J.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff... Read allJ.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff Barnes and his long-suffering wife Sue Ellen.J.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff Barnes and his long-suffering wife Sue Ellen.
- Won 4 Primetime Emmys
- 48 wins & 82 nominations total
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"Dallas" is without question one of the most compulsively enjoyable television programs of all time. I watched it when it was first telecast and still watch the reruns.
Along with "Dynasty", "Dallas" defined '80s excess, Republican values, big hair and everything else. But "Dallas" was also a smartly written program, unlike "Dynasty", which was basically a cartoon (albeit a fun one). The miracle of "Dallas" was how it managed to retain it's major characters for nearly a decade, keep strong storyline pumping for them, unlike most soap operas, which drop characters left and right. But "Dallas" had some of the strongest-written characters in television history: ambitious J.R., dependant Sue Ellen, good-guy Bobby, prim-and-proper Pam, envious Cliff, unassuming Ray, and so many others, whose memory I cherish--Miss Ellie, Donna, Katherine, Mickey Trotter, etc....
Additionally, with the "Who Shot J.R.?" cliffhanger in 1980, "Dallas" created a new marketing tool the television continues to use to this day to retain audiences. Not just soap operas use the season ending cliffhanger; it's been effectively used by such shows as "Friends" and "Will & Grace" recently.
"Dallas" was for many years the most watched program on TV, and continues to be watched by devoted fans, many of them discovering its greatness thru reruns. One episode, and you'll be hooked, too.
Along with "Dynasty", "Dallas" defined '80s excess, Republican values, big hair and everything else. But "Dallas" was also a smartly written program, unlike "Dynasty", which was basically a cartoon (albeit a fun one). The miracle of "Dallas" was how it managed to retain it's major characters for nearly a decade, keep strong storyline pumping for them, unlike most soap operas, which drop characters left and right. But "Dallas" had some of the strongest-written characters in television history: ambitious J.R., dependant Sue Ellen, good-guy Bobby, prim-and-proper Pam, envious Cliff, unassuming Ray, and so many others, whose memory I cherish--Miss Ellie, Donna, Katherine, Mickey Trotter, etc....
Additionally, with the "Who Shot J.R.?" cliffhanger in 1980, "Dallas" created a new marketing tool the television continues to use to this day to retain audiences. Not just soap operas use the season ending cliffhanger; it's been effectively used by such shows as "Friends" and "Will & Grace" recently.
"Dallas" was for many years the most watched program on TV, and continues to be watched by devoted fans, many of them discovering its greatness thru reruns. One episode, and you'll be hooked, too.
to see Dallas for an East European is always a strange experience. under the Communist regime, it was a fairy tale. under the democratic regime - a promise. but, always, in a strange way, more than fiction. because Larry Hagman creates a spectacular bad guy, splendid mixture between Shere Khan and Darth Vader. because it has the gift to be more than one of many soap opera from the same period but a phenomenon. because, its spectacular longevity transforms the viewer in part of story. sure, all is a fiction . but the dose of reality is right for discover the trace of series in every day life. it has the right story and the right actors. this is its success roots. and the seal for a period looking the perfect story for understand the reality escaping from it.
Well, I just want to publish my very own personal review about this global smash hit. And keep it that way.
Liked it A lot when it was on screen here in Sweden during the years about 1981-1993(?). (Some 2-3 year delay from U.S prime time.) That was a usual standard for American TV shows for European watchers by then.... (National television was Russian style in Sweden too, you know.) Got curious when my mother got hooked on the Ewing/Barnes feud, myself being just seven years old at the time. (I naturally didn't get so much out of it then.)
What was meant by the creators of "DALLAS" to be a five act drama TV show with the troublesome marriage between Bobby Ewing and Pamela Barnes in center, grows to be the major series of the 80's. (The response from the viewers after some episodes were so good that the producers called for an extension.)
We were allowed to get into the flesh of a family, with sons and daughters always fought each other for power and wellness. Office suits mixed with rancher blue jeans. Oil business and kettle care in the same sweet melody.
When the DALLAS show was released over here on DVD in a "two season per year-plan" in the early 00's, It was time to take the trip all over again. During a six year period, I consistently dug deeply into it season by season during free time, and enjoyed it to the fullest.
The Southfork Ranch almost became my own living room.
Not A member of A fan base, I want to share my own profit of taking the trip from start to finish:
"The Jock Ewing Years" are/were DALLAS at it's best. Jim Davis was the Brando of the Ewings, without doubt. The plot of the whole show was more centered and interesting while he was present. The screen writers re-grouped the three sons of an oil-mafia matriarch, surly in a "godfather" style. Late Larry Hagman (R.I.P) was the senior son J.R, the natural heir of the throne. Always thinking business, besides the hunger for women as a pleasure. Stone cold and calculating, he smashed every fly that came around him trying to steal his limelight.
2nd son Gary was placed beside in script, for several reasons. (Fans aware of "Knots Landing", uh?)
Baby brother Bobby eventually took the fight with his older brother for the captain's seat; after having his "easy living"-years he rapidly learn the business, but a little too late to ever compete with his way too superior brother, who were always one step ahead.
