The Master

In "The Master", one of his earliest and relatively little-seen flicks, Jet Li is basically placed in a fish-out-of-water situation: he comes from Hong Kong to America (knowing only a few words of English) to visit his old kung fu teacher, is followed everywhere by three Mexican small-time crooks who want him to teach them the martial arts, and tries to protect his teacher's shop from a gang led by a rival kung fu master. The main problem with the film is that it lacks urgency: much like the bad guy in Jackie Chan's "Thunderbolt", the villain has no real motive for his actions apart from wanting to prove that he is "the best". To put it in his own words: "When I finish with you, I'll go to China and beat all the kung fu teachers there!". But it has some pretty funny moments (watch Jet describing his experiences on his first day in America), great (if sometimes brief) fight sequences, and even a warm message about interracial friendship and acceptance: those Mexicans may seem like silly stereotypes at first, but if you think about it, the movie shows how people can overcome the barriers of their different races and languages to work together and help each other. (**1/2)

this is tsui hark's tribute to the 'golden age' of hong Kong chop-socky kung-fu films. although set in los Angeles, tsui makes sure he has most of the better known clichés at work here - the 'school-against-school' clash, the reluctant fighter who wants to avoid violence, the training sequence, questions of loyalty between masters and students, etc.

the film, to be properly appreciated, has to be seen in this light. it is not intended to be a typical jet Li film or typical tsui hark film; it's intended to be a Bruce-lee-clone-film of the later '70s.

in fact in some ways this reminds one of 'Ta e kou' aka 'the godfather from hong Kong' aka 'the godfather squad' starring Bruce Liang, a little known - but surprisingly effective - chop-socky effort to cash in on lee's 'return of the dragon'.

given that, the Li-tsui movie has to be given credit as both amusing and entertaining for fight fans - the kung-fu here is really top-notch.

one word of caution - the violence here goes over the top once or twice, and the film really needs to be seen by mature audiences, especially those familiar with the genre it pays tribute to.

If you've seen Jet Li beat people down hard with kung-fu in ROMEO MUST DIE, UNLEASHED, CRADLE 2 THE GRAVE and KISS OF THE DRAGON, then you need to check out THE MASTER, a fist-flying kung-fu gem that features loads of realistic fight sequences that unfolds the extraordinary Wu Shu specialties of a then-unknown Jet Li.

Tsui Hark, the visionary director who helmed two Jean-Claude Van Damme-headlined vehicles, DOUBLE TEAM and KNOCK OFF, presented this story about a young Chinese martial artist (Li) from Hong Kong who travels to the United States in hopes of finding his master, Uncle Tak (played by Yuen Wah, the Landlord in KUNG FU HUSTLE). When arriving there, he learns that Tak was badly beaten in a fight by a former student named Johnny (Light Welterweight World Kickboxing Champion, Jerry Trimble), who is responsible for terrorizing martial art dojos across Downtown L.A. While Tak recovers from his injuries, Li tries to settle his differences with him while preparing for an all-out kung fu brawl against Johnny and his group of students in order to regain his master's honor.

Shot on location in L.A., THE MASTER was sort of how RUMBLE IN THE BRONX was with Jackie Chan where a Chinese kung-fu expert travels to a crime ridden area in America to achieve a simple goal while encountering thugs and impressing people with his combat methods. He teaches a Police Force healing secrets as if he was instructing a Tae Bo class, teaches a Latino gang kung fu to help them beat off thugs and faces off against an American martial artist to save his master and other hostages held by Johnny's students. The film's simple plot allowed plenty of space for non-stop martial art fights.

