An ugly duckling having undergone a remarkable change, still harbors feelings for her crush: a carefree playboy, but not before his business-focused brother has something to say about it.An ugly duckling having undergone a remarkable change, still harbors feelings for her crush: a carefree playboy, but not before his business-focused brother has something to say about it.An ugly duckling having undergone a remarkable change, still harbors feelings for her crush: a carefree playboy, but not before his business-focused brother has something to say about it.
- Nominated for 2 Oscars
- 2 wins & 6 nominations total
Featured reviews
Passable but overlong remake of the classic Audrey Hepburn vehicle will play best for those not familiar with the original. The cast(Harrison Ford, Julia Ormond, Greg Kinnear) performs well and its production values are high but director Sydney Pollack's pacing tends to flag. By contrast, Billy Wilder's direction of the 1954 version is much tighter and quicker. Interestingly this "Sabrina" is 15 minutes longer than its predecessor but thanks to Pollack those extra 15 minutes feel like 30. Also, Barbara Benedek's and David Rayfiel's script lacks the wittiness that scenarists Billy Wilder, Samuel Taylor("Vertigo") and Ernest Lehman("The Prize," "North by Northwest") provided the first time around.
Bottom line: 6 out 10.
Bottom line: 6 out 10.
Julia Ormond is sensational as the young Sabrina Fairchild, daughter of the chauffeur (John Wood) of a wealthy family. Sabrina has been in love with playboy brother (of wealthy family) David (Greg Kinnear) all her life, and is dismayed when her father sends her off to Paris to get a new view of the world. However, years later, when she returns as an older woman, David then realizes how 'right' she is for him, even if he's finally setting a date with one of his two-week lovers. Behind this interaction, older brother and businessman Linus (Harrison Ford), whose pleased about David's engagement, seeing that he's marrying the daughter of wealthy business competitor Mr. Tyson, knows that Sabrina just might end the marriage and the merger. To make things work out, Linus pretends to start being interested in her. This is a delightful tale about love with beautiful music and visual shots that will make you very pleased. The movie is unique enough to be considered a film of individuality, not another version of the same film. Both Sabrina (1954) and Sabrina (1995) are well done, just different. Rating: 4 1/2 out of 5 Stars.
I saw the original "Sabrina" before ever seeing the remake. I adored Audrey Hepburn in all of her movies, and this was not an exception. Her comedic timing was perfect. She was completely believable as a young ingenue, and of course, she would not be Audrey Hepburn if she weren't absolutely breakthtaking on screen. But while I enjoyed the original, I have seen it only once, whereas I have seen the remake so many times I have lost count!
The 1995 "Sabrina" is a gem of a film. I keep hearing myself describe it as funny, but sometimes I wonder if that's even the right word. That's because except for that rather unexpected burst of laughter from Linus' secretary, which cracks me up EVERY time I get to that part, I have never found myself laughing aloud while watching this movie. But the humor is so cleverly written, it is impossible to ignore just how charming and comical this movie is.
The script is wonderfully brought to life by the outstanding cast. Harrison Ford is superb as Linus Larrabee. He plays Linus as a serious and almost ruthless businessman, and yet gains our sympathy as he gradually shows a tender and vulnerable side to Linus' cool exterior. Greg Kinnear is well-cast as Linus' dish of a younger brother, David. True, David is self-centered, careless, and carefree. But Greg Kinnear plays him with utter charm that we understand why Sabrina and women in general are so taken with him. And what of Julia Ormond? Well, I think she was absolutely perfect as Sabrina. If she had felt any trepidation essaying the role that had been so closely identified with an icon like Audrey Hepburn, none of her nerves translated on to the screen. She IS Sabrina. I think it's a wonderful combination of her beauty and acting skills that helped her succeed in this role. The sincerity of her performance makes Sabrina so appealing and completely lovable.
