IMDb RATING
6.2/10
4.8K
YOUR RATING
A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.
- Awards
- 1 nomination total
Julie Crosthwaite
- Ellen Mason
- (as Julie Crosthwait)
Luana Anders
- Catherine Medina (Clip from 'The Pit and the Pendulum')
- (archive footage)
John Dierkes
- West (Clip from 'The Haunted Palace')
- (archive footage)
Boris Karloff
- Clip from 'The Raven'
- (archive footage)
Featured reviews
The general consensus surrounding this film seems to be that it's a disappointment; and while I admit that Madhouse could have been a lot better considering the cast and ideas involved, in general; I'm very happy with the film. Every Vincent Price film that I haven't seen (not many left) is an automatic target for me, and this one also features a performance from the great Peter Cushing, which is a bonus. The central plot isn't all that original, but it still stands as a nice tribute to Vincent Price's career, and the way that director Jim Clark uses clips from classic Vincent Price movies such as Tales of Terror, House of Usher and The Pit and the Pendulum is good and reminds us of what a huge asset to cinema Vincent Price has been. The plot sees Price playing hammy horror movie actor Paul Toombes, famous for the role of 'Doctor Death'. When his wife is killed, Toombes vows never to play Doctor Death again; but on the advice of his friend and Doctor Death writer some years later, he reprises the role - and the murders continue.
The main problem with this movie is simply that it's not always interesting enough. Jim Clark seems content to rely on Price's star power; which is often just about sufficient to see the film through, although sometimes it could have done with something else. Peter Cushing's role isn't too much more than a cameo appearance - but it is nice to see these two great actors on screen together. As you might expect, Vincent Price slots into his self-replicating role nicely, and he seems to enjoy playing it. The story doesn't have much depth, however, and while the murder sequences are interesting and see things such as a woman being skewered with a rake and someone being crushed by an automated special effect bed. The script doesn't give much allowance for red herrings and through the one or two that there are; you don't have to be Sherlock Holmes to spot which one it is. The film attempts a double twist ending, and while it plays out nicely; both are highly predictable and derivative of other movies that have carried off the same twists to better effect. But even so, you can always count on Price movies for entertainment; and this is entertaining despite its shortfalls.
The main problem with this movie is simply that it's not always interesting enough. Jim Clark seems content to rely on Price's star power; which is often just about sufficient to see the film through, although sometimes it could have done with something else. Peter Cushing's role isn't too much more than a cameo appearance - but it is nice to see these two great actors on screen together. As you might expect, Vincent Price slots into his self-replicating role nicely, and he seems to enjoy playing it. The story doesn't have much depth, however, and while the murder sequences are interesting and see things such as a woman being skewered with a rake and someone being crushed by an automated special effect bed. The script doesn't give much allowance for red herrings and through the one or two that there are; you don't have to be Sherlock Holmes to spot which one it is. The film attempts a double twist ending, and while it plays out nicely; both are highly predictable and derivative of other movies that have carried off the same twists to better effect. But even so, you can always count on Price movies for entertainment; and this is entertaining despite its shortfalls.
An ageing horror star comes out of retirement only to find murder follows him everywhere he goes.
There's nothing better than watching two stars, in this case horror stars grace the same screen. Very loosely based on Angus Hall's novel Devil day (1969) Madhouse is certainly of it's time (1974) which is a good thing, making it contemporary of that time and different to their older films. After parties, Cine films, film reels, film launches, tributes and the trappings of fame are on show indicative of film world at that time. Madhouse is wonderfully shot, rich in contrast, with excellent set design and locations. It exudes atmosphere in places and is genuinely creepy in spots, still it's an odd film, almost surreal in places, especially the scenes in the cellar and the body on the boat.
With a striking looking supporting cast both Vincent Price and Peter Cushing are excellent. Even though in their fermenting ages which is a shame, it's fitting to the story, and you can't help feel that there's irony baste over irony in Prices role of Paul Toombes, even maybe a hint of truth in the dialogue of his character. Mild-mannered Cushing as Herbert Flay unfortunately doesn't get as much screen-time as you'd like. This is certainly Price's show and he effortlessly captures the viewer with his immense presence and deep tones as much as he did 10 years earlier in The Last Man on Earth (1964).
Although reminiscent in feel of The House on Haunted Hill (1959) and The Satanic Rites of Dracula (1973) it's my no means a 'classic' but there is enough killings, spiders, old horror clips, kooky cops and good performances to keep you watching veteran editor Jim Clark's (Charade (1963), Memphis Belle (1990)) last and only horror directing contribution.
All in all, Madhouse an intriguing must see for its possible comparable look at how much real life Price was injected into Dr. Death by Ken Levison in his screenplay.
There's nothing better than watching two stars, in this case horror stars grace the same screen. Very loosely based on Angus Hall's novel Devil day (1969) Madhouse is certainly of it's time (1974) which is a good thing, making it contemporary of that time and different to their older films. After parties, Cine films, film reels, film launches, tributes and the trappings of fame are on show indicative of film world at that time. Madhouse is wonderfully shot, rich in contrast, with excellent set design and locations. It exudes atmosphere in places and is genuinely creepy in spots, still it's an odd film, almost surreal in places, especially the scenes in the cellar and the body on the boat.
With a striking looking supporting cast both Vincent Price and Peter Cushing are excellent. Even though in their fermenting ages which is a shame, it's fitting to the story, and you can't help feel that there's irony baste over irony in Prices role of Paul Toombes, even maybe a hint of truth in the dialogue of his character. Mild-mannered Cushing as Herbert Flay unfortunately doesn't get as much screen-time as you'd like. This is certainly Price's show and he effortlessly captures the viewer with his immense presence and deep tones as much as he did 10 years earlier in The Last Man on Earth (1964).