One of the film's greatest achievements was the nicely choreographed fight scenes, courtesy of co-star Yuen Wah who incorporated traditional kung fu and weaponry. The absence of fancy wirework and computer-generated effects allowed the fights to be believable and realistic as possible. Yuen Wah revealed his incredible kung fu specialties against a group of fighters on a building rooftop. He uses close-range takedowns, Wu Shu-oriented butterfly kicks, acrobatics, and other fight moves to show audiences that he is a true master of the art. Jerry Trimble exchanges blows with Jet Li on more than one occasion but the one-on-one finale features Trimble using Tae Kwon Do to execute his cinematic footwork while dealing with Li's counter attacks, fast-flowing jabs, and Wu Shu Kung Fu. In addition to that, fight, Li gets his leg stuck in a circular pipe handle but is still able to pull off kung fu.

Li helps his newly-befriended Latino gangster buddies fight off Johnny's posse (two of them who were played by stuntman and martial artist Steven Ho- Liu Kang's brother in MORTAL KOMBAT and Ju Jitsu expert Stefanos Militsakakis- BEST OF THE BEST 2, MAXIMUM RISK, DAREDEVIL) before facing off against Johnny on top of a car.

Yuen Wah is famous for his recent role as the Landlord in KUNG FU HUSTLE and remembered by fans as the man one who caught the apple in ENTER THE DRAGON and doubled for Bruce Lee in some of the sequences. He also had a small role in Chinese CONNECTION (aka FIST OF FURY) as the Japanese who taunts Lee by telling him to walk like a dog. He was a regular in old-school kung fu flicks produced by the legendary Shaw Brothers (recently saluted by Quentin Tarrantino in KILL BILL VOL. 1's opening).

World Karate Champion and Tae Bo exercise founder Billy Blanks made a quick-second cameo as a gang thug but unfortunately, he did not do any fighting which was a disappointment. The reason why the filmmakers did not let him fight will be a mystery but with his martial arts skill (shown in countless B-grade Hollywood movies), he should have fought someone but instead, he is depicted as an unknown extra.

Originally filmed in 1989, THE MASTER would not earn the 5-time National Wushu Champion his crown to superstardom. The film was delayed until 1992 because Li and Tsui Hark were unaware of what was to come that year when they collaborated again to make ONCE UPON A TIME IN CHINA, which was a box-office success and Li's ticket to superstardom (in Asia).

To help capitalize on Li's fame in America, the generally unknown film, THE MASTER finally got an international DVD release in 2002 by Miramax Films to give viewers the chance to witness the stunning talents of this kung fu master.

Overall, THE MASTER was a bad movie with good fight scenes. It suffered form poor acting and bad antics but it still deserves a full view because it was one of a few modern kung-fu movies to feature lightning-fast, raw and street-effective kung fu to make it comparable to fight-films like ONG-BAK and THE PROTECTOR.

While "The Master" (aka "Lung hang tin haa") is not the best of all the Jet Li movies, then it is a fairly entertaining movie in itself. The mixture of Asian and Western film-making isn't something that speaks to just everyone. I wonder if Jackie Chan took influence from this movie for the 1995 "Rumble in the Bronx" movie as there are so many similarities.

Personally, I found "The Master" to have a bit too much comedy, as it is not something that is usually associated with Jet Li movies. And the dialogue was also quite bad at times.

The action and martial arts was well-choreographed and executed, which was as expected. And this is what keeps the movie interesting.

If you enjoy Jet Li movies then there are far better movies available. But at least it should be seen once if you enjoy his movies and martial arts skills.

"The Master" is entertaining enough for what it is, but don't expect anything extraordinary.

I checked this out because I wanted to see Jet Li and Jerry Trimble go at it. And for the first hour of the movie, I was disappointed with a slow-moving, mediocre action film. But, man, was I in for a treat that last half hour or so - specifically the final fight scene (where Li and Trimble REALLY square off) which delivered all the goods I was expecting, and then more. Viewed on one of the old "Jet Li Collection" DVDs that Dimension released in the early 2000s, so poor video quality and an awful dub were expected and didn't detract from, what turned out to be, an overall above average martial-arts films, solidified by the engaging final act and a powerhouse fight scene.

Also, Trimble's mullet must be noted. That thing was mighty.