Point of No Return

The English version of the French movie La Femme Nikita. I think it is quite well done, and I enjoyed it.

A druggie girl kills a cop and is sentenced to death. She is given the "opportunity" to live, if she does what they say, and becomes an assassin. To the rest of the world she died.

She is determined, and she doesn't play well with others, but if she doesn't start playing their game, she really will be in her grave.. I'm not giving away any more.

But I would recommend it, it's worth seeing. Especially if you like Bridget Fonda, who kicks arse in this movie.

Yes, it's a bad remake of La Femme Nikita--yes, it's overly violent and amoral (but so was the original)--yes, it's REALLY stupid, but I enjoyed it. It moves quickly, Fonda manages to give out a pretty good performance and it's certainly never boring. If you can turn off your brain, and sit through bursts of graphic violence (and a really sick sequence involving Harvey Keitel as "The Cleaner") you should be able to enjoy it. No great movie, just a really good bad movie. Critics predictably hated this movie. There's a now infamous review from the "New Yorker" magazine that's only 9 words long--"The end of French cinema as we know it." Ignore them--this is lots of fun.

An excellent example of Hollywood's ability to ruin a good movie concept. The original version ('La Femme Nikita') was far more gritty and realistic. The main character is offered a choice between death, or the life of an assassin. As such, she spends most of the film trying to find a way out of her situation. Unfortunately the overuse of high-tech props, sets and special effects have made the entire experience so sanitised that by the end of the film I found myself wishing that a corrupt government would come and kidnap me.

This movie is pretty much a shot-for-shot remake of the French film "La Femme Nikita" by Luc Besson. I'll say right off the bat that I strongly suggest watching that one instead, since they are virtually indistinguishable but this one is just a clone, a (not so cheap) imitation.

As with many foreign films that are remade for American audiences (like "Let the Right One In," "Funny Games," or "Infernal Affairs"), I'm often left feeling hollow after viewing both versions. The original was, well, original, which is why it gained international acclaim at the time, opening doors to Luc Besson for productions like "Leon" and "The Fifth Element." With this Americanized repeat, there's nothing added, no extra twist, no real reason to remake a perfectly good first film, other than the fact that Americans don't like to read subtitles. It's no wonder Luc Besson refused the offer to direct; seems pretty boring for an artist to make the exact same movie again within five years of the first.

Don't get me wrong, it's a perfectly watchable film, but I'm not liable to give it any credit beyond that since the whole thing was lifted from a movie made only a few years before this. Bridget Fonda is solid, and makes the transition from despicable junkie to government assassin pretty believable. Gabriel Byrne, of course, does well in his role, but I think this character has a very limited range compared to that of which he is capable. Dermot Mulroney is easy on the eyes but his character is not particularly memorable.

Good action, a little romance, and Bridget Fonda kicking ass. Plus a small role for Harvey Keitel at his peak, fresh off of "Reservoir Dogs" and "Bad Lieutenant." The shootouts are pretty par for the 90's, with squibs exploding everywhere and the usual shots of the protagonist diving through the air in slow motion. At the time, the role-reversal of having a female spy/assassin as the lead was pretty unique, but nowadays, of course, that is not so uncommon at all.

Summary: totally watchable, but totally unnecessary.

This movie is also called The Assassin. I have never seen the original, Nikita, from Luc Besson, but I was looking for it, instead I stumbled on this film in the rental store and it turned out to be a remake. I thought, with Bridget Fonda as a gunslinging babe, plus Gabriel Byrne and Harvey Keitel in the supporting cast, and in the director's chair John Badham, of Wargames, Bird on a Wire and The Hard Way fame, what can go wrong? Everything!

The camerawork is plain mediocre and not any action scene seems to have any choreography, the whole movie lacks style and elegance while it should have those above everything else. I think, if it would have been a good movie, every scene would have been either very thrilling and exciting to watch or involving. The scene with the arrest in the beginning and the training scenes could have been so much better with a little imagination. The same for the other "action" scenes. The whole movie is very uninspired and a huge waste of talent. For those who like the chix-with-guns genre, which still seems a bit underused, I recommend The Long Kiss Goodnight with Geena Davis and Samuel L. Jackson which is far superior and has a better plot to boot. Or if you want to see a really good film with Bridget Fonda go watch A Simple Plan.

I give this film 4 out of 10 because it had so much more potential. Were it a B-movie I had been more forgiving, but it wasn't. It was, however, executed as badly as a B-movie.