My Cousin Vinny

I can watch this film over and over again. Joe Pesci plays Vincent LaGuardia Gambini, a Brooklyn lawyer who is asked to defend his cousin and friend from a murder charge in Alabama. Marisa Tomei as Mona Lisa Vito, Vinny's girlfriend, deserved the Academy Award for Best Supporting Actress, rare for a comedy to even be nominated for anything by AMPAS. I really liked Fred Gwynne as the no-nonsense Judge Chamberlain Haller, a great foil for Joe Pesci's laid back, easy going Brooklyn wise guy. Even his name, Chamberlain Haller, evokes seriousness. A lot of fun, especially the courtroom antics of Pesci. Highly recommended.

Bill Gambini (Ralph Macchio) and Stanley Rothenstein are friends from NYC on their way to UCLA driving through Alabama. Bill accidentally takes a can from a convenience store. When the cops stop them, they think it's for shoplifting. It turns out that they are getting charged with murder. They have no money so Bill's mom gets cousin Vinny Gambini (Joe Pesci). Vinny brings his car expert girlfriend Mona Lisa Vito (Marisa Tomei). It's Vinny's first murder case and his first trial. He only passed the bar six weeks ago after 6 times trying. He starts lying to Judge Chamberlain Haller (Fred Gwynne) for his approval.

Vinny is not simply a brash Italian New Yorker. He's filled with doubt and trying to bluff his way through it. He's not necessarily the most appealing character at the start but he grows on you. Marisa Tomei was the big discovery at the time. She's absolutely wonderful. She puts a fair comedy over the top.

My Cousin Vinny (1992)

**** (out of 4)

Terrific comedy has two youths being arrested in Alabama for a crime they didn't commit but thankfully one of them has a cousin Vinny (Joe Pesci) who just happens to be a lawyer. The thick New York accent at first doesn't sit well with the South but soon his skills come out. A lot of people seem to forget that this picture did lukewarm business at the box office and had several negative reviews when it was first release. I enjoyed the movie at the time of its release but I didn't think it was anything overly great but this is a great example of how a movie just gets better with age. Today MY COUSIN VINNY is rightfully considered one of the best comedies of its time and the performances here are just downright classic and make the film so special. Of course you've got Pesci and that terrific line delivery that adds so many laughs. Just the way he's able be to over-the-top in some of his line delivery is just flawless and the chemistry he has with the supporting cast is where much of the heart of the film comes from. Fred Gwynne plays the tough Southern judge and gets one of the greatest roles in his career and he does a remarkable job with it. The back and forth between Pesci and Gwynne is just so perfect that it never grows old no matter how many times you see the film. Oscar-winner Marisa Tomei is flawless in her role as the girlfriend and we get great support from Ralph Macchio, Lane Smith, Bruce McGill and Austin Pendleton. The film has so many classic sequences that the long 118-minute running time flies by without any dry or slow moments. There's no question that the film contains some of the biggest laughs of the decade and it's also fair to call this thing a classic.

Two young men named "Bill Gambini" (Ralph Macchio) and "Stan Rothenstein" (Mitchell Whitfield) are driving on vacation from Brooklyn and happen to stop in Beecham County, Alabama for some groceries. Bill accidentally pockets a can of tuna into his jacket and forgets to pay the clerk at the counter. As he and Stan are driving down the road, Bill realizes his mistake and tells Stan. Although both of them are somewhat concerned, they continue driving down the road. They are then stopped by the police and taken to the local police station. Figuring that honesty is the best policy, Bill makes a blanket confession. What he doesn't realize is that he has inadvertently pleaded guilty to the murder of the store clerk. When he realizes his mistake he panics and turns to a lawyer in the family--his cousin "Vinny Gambini" (Joe Pesci) who is only too happy to drive down from Brooklyn with his fiancé "Mona Lisa Vito" (Marisa Tomei) to contest his very first trial. Ever. Anyway, rather than disclose the entire story, I will just say that this is a film that is one of the best comedies of the modern era. I really enjoyed the performances of Joe Pesci and Fred Gwynne ("Judge Chamberlain Haller") as both of them were hilarious. In addition to that, Marisa Tomei also put on quite a show and ended up winning an Academy Award for her performance. Now, having said all of that, I must warn viewers that some of the language may not be suitable for younger audiences. Be that as it may, if you are looking for a really good comedy--or if you're simply pondering the importance of physics--then you might want to check this film out.

