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The Front Page

  • 1974
  • PG
  • 1h 45m
IMDb RATING
7.3/10
16K
YOUR RATING
Jack Lemmon and Walter Matthau in The Front Page (1974)
Costume DramaDark ComedyFarcePeriod DramaRomantic ComedyWorkplace DramaComedyDramaRomance

A ruthless editor tries to get his top reporter to cover one more crime story before retirement.A ruthless editor tries to get his top reporter to cover one more crime story before retirement.A ruthless editor tries to get his top reporter to cover one more crime story before retirement.

  • Director
    • Billy Wilder
  • Writers
    • Ben Hecht
    • Charles MacArthur
    • Billy Wilder
  • Stars
    • Jack Lemmon
    • Walter Matthau
    • Susan Sarandon
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    16K
    YOUR RATING
    • Director
      • Billy Wilder
    • Writers
      • Ben Hecht
      • Charles MacArthur
      • Billy Wilder
    • Stars
      • Jack Lemmon
      • Walter Matthau
      • Susan Sarandon
    • 75User reviews
    • 60Critic reviews
    • 62Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 3 wins & 6 nominations total

    Photos160

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    Top cast27

    Edit
    Jack Lemmon
    Jack Lemmon
    • Hildy Johnson
    Walter Matthau
    Walter Matthau
    • Walter Burns
    Susan Sarandon
    Susan Sarandon
    • Peggy Grant
    Vincent Gardenia
    Vincent Gardenia
    • Sheriff
    David Wayne
    David Wayne
    • Bensinger
    Allen Garfield
    Allen Garfield
    • Kruger
    Austin Pendleton
    Austin Pendleton
    • Earl Williams
    Charles Durning
    Charles Durning
    • Murphy
    Herb Edelman
    Herb Edelman
    • Schwartz
    • (as Herbert Edelman)
    Martin Gabel
    Martin Gabel
    • Dr. Eggelhofer
    Harold Gould
    Harold Gould
    • The Mayor
    Cliff Osmond
    Cliff Osmond
    • Jacobi
    Dick O'Neill
    Dick O'Neill
    • McHugh
    Jon Korkes
    Jon Korkes
    • Rudy Keppler
    Lou Frizzell
    Lou Frizzell
    • Endicott
    Paul Benedict
    Paul Benedict
    • Plunkett
    Doro Merande
    Doro Merande
    • Jennie
    Noam Pitlik
    Noam Pitlik
    • Wilson
    • Director
      • Billy Wilder
    • Writers
      • Ben Hecht
      • Charles MacArthur
      • Billy Wilder
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews75

    7.316.1K
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    Featured reviews

    7manuelvillalta

    great old time comedy!

    i watched the dvd yesterday for the first time, and it was truly and originally hilarious, the acting was so honest and natural that it felt like i was watching a play, if you are a fan of old comedies and most of all the greatest comedy couple of all time, i highly recommend it. the only factor that i didn't enjoy was that the movie has an aspect ratio of 2:35.1 and the dvd features a pan & scan transfer.
    8StevePulaski

    My kind of news Chicago has

    A satire on journalism seems to be the topic no filmmaker wants to touch, although I personally see the opportunity as a limitless one. With the modern era bringing forth the creation of the internet along with the concepts and ideas of information overload, misinformation, the idea that news is no long about being correct but rather being first, and the controversial and vague lines that determine whether or not websites like Reddit and Wikipedia are actually reliable sources are all things that could make a satire on modern-era journalism click on sight.

    Maybe it's because I'm currently examining the journalism mediums in a high school source that I'd anxiously anticipate a satire on contemporary journalism if it were to be handled by someone delicately. For now, though, Billy Wilder's The Front Page is a fine film to hold one over. Immediately, the film is buoyed band blessed by having both Jack Lemmon and Wlater Matthau as its headlines, two fantastic actors whose work is only enhanced when they're placed in a film together. With The Front Page makes one of the earliest pairings of the two actors, almost ten years after the release of Gene Saks' The Odd Couple and about two decades before the wildly popular Grumpy Old Men films.

    Set in the 1920's, Lemmon and Matthau star as Hildebrand "Hildy" Johnson and Walter Burns. Hildy is about to resign and retire from his position as ace-reporter of the Chicago Examiner but Walter, his editor, will have none of it. For years, he has trusted Hildy to write intelligent articles covering issues in the world in order to produce one of the finest papers around. But Hildy has other plans, to marry his new love (Susan Sarandon) and see the world are just a few of them. But when a checkered and incredibly juicy story comes along, Walter hopes to keep his star reporter one last time to write what may be the most outlandish story of his life.

    Like most Lemmon/Matthau efforts, the real treat at hand is watching the chemistry of the leading men as they recite scripted dialog in such an elegant way that it conveys the buddy-to-buddy naturalism of a certain situation. Wilder and co-writer I.A.L. Diamond provide the men with several opportunities to put their loquaciousness to the test as the camera finds a way to fixate on them for several minutes at a time as the two bat off rapid-fire dialog at one another.

