren was never photographed while in office, and in 1839 photography was extremely new technology and not widespread. The first president to be photographed while in office was Van Buren's immediate successor William Henry Harrison in March 1841. Van Buren was photographed in 1845, well after he had left office, but he was not wearing a sash as depicted in the movie. Former Presidents John Quincy Adams and Andrew Jackson were also photographed that same year.
    • Quotes

      John Quincy Adams: [to the Court] This man is black. We can all see that. But can we also see as easily that which is equally true: that he is the only true hero in this room? Now, if he were white, he wouldn't be standing before this court fighting for his life. If he were white and his enslavers were British, he wouldn't be standing, so heavy the weight of the medals and honors we would bestow upon him. Songs would be written about him. The great authors of our times would fill books about him. His story would be told and retold, in our classrooms. Our children, because we would make sure of it, would know his name as well as they know Patrick Henry's. Yet, if the South is right, what are we to do with that embarrassing, annoying document, The Declaration of Independence? What of its conceits? "All men created equal," "inalienable rights," "life, liberty," and so on and so forth? What on Earth are we to do with this? I have a modest suggestion.

      [tears papers in half]

    • Crazy credits
      The events depicted did not historically occur at Fort El Morro
    • Alternate versions
      The board of film censors of Jamaica have excised the opening scenes, depicting a violent slave uprising on a ship, from all copies of the film released in Jamaican theatres.
    • Connections
      Featured in Siskel & Ebert: Alien Resurrection/Welcome to Sarajevo/Flubber/Public Housing/Bent (1997)
    • Soundtracks
      Andante From Quartet No. 2 In B Flat Major
      Written by Giovanni Battista Viotti

      Performed by Quartetto Aira

      Courtesy of Dynamic SRL.

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    Details

    Edit
    • Release date
      • December 25, 1997 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Mende
      • Spanish
      • Portuguese
    • Also known as
      • Chuyến Tàu Nô Lệ
    • Filming locations
      • San Juan, Puerto Rico
    • Production companies
      • Dreamworks Pictures
      • Home Box Office (HBO)
      • Amblin Entertainment
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $36,000,000 (estimated)
    • Gross US & Canada
      • $44,229,441
    • Opening weekend US & Canada
      • $4,573,523
      • Dec 14, 1997
    • Gross worldwide
      • $44,229,441
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 35 minutes
    • Color
      • Color
    • Sound mix
      • DTS
      • Dolby Digital
      • SDDS
    • Aspect ratio
      • 1.85 : 1

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