Underrated. I won't belabor relating and describing the plot, because that's been recited nicely by numerous others. I'll simply return to my one word point. Underrated. Even though Marisa Tomei broke through and won Best Supporting Actress at the Academy Awards for her performance, an award she earned and much deserved, I still say underrated. This film really never got on the public's radar the way it should have, probably because there are no big-name actors featured as box office draw. Joe Pesci was as good as it gets that way. In 1991 he was the hottest name in the cast. But has Joes Pesci ever established himself as a leading man who could carry a movie by himself? I ask that in open-ended wonderment, and certainly not disparagingly. Just asking, is it fair, has it ever been fair, to expect Joe Pesci to carry a film?

Regardless of Joe Pesci's latent starpower, this cast of players as assembled possessed remarkable chemistry in the performances they gave, not only in their interactions with one another, but also in the creation of a final product that excels way beyond the sum of its parts, beyond any of their individual levels of genius, certainly beyond anything that could ever have been reasonably expected of them. Competent though they may have been, these were not thespian heavyweights or comedic savants. You ever wonder why this singular performance 15+ years ago and counting remains Marisa Tomei's magnum opus? That might be one big reason why. The Germans have a word for this. It's called gestalt.

My inclination is to give most of the credit for this winning final product to director Jonathan Lynn. It seems obviously to be his creation. Who else singularly deserves it? Along the way it would have been such a cheap trick and easy thing to surrender to the obvious, but Lynn didn't do it. This is a story built around stereotypes. New Yorkers. Ethnic Italian New Yorkers. Southerners. Small town southerners. Southern justice. Southern small town justice with New York Italians in the dock. It would have been so easy to traffic in those stereotypes, to over-the-top cash in on them, to submerge the movie in them and to exploit them for all they were worth. These people could have been made into cardboard cartoons of themselves. Surely the Englishman Lynn was thusly tempted, but it was a temptation he mainly resisted. Oh, almost obligatorily, he dances us over to that edge and gives us a big whiff of all that, but instead of jumping in and wallowing in the stereotypes, he deftly pulls it back and carries it all off and away in a new and different direction, indeed in an uplifting direction. Just as there are no cheap tricks in this movie, there are no cheap shots either. People are not ridiculed for who they are or where they are from. It rises above that. Lynn raises it above that. Yes, the regional differences that exist are juxtaposed. And yes, we get the fact that cultural differences divide these characters. But the beauty of it is that no one is treated unfairly. In fact, the viewer comes away with the feeling that these are all good people.

Joe Pesci and Marisa Tomei are given a broad canvas to create great humorous art, bouncing one, two, three liners or more off of each other, at the other's expense. It's the game they play with each other, the nature of their characters' relationship, and it's fun to watch. And this must be said: not only does Marisa give an exquisite performance, she is an utterly delightful feminine creature to watch here. As for the southerners, in not taking the bait to exploit the southerners as dumb hicks, Lynne actually captures part of the true but rarely portrayed essence of the south: polite gentility. Lane Smith embodies that essence. And Fred Gwynne? He practically steals the show, and would have were it not for Marisa Tomei.

What has been going through Joe Pesci's and Marisa Tomei's heads for the last 15 years? What is wrong with their agents? These two needed a sequel. If not a sequel, then more film(s) together. The dynamic between them was too good to just be abandoned. We should have been treated to much more of them together.

As a trial lawyer let me say that the portrayal of courtroom events, while certainly not perfect, is more than adequate and passable. One thing that is accurately captured is the fish-out-of-water experience of a city lawyer when subjected to trying a case in a far-flung rural county. This depicton conveys the essence of what that's like.

This movie deserves more recognition. It is clever, funny, and fun. I recommend it. If you haven't seen it, do yourself a favor and indulge yourself.