(Actor Patrick Duffy once said that an early take with Larry Hagman, which included some physical acting, ending up with Hagman laughing at his opponent's bad acting, was a real boost to shape up, and never feel minor in acting skills to Larry in a scene ever again.)
Cowboy Ray Krebbs (Steve Kanaly), the janitor of SF ranch, grows highly during this long history of the Ewings. Starting as kind of a youth manservant to them, he turns out to be more family than anybody of the Ewings ever dreamed of. (My personal favorite down to earth personality figure during the whole saga.) Forced into a world he never wanted to be part of.
On the opposite side, One Cliff Barnes always moaning of his father's stolen piece in the Ewings wealth, him being a partner to Jock Ewing in their oil "teen-years". (But drank it away.) Cliff B builds his own castle, but keeps up having hard time to compete with old J.R Ewing as Texas Oil Baron no. 1. Some good strikes on the way for Clifford, from time to time, always gave the series some fresh air and a forward push.
The family drama went on for years and years. People comes and goes. Weddings, barbecue parties, and some good fist fights at the annual Oil Baron's Ball. Liquor for breakfast, coffee for lunch. Heavy fuel for hard people.
Halfway the series gets a little stalled, but the writers kept on finding new and sometimes cheer ways to keep the story going on.
Yes, there's alcoholic intoxicated wives on the way.
It's getting kind of silly around the "dream-season" alright. (A solution created because of the actors big egos $....)
But I kept on watching it after that anyway, didn't I?
And did I love the ride?
YES. To the final "shot".
Liked it A lot when it was on screen here in Sweden during the years about 1981-1993(?). (Some 2-3 year delay from U.S prime time.) That was a usual standard for American TV shows for European watchers by then.... (National television was Russian style in Sweden too, you know.) Got curious when my mother got hooked on the Ewing/Barnes feud, myself being just seven years old at the time. (I naturally didn't get so much out of it then.)
What was meant by the creators of "DALLAS" to be a five act drama TV show with the troublesome marriage between Bobby Ewing and Pamela Barnes in center, grows to be the major series of the 80's. (The response from the viewers after some episodes were so good that the producers called for an extension.)
We were allowed to get into the flesh of a family, with sons and daughters always fought each other for power and wellness. Office suits mixed with rancher blue jeans. Oil business and kettle care in the same sweet melody.
When the DALLAS show was released over here on DVD in a "two season per year-plan" in the early 00's, It was time to take the trip all over again. During a six year period, I consistently dug deeply into it season by season during free time, and enjoyed it to the fullest.
The Southfork Ranch almost became my own living room.
Not A member of A fan base, I want to share my own profit of taking the trip from start to finish:
"The Jock Ewing Years" are/were DALLAS at it's best. Jim Davis was the Brando of the Ewings, without doubt. The plot of the whole show was more centered and interesting while he was present. The screen writers re-grouped the three sons of an oil-mafia matriarch, surly in a "godfather" style. Late Larry Hagman (R.I.P) was the senior son J.R, the natural heir of the throne. Always thinking business, besides the hunger for women as a pleasure. Stone cold and calculating, he smashed every fly that came around him trying to steal his limelight.
2nd son Gary was placed beside in script, for several reasons. (Fans aware of "Knots Landing", uh?)
Baby brother Bobby eventually took the fight with his older brother for the captain's seat; after having his "easy living"-years he rapidly learn the business, but a little too late to ever compete with his way too superior brother, who were always one step ahead.
(Actor Patrick Duffy once said that an early take with Larry Hagman, which included some physical acting, ending up with Hagman laughing at his opponent's bad acting, was a real boost to shape up, and never feel minor in acting skills to Larry in a scene ever again.)
Cowboy Ray Krebbs (Steve Kanaly), the janitor of SF ranch, grows highly during this long history of the Ewings. Starting as kind of a youth manservant to them, he turns out to be more family than anybody of the Ewings ever dreamed of. (My personal favorite down to earth personality figure during the whole saga.) Forced into a world he never wanted to be part of.
On the opposite side, One Cliff Barnes always moaning of his father's stolen piece in the Ewings wealth, him being a partner to Jock Ewing in their oil "teen-years". (But drank it away.) Cliff B builds his own castle, but keeps up having hard time to compete with old J.R Ewing as Texas Oil Baron no. 1. Some good strikes on the way for Clifford, from time to time, always gave the series some fresh air and a forward push.
The family drama went on for years and years. People comes and goes. Weddings, barbecue parties, and some good fist fights at the annual Oil Baron's Ball. Liquor for breakfast, coffee for lunch. Heavy fuel for hard people.
Halfway the series gets a little stalled, but the writers kept on finding new and sometimes cheer ways to keep the story going on.
Yes, there's alcoholic intoxicated wives on the way.
It's getting kind of silly around the "dream-season" alright. (A solution created because of the actors big egos $....)
But I kept on watching it after that anyway, didn't I?
And did I love the ride?
YES. To the final "shot".