The performances of the three leads are complemented by a fine supporting cast made up of John Wood, Nancy Marchand, Dana Ivey, Richard Crenna, and Angie Dickinson. Some of the film's funniest moments involve their characters. And then there is the exquisite soundtrack composed by John Williams. The score is at once dreamy and intoxicating. Two songs that were written for the movie, "(In the) Moonlight" and "How Can I Remember?", are just as memorable and perfectly capture the feelings of romance and longing.
Hollywood has made a number of successful romantic movies, and I think "Sabrina" ranks as one of its best. Its charm never wears off. It sweeps you off your feet and makes your heart soar. It is a marvelous, marvelous film!
The 1995 "Sabrina" is a gem of a film. I keep hearing myself describe it as funny, but sometimes I wonder if that's even the right word. That's because except for that rather unexpected burst of laughter from Linus' secretary, which cracks me up EVERY time I get to that part, I have never found myself laughing aloud while watching this movie. But the humor is so cleverly written, it is impossible to ignore just how charming and comical this movie is.
The script is wonderfully brought to life by the outstanding cast. Harrison Ford is superb as Linus Larrabee. He plays Linus as a serious and almost ruthless businessman, and yet gains our sympathy as he gradually shows a tender and vulnerable side to Linus' cool exterior. Greg Kinnear is well-cast as Linus' dish of a younger brother, David. True, David is self-centered, careless, and carefree. But Greg Kinnear plays him with utter charm that we understand why Sabrina and women in general are so taken with him. And what of Julia Ormond? Well, I think she was absolutely perfect as Sabrina. If she had felt any trepidation essaying the role that had been so closely identified with an icon like Audrey Hepburn, none of her nerves translated on to the screen. She IS Sabrina. I think it's a wonderful combination of her beauty and acting skills that helped her succeed in this role. The sincerity of her performance makes Sabrina so appealing and completely lovable.
The performances of the three leads are complemented by a fine supporting cast made up of John Wood, Nancy Marchand, Dana Ivey, Richard Crenna, and Angie Dickinson. Some of the film's funniest moments involve their characters. And then there is the exquisite soundtrack composed by John Williams. The score is at once dreamy and intoxicating. Two songs that were written for the movie, "(In the) Moonlight" and "How Can I Remember?", are just as memorable and perfectly capture the feelings of romance and longing.
Hollywood has made a number of successful romantic movies, and I think "Sabrina" ranks as one of its best. Its charm never wears off. It sweeps you off your feet and makes your heart soar. It is a marvelous, marvelous film!
Romantic is the word for this movie. The story, the settings, everything adds up to romantic. And it's clean - no gratuitous sex scenes or foul language! A rarity for a 90s movie. This movie has a timeless quality to it, and part of the reason is the (again) extremely romantic score! Many critics panned this version of "Sabrina", unfairly comparing it to the original Audrey Hepburn "Sabrina". Nobody could ever compare to Audrey Hepburn, but Julia Ormond is a fine Sabrina in her own right. She makes the transition from awkward teen to glamorous woman with subtlety and grace. Greg Kinnear shows a natural flair for acting in his first major movie role.
Although terribly predictable and a bit too long, this film is kind of sweet. Ford shines as in his typical role of comically aloof and Ormand plays her lead well. Good chemistry and cinematography.
Did you know
- TriviaSydney Pollack initially turned down the chance to direct the remake, thinking the material too dated to work effectively in 1995. Once he agreed to take it on, Pollack made sure he had the approval of the original's director, Billy Wilder.
- GoofsLinus leaves the first party early because he needs to check on the Tokyo markets before they close. But Tokyo financial markets would close at 4:00 AM or 5:00 AM New York time. It is clearly not that late in the evening.
- ConnectionsEdited into Sting: Moonlight (1995)
- SoundtracksMoonlight
Music by John Williams
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Michael Dees
Produced by John Williams
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Сабріна
- Filming locations
- Salutation House, West Island, Glen Cove, Long Island, New York, USA(Larrabee mansion)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $58,000,000 (estimated)
- Gross US & Canada
- $53,672,080
- Opening weekend US & Canada
- $5,563,259
- Dec 17, 1995
- Gross worldwide
- $53,696,959
- Runtime2 hours 7 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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