Any Which Way You Can

It may not be saying much, but Any Which Way You Can is much better than Every Which Way But Loose.

The biker gang are funnier this time around, Clyde gets far more screen time (which is a good thing), and the big fight near the end is a fairly brutal cracker.

A no-brainer, certainly, but who can resist seeing Barry Corbin driving his plane along the roads, in order to get to the fight?

First off, do not see this movie unless you have already seen "Every Which Way but Loose", as this film is a sequel to that.

Now, the first film was known to have a pretty shallow story. This one has the same problem - in fact, the story seems even weaker than the first. The plot doesn't go anywhere; it sits there and watches as the film's comedy takes the wheel.

The film is definitely intended to bring up laughter, but I'm not sure if it's sole purpose of production was to be a comedy. The laughs are good, but too rare to make the movie's lack of a story acceptable. The humor is very similar to that of the first film, only, like this film's story, never jumps to the point of surpassing anything we've already seen.

However, despite these flaws, the film was overall enjoyable. There's not much you'd miss if you skip this one, but if you enjoyed "Every Which Way but Loose", you're probably going to like "Any Which Way You Can" - just probably not as much as you enjoyed the first. Like the first film, the ape "Clyde" is the source of all true amusement, with "Ma" charging up a scene or two of good laughter in this one. Clint Eastwood's performance may feel a bit weaker or equal to his in "Every Which Way but Loose", but it definitely adds to the experience.

Overall, a good film to see if you really enjoyed the first. The two films are very similar, so much so that if you stumbled upon one on television, it may take you awhile to figure out which one you're watching. Many of the scenes take place in the same places: "Clint's house, the bar, etc.", and there are only a few slight additions to the cast. Really nothing too "new" in this film, but a surely entertaining viewing if you enjoyed "Every Which Way but Loose".

I give the film a 6/10. I gave "Every Which Way but Loose" a 7/10, and this one lost a point as although it was a bit funnier than the first, the story wasn't as thought-out as the firsts at all, and I seemed to loose my interest a bit more easily on this one. Nonetheless, incredibly similar to the first film in all sorts of ways, so if the first one left you wanting more, definitely check this one out!

Clint Eastwood fans will correct me if I'm wrong, but I believe hes only venture into screen'comedy are Every Which Way But Locse and its successor film. This isn't the kind of stuff that Cary Grant would have been doing, but the two films do keep with Clint's macho screen image and allow him to slug a few people with some laughs in between.

Nearly all the characters from Any Which Way But Loose are back in this film Any Which Way You Can. Clint is once again Philo Beddoe who works part time hauling away wrecked cars, but makes his real money in the illegal bare knuckle prize fight racket. Clint lives in southern California, probably in a place not unlike Carmel, California where he was mayor. He lives with his mother Ruth Gordon, his partner in auto collision work Geoffrey Lewis and his pet orangutan, Clyde.

The last film ended with Clint not winning Sondra Locke, the country singer he lost his heart to. But Sondra's back now and when Clint wants to back out of a bare knuckle fight with reigning eastern champion William Smith because he's tired of the racket, the gangsters backing the fight kidnap her to force him to go through with it.

As in the last film, Clyde the orangutan gets the lion's share of the laughs. The sex life of the orangutan gets even more screen time, Clint and Geoff Lewis don't just find a zoo with a female orangutan in it for Clyde to mate with, they actually get him an adjoining motel room with Clyde and his lady love in one room and Clint and Sondra in another.

William Smith has the most interesting part in the film, usually he's a thoroughgoing bad guy in his films, but in Any Which Way You Can he's got a sense of honor and fair play, much to the distress of Harry Guardino and the rest of the gangsters backing the fight.

Any Which Way You Can has the same sense of rollicking lowbrow comedy that the first film has, maybe more so. As Clint Eastwood moves into his eighties maybe he'll try comedy again. He'd be one great grumpy old man as he proved in Gran Torino.

This movie is one my guilty pleasures. I enjoy it a lot, but I know deep down that I shouldn't. I guess the reason I like it is because it has a unique gallery of characters. You've got bare knuckle fighters, a bald biker gang, underworld crime figures, a befuddled couple on their second honeymoon, corrupt state troopers and not one, not two, but three perverted motel managers. On top of all them, the best character in the movie is an orangutan named Clyde! I also like the exciting fight scenes, particularly the climatic fight, well staged in Jackson Hole, Wyoming. It is the rare sequel that is far superior to the original. For many, that is not saying much but it is enough for me.

A charming, and endearingly goofy follow up to the successfully hearty comedy 'Every Which Way But Loose (1978)', which starred Clint Eastwood as cool-hand, bar-brawling Philo Beddoe along with his alcohol slurping orangutan companion Clyde. Slap-stick galore with the easy-going style of the original picking up the pace and having a variety of cartoon-like characters represented by a more than capably fruitful cast (some who are Eastwood regulars). They're here for a good time and it shows. Geoffrey Lewis, Sondra Locke, Ruth Gordon, William Smith, Harry Guardino, Bill McKinney and Barry Corbin give pleasingly amusing performances. However it's the returning John Quade who's a hilarious hoot as the leader of the haplessly crony bikers 'Black Widows'. Eastwood naturally comes across cool and collected in another winning performance. The drama here feels a little more spontaneous, busy and crazy with much more bare-knuckle, sweaty fist fights (which are well-executed) and a real infantile comical imprint. Streaming through is a heart-warming music score with an appealing country swing and open photography sharply frames some beautiful locations and accordingly gets amongst the action. Is it better than the first… I don't think so, but I never grow old of these fun, light-headed features.