Although reminiscent in feel of The House on Haunted Hill (1959) and The Satanic Rites of Dracula (1973) it's my no means a 'classic' but there is enough killings, spiders, old horror clips, kooky cops and good performances to keep you watching veteran editor Jim Clark's (Charade (1963), Memphis Belle (1990)) last and only horror directing contribution.
All in all, Madhouse an intriguing must see for its possible comparable look at how much real life Price was injected into Dr. Death by Ken Levison in his screenplay.
Following the grisly murder of his fiancee,Hollywood film star Paul Toombes(Vincent Price)withdraws into his own world.Some time later,he is persuaded by an old actor-friend(Peter Cushing)to revive his famous horror role as Doctor Death.Life soon becomes a living nightmare for Toombes when friends and colleagues are brutally murdered one by one."Madhouse" is a rather cheaply made horror film that manages to create only a little bit of suspense.The story,which is based on the novel 'Devilday' by Angus Hall is also not very intriguing.Director Jim Clark uses clips from old Roger Corman horror films featuring Vincent Price as reenactments of the murders.Still the film is slightly entertaining and it's nice to see two horror veterans Vincent Price and Peter Cushing together.Check it out.7 out of 10.
This was made around the same time as 'Vault of horror' and it shows. Vincent Price is an ageing movie star who is asked to reprise his role as a killer a few years after his wife-to-be was decapitated by a killer nobody caught. The movie within a movie is just footage obtained from Prices earlier horror flicks like 'Pit and the pendulum' and 'The house of Usher'. The movie itself has good performances from Price and Peter Cushing and the music is great! The music sets an atmosphere for good horror especially in a part where a girl is looking for Vincent Price in Peter Cushings garden. The part where Vincent Price is interviewed by Michael Parkinson adds some class to the movie and also some terror as the killer is stalking someone in the studio! Overall, the movie has a good atmosphere helped by Douglas Gamleys music and decent acting. The movie is tense with the old dark house style 'looking downstairs with a candle' and some good deaths. The only problems are with the story as this just looks like a tribute to Prices earlier movies than something original and the 70's rock music in one of the death scenes. It gives the movies age away and isn't as timeless as Prices earlier movies. If your a Price and Cushing fan you will like it but for a normal person, its a scary but dim treat. 5 and a half out of 10.
Despite its star trio of 1970s horror masters--Vincent Price, Peter Cushing and Robert Quarry--"Madhouse" is not so much a horror film as a murder mystery with horror trappings. Very loosely based on Angus Hall's rather trashy novel "Devilday" (in which the central character of horror movie actor "Paul Harvard Toombs" is much more sinister), it features Price in a role that was at the time not too far removed from his real life situation: a film actor who would really like to move past horror films, but who for a variety of reasons was duty bound to keep making them. Price's character suffered a breakdown after his fiancé was horribly murdered. Several years later, after he is contracted to return to his signature role of "Dr. Death" for a television series, a new rash of murders occur and even Toombs himself does not know whether he is responsible or not. Cushing appears as the writer of the "Dr. Death" show and Quarry, in an uncharacteristically amusing performance, plays the producer, a parody of Amicus Films' Milton Subotsky (Amicus and Subotsky co-produced). Adrienne Corri has a bizarre role as a crazed, burn-scarred former actress, who has taken to living in Cushing's basement and raising spiders, which doesn't really fit in with the rest of the film. Still, as a quasi-horror film, "Madhouse" is fine; it contains some great, atmospheric scenes of "Dr. Death" stalking his victims, and despite its flying in from left field, the whole Corri subplot is undeniably unnerving. As a mystery...well, it's not really very hard to figure out who is responsible for the killings. But what "Madhouse" was obviously intended to do, and what it pretty much fails at, is to provide Price with the kind of career summation picture that Peter Bogdanovich gave Boris Karloff through 1968's "Targets." Old film clips from "House of Usher," "Pit and the Pendulum," "Tales of Terror," "The Haunted Palace" and "The Raven" are interspliced to give us a look at the actor's background, but they are not presented in a way that offers any kind of resonance to Toombs/Price's career. I had the opportunity to talk briefly with Vincent Price about this film a couple years after it was made, and he was not very happy with the way it turned out. But purely on the surface level, "Madhouse" is an entertaining, grisly whodunnit that offers good roles to its three stars.
Did you know
- TriviaThe film's opening credits include special participation by Basil Rathbone and Boris Karloff. Both of these actors were long since dead, having died in the late 1960s (Rathbone in 1967 and Karloff in 1969), but they appear in this film in clips from real films that they had each starred in with Vincent Price: Rathbone in Tales of Terror (1962) and Karloff in The Raven (1963).
- GoofsJulia's dead body is breathing heavily after Paul Toombes discovers her.
- Quotes
Paul Toombes: Miss Peters, as they say in horror movies, you will come to a bad end.
- Crazy credits"With special participation by Boris Karloff (and) Basil Rathbone." At the time of this film's theatrical release in 1974, both of these actors had been dead since 1967 and 1969, respectively, and their "special participation" was actually limited to appearing in this film in clips from real films that they had each starred in with Vincent Price: Karloff in The Raven (1963) and Rathbone in Tales of Terror (1962).
- ConnectionsFeatured in The Horror Hall of Fame (1974)
- SoundtracksWhen Day Is Done
Performed by Vincent Price
- How long is Madhouse?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Das Schreckenshaus des Dr. Death
- Filming locations
- Pyrford Place, West Byfleet, Surrey, England, UK(Herbert Flay's house)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 29 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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