Husbands and Wives

Gabe (Woody Allen) and Judy (Mia Farrow) have invited their good friends Jack (Sydney Pollack) and Sally (Judy Davis) for a small dinner at their quaint Manhattan apartment. Their abode is full of books and knickknacks all pointing to a comfortable urbanite life in the largest city in the world. Then Jack and Sally reveal some surprising news…after years of seemingly happy marriage, the two have agreed to a separation and eventual divorce. After that bomb is dropped the two couples reexamine their relationships with each other, trying to find meaning in romances both current and past while discovering the good, the bad and the ugly in marriage.

Woody Allen is mostly known for his comedies. But while Husbands and Wives has some pretty spot on observational humor, the story is largely somber and dramatic. Not dramatic in the sense of a Wednesday afternoon soap opera but a benign drama that with a few spikes of activity focuses mostly on the characters. There is no clever high concept or narrative liberties here like say, The Purple Rose of Cairo (1985); the film is more straight-laced and character driven along the lines of Interiors (1978) and Crimes and Misdemeanors (1989).

And what of the characters or rather the actors who flesh them out? Judy Davis, Mia Farrow and Juliette Lewis are the obvious standouts, representing three very different women all of which are looking for the same thing; someone to love and someone to love them back. Davis received an Oscar nomination for her role as a bitter divorcée trying to come to terms with her ex-husband's infidelity and being single again. She's continually frustrated and confused by the yearnings of the heart occasionally even lashing out on her boyfriend Gates (Liam Neeson). She's cynical and wary of attachment yet deep down she knows that her entanglements with Jack aren't over.

Mia Farrow is a stark counterpoint to Diane Keaton's brassy personalities of Allen's earlier work. Farrow's intensity lies always below the surface, providing the perked looks and mousiness of a young ingénue with the mind and body language of a veteran in the trials of love. It's a shame that out of the twelve Woody Allen films she has been in (for which Husbands and Wives was most famously her last) she had never received recognition by The Academy of Motion Picture Arts and Sciences for her stellar work.

Juliette Lewis who plays one of Gabe's young students from his Literature course, has the appearance and vulnerability of a dewy-eyed devotee. Yet when the amiable Gabe discovers he might be the object of desire here and Lewis's Rain the controller, he recoils. There's a scene where the two are in a cab discussing the latest draft of his book. Unable to take criticism, Gabe calls Rain a 20-year-old twit and says "I'd hate to be your boyfriend, he must go through hell." Rain cavalierly responds "Well, I'm worth it."

Those who bemoan Allen's post-Annie Hall (1977) work won't find relief from his more meditative works of the 1980's. While most of the characters are likable they sometimes do unlikeable things, each on their own journey of discovery. I suppose we all do things we regret for love and those with a mature outlook on the subject matter will find a lot to enjoy and a lot to flinch at in Husbands and Wives. I suppose the heart wants what the heart wants.

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Woody Allen went the documentary (ish) route, again, with his 1992 film Husbands and WIves. The film follows a married couple's deterioration after their married friends decide to separate. By telling the story in documentary format with a hand-held camera with a lot of movement and close-up shots, the audience is completely immersed in the story, almost like voyeurs as we see a marriage crumble apart.

Jack (Sydney Pollack) and Sally (Judy Davis) break some tough news to their friends Gabe (Woody Allen) and Judy (Mia Farrow) that they will be separating. Judy and Sally are quite nonchalant while delivering the news but Gabe and Judy are devastated. Gabe remarks that theirs is a marriage benchmark as he only thinks of them as "Jack and Sally". Judy is completely devastated even retiring to her bedroom in a dither over hearing the news. Gabe and Judy console themselves and each other as Jack and Sally go on to see other people. The news changes them, as well, however. Gabe and Judy both begin to question aspects of their life and relationship and start to believe that they may not be as happy in their marriage as they've grown comfortable believing. Gabe starts succumbing to the admiration of one of his female students and Judy realizes she is attracted to another man. What began as a series of changes in the lives of Jack and Sally has delivered life- changing impact for Gabe and Judy.

I love the documentary style Woody used for husbands and Wives. I've heard many criticize it, yet, I think it's perfect to convey the intimate emotions dealt with in the film. I especially enjoy how real Woody depicts human emotions in this film. Who hasn't recovered from a breakup when one moment you are whole, moving on, and living your life when all of a sudden you get a nagging thought in your head that you just can't shake and you become a mix of anger and desperation in an instant? That's exactly what Woody showed in the scene in which Sally was in the apartment of a man she was to go on a date with but she couldn't shake the news that Jack had moved someone in his home just three weeks after their separation. That scene, as gut-wrenching as it was, was my favorite because it was so real. That really is how emotions work, they are wild and unpredictable, quickly changing based on new information. Husbands and Wives was a truly human film with rich touches of Woody Allen (another Bergman reference and a comment from Woody about walking in Paris in the rain) definitely a stand out in the excellent filmography of Woody Allen.

A married couple, Sally (Judy Davis) and Jack (Sydney Pollack), tell their best friends--another married couple named Gabe (Woody Allen) and Judy (Mia Farrow)--that they are separating. This news throws Gabe and Judy into a tailspin. It makes them reexamine their own marriage and find it lacking. Meanwhile Sally starts seeing a handsome, romantic man (Liam Neeson) and Jack is living with a girl at least 30 years his junior. This film follows what happens to them over the course of a year.

