IMDb RATING
6.0/10
4.1K
YOUR RATING
A legal aid attorney and renegade cop team up to stop a corrupt cop.A legal aid attorney and renegade cop team up to stop a corrupt cop.A legal aid attorney and renegade cop team up to stop a corrupt cop.
Thomas G. Waites
- Officer Kelly
- (as Tom Waites)
John C. McGinley
- Sean Phillips
- (as John McGinley)
Henry Judd Baker
- Big Leroy
- (as Judd Henry Baker)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWe first see Richie Marks (Sam Elliott) while he is inside a movie theater showing The Soldier (1982), which was also directed by James Glickenhaus.
- GoofsAt night time, when Roland gets caught at the precinct stealing the evidence from the locker, the shot moves to an exterior shot which shows the precinct by day - very sunny - then cuts back to an interior shot, again at night.
- Quotes
Richie Marks: You know what this is?
Tommie: It's a gun! It's a gun!
Richie Marks: Yeah, and you're a fuckin' genius! Now listen up. This gun is clean, no serial number. So if I blow out what's left of your brain and chuck it in the East River, your case is closed. The people downtown are gonna file you under DSAF. "Did Society A Favor." Got it?
- Alternate versionsOn its first run past the Australian classification board, the film was rated R. To garner a wider audience, Hoyts removed approx. 1 minute of footage so that the film could get an M rating. The footage removed included the "condom" scene with the old jailer, all references to homosexuality and snitches being "turned out", the scene outside the porno theater where the Nicky Carr's right-hand man guns down the bystanders after the cops and the Russian roulette scene in the police station. this footage was never reinstated for the film's VHS or subsequent DVD release.
Featured review
The movie follows Peter Weller who plays an attorney tasked with defending a crack dealer who shot a corrupt police officer in self defense. He goes to his friend in the NYPD, played by Sam Elliot, to unravel a deep web of conspiracy and corruption within the NYPD. In the meantime, Weller is caught in a love triangle between his fiancé and ex-girlfriend.
Weller does a decent job as well as Sam Elliot, but the star of the movie was 1980s New York City. It's decadent and gritty landscape make for some great atmosphere and over-the-top action involving hit men, drug dealers, and one of the most beautiful Porsche 930 Turbos you would ever lay eyes on. Action sequences, when they occur, are thrilling and fun.
Alas, the love-triangle scenes keep the sequences spaced out, so things can seem kind of slow. Those scenes really feel more like padding rather than essential to the plot. Still, it's a movie I enjoy watching time and time again. I know the gentrification of New York by Giuliani in the 90s made it cleaner and safer, but it also stripped the soul of 70s and 80s New York and turned it into a lifeless shell of a city you can find just about anywhere else in the US. It's always nice to see old school NYC encapsulated whenever possible.
All in all, I love this movie. No, it's not the most deep or meaningful movie, and the supporting actors turn out some pretty cheesy moments (like a group of cops circling around Weller and then just walking away), but the dark and gritty atmosphere gives it life and is a fun movie to just sit back and relax to.
Weller does a decent job as well as Sam Elliot, but the star of the movie was 1980s New York City. It's decadent and gritty landscape make for some great atmosphere and over-the-top action involving hit men, drug dealers, and one of the most beautiful Porsche 930 Turbos you would ever lay eyes on. Action sequences, when they occur, are thrilling and fun.
Alas, the love-triangle scenes keep the sequences spaced out, so things can seem kind of slow. Those scenes really feel more like padding rather than essential to the plot. Still, it's a movie I enjoy watching time and time again. I know the gentrification of New York by Giuliani in the 90s made it cleaner and safer, but it also stripped the soul of 70s and 80s New York and turned it into a lifeless shell of a city you can find just about anywhere else in the US. It's always nice to see old school NYC encapsulated whenever possible.
All in all, I love this movie. No, it's not the most deep or meaningful movie, and the supporting actors turn out some pretty cheesy moments (like a group of cops circling around Weller and then just walking away), but the dark and gritty atmosphere gives it life and is a fun movie to just sit back and relax to.
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Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $10,068,039
- Opening weekend US & Canada
- $3,017,800
- May 8, 1988
- Gross worldwide
- $10,068,039
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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