A biographical movie on the film star's early life before Hollywood fame.A biographical movie on the film star's early life before Hollywood fame.A biographical movie on the film star's early life before Hollywood fame.
- Awards
- 1 nomination total
Nicki Paull
- Marelle Flynn
- (as Nicola Paull)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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This film takes a lot of liberties with the known historical facts.Even little things like Flynn licking one stamp after another, when he almost certainly would have used a moistened sponge, is one of the annoying things. Flynn was never tried of manslaughter or murder. He is not known to have caught his mother making love to another man, and is not known to have had an homosexual relationship with anybody, and he did not end up on skid row in Sydney. He did not get his twopenny-halfpenny role in In the Wake of the Bounty by imposture and this role did not turn him into a well-dressed film star.
This is just a mediocre film where the name of Errol Flynn has been tacked on just to sell more tickets and more videos.
This is just a mediocre film where the name of Errol Flynn has been tacked on just to sell more tickets and more videos.
Guy Pearce might have a vaguely similar face to Errol Flynn, but this small-framed and rather reserved actor was very miscast as the muscular, barrel chested, beefcake Errol Flynn. He wasn't convincing and the film was unconvincing in general.
The acting is on a par with that of a daytime TV soap-opera and I can only put that down to poor directing as Pearce, Steven Berkkoff and others are certainly not without talent.
For a film depicting someone who lived so much in the fast lane, it is remarkably dull and slow moving, with quite a number of pointless musical interludes.
To its credit it, it did touch on the Flynn's same sex encounters, instead of trying gloss over that aspect. Despite what some reviewers here have said, it is well known that Flynn had sexual relations with both men and women, and a lot of them - it's where the phrase "in like Flynn" comes from.
However, if you are looking for anything resembling an accurate portrait of the man, don't bother with this frippery.
The acting is on a par with that of a daytime TV soap-opera and I can only put that down to poor directing as Pearce, Steven Berkkoff and others are certainly not without talent.
For a film depicting someone who lived so much in the fast lane, it is remarkably dull and slow moving, with quite a number of pointless musical interludes.
To its credit it, it did touch on the Flynn's same sex encounters, instead of trying gloss over that aspect. Despite what some reviewers here have said, it is well known that Flynn had sexual relations with both men and women, and a lot of them - it's where the phrase "in like Flynn" comes from.
However, if you are looking for anything resembling an accurate portrait of the man, don't bother with this frippery.
One wonders how FLYNN could have failed so badly as a cinema release in 1997 with Guy Pearce aptly in the lead role. It is not often that the casting of someone so famous is so exactly right. FLYNN was a stumbler at the box office and did not end up on cinema screens in Australia...even after LA CONFIDENTIAL...! From a dazzling nude scene in the first few minutes (presumably by Guy Pearce) FLYNN gets off to a fairly robust and interesting start. Sadly, FLYNN runs out of steam after about the first 35 minutes and with the entrance of hammy Steven Berkoff in a detour to New Guinea, (looking and acting like he wanted the Klaus Kinski role in FITZCARRALDO) the film starts to resemble a tele movie rather than a major cinema biography. Believe it or not, by about the 70 minute make, it is boring and you are glad to see it over. But such promise! Pearce IS Flynn! But the movie caused a mutiny at the box office and unlike The Bounty, sank without trace.
Even though he only made his debut film in Australia and left for Great Britain and then America to continue his career, Australians will tell you that the greatest film star they ever produced was Errol Flynn. I'm not sure he ever even went back to Australia after his breakout success in Captain Blood. Still I attribute this film to the well known Aussie irreverence for trashing the reputation of one of their own.
Part of the problem in telling Errol Flynn's life story was that he told enough tall tales in his life right up to the very end in his memoir, My Wicked Wicked Ways. I could see that a lot of the film was based on that and upon reading between the lines of that book.
His mother's infidelity to his father was not written, but could have been inferred in reading My Wicked Wicked Ways. He didn't particularly like the woman, that is clear from a few sources.
I wish the film had dealt more with his New Guinea adventures, that to me was the most interesting part of My Wicked Wicked Ways. As for his street fighting in the Depression, I tend to disbelieve that. Even if he had been successful at it, I guarantee that enough of that would have ruined his looks and he would never have had a career as a leading man.
Still the folks down under seem to think the atmosphere of Sydney during the Depression was captured well and Guy Pearce is a charismatic Errol Flynn. American audiences know him best as the uptight, but honest Lieutenant Exley in LA Confidential which came out the same year as Flynn.
But LA Confidential was a far better film.
Part of the problem in telling Errol Flynn's life story was that he told enough tall tales in his life right up to the very end in his memoir, My Wicked Wicked Ways. I could see that a lot of the film was based on that and upon reading between the lines of that book.
His mother's infidelity to his father was not written, but could have been inferred in reading My Wicked Wicked Ways. He didn't particularly like the woman, that is clear from a few sources.
I wish the film had dealt more with his New Guinea adventures, that to me was the most interesting part of My Wicked Wicked Ways. As for his street fighting in the Depression, I tend to disbelieve that. Even if he had been successful at it, I guarantee that enough of that would have ruined his looks and he would never have had a career as a leading man.
Still the folks down under seem to think the atmosphere of Sydney during the Depression was captured well and Guy Pearce is a charismatic Errol Flynn. American audiences know him best as the uptight, but honest Lieutenant Exley in LA Confidential which came out the same year as Flynn.
But LA Confidential was a far better film.
I can only think of one reason this movie was released. To capitalize off the upcoming fame of Guy Pearce. This movie has no merit at all and needlessly trashes Errol Flynn's memory. The homosexual encounter was pure speculation. The disdain shown for Flynn in this movie is palpable. An easy way to slander an actor who died years ago. Horrible and embarrassing. Very disappointing. Don't waste your time on this utter trash. Watch My Wicked wicked ways if you want to learn about this fine actor or read his autobiography. This movie is NOT the way.
Did you know
- ConnectionsReferenced in Ocean's Eleven (2001)
- SoundtracksRemember My Forgotten Man
Performed by Wendy Matthews
Written by Harry Warren & Al Dubin
Published by J. Albert and Son P/L
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