A fascinating film. I'm not married (or even straight) but I don't think that matters--this is about love, sex and relationships and has dialogue and situations that anyone can relate to. Allen's script is right on target--the insights are just incredible, and we slowly begin to see exactly how all of the four main characters really are. During the film they are all interviewed by a never seen person--these interviews really help the story and reveals how everybody feels about the others. It pulls everything together.

The acting is almost all great. Allen and Farrow were living together when this was filmed--when it was released they were in a bitter custody battle. This movie actually provides insight to WHY they broke up--their argument scenes are just a bit too realistic. Davis and Pollack are just superb in their roles. They let you feel their characters pain and confusion--just great acting. Neeseon isn't asked to do much but he is very affecting in his scenes. However Juliette Lewis is terrible as a college student. Her voice is nasal and whiny and her acting is pretty lousy--but it doesn't ruin the film.

I saw this back in 1992 in a theatre and loved it. Twelve years later I STILL love it. A great film. I'm only giving this an 8 though. There are two big faults with this film: the hand-held jittery camera work being the main one. My guess is Allen filmed it this way to make the film more immediate and give it a documentary feel. It works but it IS distracting. Also it gets a little repetitious towards the end. Still this is well worth seeing. Recommended.

Woody Allen makes good, very good, and excellent films.

Husbands and Wives is a very good film with excellent performances. It is not a comedy but rather a dramedy that explores marriages and relationships of four main characters. It has several funny moments and dialogs (it is Allen after all) but it has disturbing and sad scenes, too.

When Jack and Sally (Sidney Pollack and Judy Davis) announce that they're separating, this comes as a shock to their best friends Gabe and Judy (Allen and Farrow). They start to reevaluate their own marriage only to find out that it is not as perfect as they thought. Very soon Jack and Sally, and then Gabe and Judy start to meet new people - young, bright, and attractive. They all hope that new is better, and for some of them it is true while the others come to understanding that true love involves loving another's imperfections even when very well aware of them.

This film is for all husbands and wives, lovers, and partners around the world. It is for couples who've been in a relationship for a month, a year, or decades. It is for singles who are ready or who think they want to enter a relationship. It is also for people who don't. All of us have been or may find ourselves in a situation or relationship or having a conversation like the ones in the Allen's film. All of us think and talk about love, trust, understanding, fidelity, sex, and yes - marriage.

The best scenes of the film belong to Allen and Farrow. Some of their conversations in the movie probably reflect the situation in their own relationship that ended soon after the film was made. It is the last film Allen made with Farrow.

Judy Davis played the role of her carrier practically stealing the film. I was shocked to find out that she received all possible Critics Awards that year and lost Best Supporting Oscar to Marisa Tomei. I love Tomei's performance in My Cousin Vinny (1992) but nomination itself would've been enough. Davis was the Best Supporting actress (I saw all films with nominated performances). Sidney Pollack (The Oscar winning director of Out of Africa and two times nominee for Tootsie and They Shoot Horses, Don't They?) and Liam Nisson were wonderful. I did not like Juliet Lewis at all. What she did adorably in Cape Fear with De Niro for ten minutes scene, she tried to stretch for over an hour here - did not work, IMO.

I like "Husbands and Wives" - it was interesting to watch, and it left me thinking if such thing as perfect relationship is ever possible, and what it would take to not only find it but to keep it.

"Match Point" was the movie that converted me into a Woody Allen-fan. I had literally hated the man's work, but suddenly I found that these movies really spoke to me more than before. I guess you just have to grow older and get a little life experience before you can appreciate Woody Allen's fabulous writing. Lately, I've been catching up on his filmography and was blown away by his immense power of observation. Out of all his classic movies that I've seen in the past couple of days "Husbands And Wives" made the biggest impression so far. This movie is fearless, honest and true. Allen really hits the nail on the head with this one.

Unlike movies like "Crimes And Misdemeanors" or the aforementioned "Match Point" (which are both great) "Husbands And Wives" isn't laden with symbolism and there are no highly philosophical thoughts to be found. The movie is merely depicting the universal truth that it's tough to remain honest and passionate in a marriage. Masterfully Allen shows his struggling characters in all their weaknesses without ever making them unlikeable. These characters falter between loyalty, fear of loneliness and an undeniable desire for passion. Everybody who's ever been in a longtime relationship will be able to identify with these problems, but only the brave ones will be able to admit that to their partner.

That's the beauty of this movie. Allen says what everybody else is either too afraid or too hypocritical or simply unable to. "Husbands And Wives" shows what the fewest people understand: the egoistical side of "love", the way we cling to relationships because we're afraid of being alone, but also the simple fact that sometimes we need to lose something to understand how much we need it. Even when there's still love we can reach a point where we lie and betray the other person, just because sometimes people are confused about their lives and their feelings.

Nobody has voiced our confusion about love and death as accurately as Woody Allen and he's rarely done it better than here. "Husbands And Wives" is recommendable for everyone, especially couples, but be prepared that watching this might lead to uncomfortable discussions. The truth is hardly ever convenient.