IMDb RATING
6.7/10
1.8K
YOUR RATING
A paroled murderer returns to the Staten Island home of his youth, where a poignant friendship blossoms with the restrained wife of his temperamental-- and jealous-- brother.A paroled murderer returns to the Staten Island home of his youth, where a poignant friendship blossoms with the restrained wife of his temperamental-- and jealous-- brother.A paroled murderer returns to the Staten Island home of his youth, where a poignant friendship blossoms with the restrained wife of his temperamental-- and jealous-- brother.
- Awards
- 1 nomination
Michael Cambridge
- Jason
- (as Brian Burke)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaShot in thirty-six days.
- GoofsWhen Tommy's house is surrounded by police, the head officer can be seen wearing a watch with a black leather or rubber band, then a few minutes later, in another shot, he is wearing a watch with a silver band.
- ConnectionsFeatured in The Movie Show: Episode dated 15 June 1997 (1997)
- SoundtracksI Want You To Move
Written by Jamie Carter and Luis Ruiz
Performed by Jamie Carter
Produced by Michael J. Clouse
Courtesy of MJC3 Music/GinStar Ent.
Featured review
This is my first experience with a Giovinazzo film, and with all the actors, so it's totally fresh eyes. I liked the film. I knew from early on, when the brother is introduced, where the story was going to go. It would have been thrilling had I been wrong, but I wasn't. That didn't diminish the film in any way. All the production qualities were excellent, which left me only watching three actors really inform their characters. Consistency of mood I would call it. Even when there are brief happy moments, the smile or laugh is expressed, but the hard truth underneath is still apparent. There are a lot of references to Tim Roth's Joey being slow, which I don't quite buy. He carries on cohesive conversations, has logic, understands consequences, and makes decent decisions. He isn't bumbling through life. There's only one line I recall about him being very smart before, which is valid to support a change in mental capacity, but I would rather have had them refer to his malleability more that mental capacity since I did not see him as "slow". Having said that, I did accept the story line that his peers in their youth and older, rowdy, unthinking selves would call Joey that. The one thing I appreciated most about this film was the total lack of over-reacting that so often happens when there is violence. Violence and fear are part of these people's lives, so, when it happens, it's just part of that particular day. Brilliant restraint. Even at the end, there is what I might call the "look" that could have occurred between the brothers, and, thankfully, didn't. To the end, the film stayed true to it's mood and truths. That's what I think kept me engrossed in it.
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Details
Box office
- Budget
- $4,000,000 (estimated)
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