    It is this chemistry that makes The Front Page a good piece of work and all the more fun, especially in the present time as it shows the functionality of old-school journalism and reporting and how journalists back in the day worked and operated. It's also hard to neglect a supporting cast made up of Carol Burnett, Susan Sarandon, and Charles Durning who, in some way, contribute to the film's overall success as a whole. And let us not forget the incredible talent of Billy Wilder, who takes one of the most cleaned-up occupations of the Roaring Twenties and Great Depression-era and turns it into complete lunacy, filled with those who go to astounding lengths to achieve a story worthy of the front page. Run and print that.

    Starring: Jack Lemmon, Walter Matthau, Susan Sarandon, Charles Durning, and Carol Burnett. Directed by: Billy Wilder.
    Sinatra

    The best

    I also do not understand the critics on this one. It's fast-paced, magnificently cynical throughout, unabashedly edgy, and the one-liners come faster than zingers on your average sit-com. Plus it captures the world of urban newspapers better than other movies capture the world of almost anything they attempt.
    7bkoganbing

    Updating a classic

    I'm sure that the reason for Billy Wilder to do a remake of The Front Page is the fact that around the time this was made, politicians running for office on 'law and order' platforms was suddenly coming into vogue. The chief example among these was Richard Nixon and we all know what happened to him in 1974. Seemed like a case of perfect timing to me.

    The original material that Ben Hecht and Charles MacArthur wrote in the Twenties was perfect for Billy Wilder's cynical mind. Jack Lemmon and Walter Matthau were born to play the roles of Hildy Johnson and Walter Burns.

    Of course other things now that the Code was lifted could also be made more explicit. David Wayne's character of Benzinger is quite openly gay in the film. It's an interesting characterization he does. Of course he's the butt of all the jokes in the press-room, but I thought it rather funny when at the end when title cards show what happened to all the principal characters, he was the only one with a happily ever after ending. He settled down with a life partner and ran an antique store. A rather subtle comment on the sanctity of heterosexual marriage decades before gay marriage was an issue.

    Carol Burnett was a big fan of Billy Wilder and it is mentioned in a recent biography of Wilder that she wanted very much to be in one of his films. Carol got her wish and did very well as Molly the prostitute who befriends poor Earl Williams, the anarchist who accidentally killed a policeman and is sentenced to be hung.

    Austin Pendleton is all right as Williams, but no one ever played the role quite like John Qualen in His Girl Friday. Qualen had a patent on those little men up against the system parts. This version of The Front Page is also the farewell performance of Allen Jenkins playing a small role as a telegrapher.

    Speaking of His Girl Friday, my favorite part in all versions of The Front Page is that of the messenger from the governor carrying Earl Williams reprieve. No one will ever top Billy Gilbert in His Girl Friday though Paul Benedict of The Jeffersons gives a good account of himself as well.

    Sad to say that demagogic politicians who bray about law and order are still among us. Maybe it's time for another remake of The Front Page.
    9PWNYCNY

    Witty and fast-paced

    When the subject of great movies is being discussed, this movie must be included in the discussion. This movie is a witty and fast-paced satire that pokes fun at the news media. The characters are memorable and the acting is fantastic. Walter Matthau, Jack Lemmon and Vincent Gardenia are great in this movie, but most impressive is Carol Burnett's wonderful and powerful performance which dominates every scene in which she appears. But what makes this movie even more appealing is that it is a story of how the quest for the extra buck can corrupt everyone involved, with tragic consequences. Billy Wilder is very strong on this point and for this reason this movie is worth watching.

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    The Front Page

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This version of "The Front Page" was the first to mention the city by name and use real Chicago newspapers. Billy Wilder felt that Chicago was the most exciting newspaper town in the country.
    • Goofs
      Hildy reminds Jenny, the cleaning woman, that he got her husband on The Amateur Hour. Major Bowes' Amateur Hour premiered as a local show in New York in 1934, and on the NBC Network in 1935, six years after this movie was set.
    • Quotes

      [last lines]

      Walter Burns: That train that just left, what's the first stop?

      Telegrapher: Gary, Indiana.

      Walter Burns: All right. Send a message to the police chief at Gary, Indiana. Tell him to meet the midnight train to Philadelphia and arrest one Hildy Johnson.

      Telegrapher: Hildy Johnson?

      Walter Burns: Yeah. Son of a bitch stole my watch.

    • Crazy credits
      The closing credits sequence began by scrolling up photos of the major characters, flanked by printed info on what happened to each character. The acting and music credits followed.
    • Connections
      Featured in AFI Life Achievement Award: AFI Life Achievement Award: A Tribute to Billy Wilder (1986)
    • Soundtracks
      Button Up Your Overcoat
      By Buddy G. DeSylva (as B.G. DeSylva), Lew Brown, and Ray Henderson

      © 1928 by B.G. DeSylva, Brown & Henderson Inc.

      © Renewed Assigned to Chappel & Co., Inc.

      Published in U.S.A. by Chappel & Co., Inc. and Anne-Rachel Music Corp.

      Performed by Susan Sarandon

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    FAQ19

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    Details

    Edit
    • Release date
      • December 20, 1974 (Canada)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • Extrablatt
    • Filming locations
      • Los Angeles, California, USA(Orpheum Theatre)
    • Production company
      • Universal Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $4,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 45 minutes
    • Aspect ratio
      • 2.35 : 1

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