This show literally changed prime-time television for the better. The show centers around the lives, loves and scandals of the Ewings, a family of oil-rich barons who reside in-where else?-Dallas. When the
show started on CBS in the spring of 1978, the show centered around the "Romeo & Juliet" love story of Bobby Ewing (Patrick Duffy) and Pamela Barnes Ewing (Victoria Principal), the daughter of the Ewings' arch enemy Digger Barnes. Story lines, and ratings. changed for the better when DALLAS refocused on the devilish dealings of Bobby's oldest brother John Ross "JR" Ewing, Jr. (Larry Hagman. DALLAS reached the peak of its' popularity when JR was shot in the spring of 1980. For years, the show would remain at the top of the ratings until it started getting competition first from ABC's "Dynasty" and then NBC's "The Cosby Show". DALLAS' ratings was never the same after 1986 when Pam dreamed the entire 1985-1986 season. The show ran until 1991, when low ratings virtually killed it. It also spun off the longest-running prime-time soap ever, KNOTS LANDING.
show started on CBS in the spring of 1978, the show centered around the "Romeo & Juliet" love story of Bobby Ewing (Patrick Duffy) and Pamela Barnes Ewing (Victoria Principal), the daughter of the Ewings' arch enemy Digger Barnes. Story lines, and ratings. changed for the better when DALLAS refocused on the devilish dealings of Bobby's oldest brother John Ross "JR" Ewing, Jr. (Larry Hagman. DALLAS reached the peak of its' popularity when JR was shot in the spring of 1980. For years, the show would remain at the top of the ratings until it started getting competition first from ABC's "Dynasty" and then NBC's "The Cosby Show". DALLAS' ratings was never the same after 1986 when Pam dreamed the entire 1985-1986 season. The show ran until 1991, when low ratings virtually killed it. It also spun off the longest-running prime-time soap ever, KNOTS LANDING.
Dallas garners its own chapter in the history of television for several reasons. In its heyday this show was very popular! (The Who Shot JR episode remains one of the most watched programs of all time.) Dallas defined the 80's as the 'ME' generation, big hair and Republican values! JR Ewing takes his place as one of fictions most notorious villains. And the show itself conquered new territory. It was trashy television ... with bite!
The story centers around the Ewing family. Their lives center around oil and power (two things that mixed well in the 1980's). Their nemisis is the family Barnes, bitter rivals continuously looking for their fair share of an empire that they claim they helped to build.
The series opens up as Bobby Ewing brings home his new wife Pamela, first daughter to the Barnes family. The soap opera takes off and the sparks fly.
Over a 13 year run the show deals with all sorts of issues. Alcoholism (Sue Ellen is fabulous when she is sloppy!), infidelity, (JR sleeps with just about anyone with a skirt), drugs, impotence, politics, down syndrome, sibling rivalry, neurofibromatosis, breast cancer, divorce, child custody, homosexuality and physical abuse. And what's so great is that it deals with none of these topics well.
Dallas is not a show to be taken seriously, at least not on a cerebral level. If you want serious drama, watch Hill Street Blues. If you want something preachy, watch Facts of Life. Dallas is best watched with brain waves turned down to their lowest level, with a grain of salt and with an ear for catty drama!
Best storyline: Sue Ellen's drinking causes her to have the baby prematurely. No one knows for sure who the baby's real father is (Cliff or JR) - but Pam had better find out soon as she has just learned that she and Cliff are carrying a gene that could kill any children they intend to have. Complicated? Yes. But you gotta love it!
The story centers around the Ewing family. Their lives center around oil and power (two things that mixed well in the 1980's). Their nemisis is the family Barnes, bitter rivals continuously looking for their fair share of an empire that they claim they helped to build.
The series opens up as Bobby Ewing brings home his new wife Pamela, first daughter to the Barnes family. The soap opera takes off and the sparks fly.
Over a 13 year run the show deals with all sorts of issues. Alcoholism (Sue Ellen is fabulous when she is sloppy!), infidelity, (JR sleeps with just about anyone with a skirt), drugs, impotence, politics, down syndrome, sibling rivalry, neurofibromatosis, breast cancer, divorce, child custody, homosexuality and physical abuse. And what's so great is that it deals with none of these topics well.
Dallas is not a show to be taken seriously, at least not on a cerebral level. If you want serious drama, watch Hill Street Blues. If you want something preachy, watch Facts of Life. Dallas is best watched with brain waves turned down to their lowest level, with a grain of salt and with an ear for catty drama!
Best storyline: Sue Ellen's drinking causes her to have the baby prematurely. No one knows for sure who the baby's real father is (Cliff or JR) - but Pam had better find out soon as she has just learned that she and Cliff are carrying a gene that could kill any children they intend to have. Complicated? Yes. But you gotta love it!
Did you know
- TriviaOriginally, the show was intended as a starring vehicle for Victoria Principal, due to the fact that Pam would act as a buffer between the Ewings and the Barneses. J.R. was intended to be more of a supporting character. However, the producers were so impressed by Larry Hagman's portrayal of the immoral J.R., that he soon became the show's main character. Victoria stayed the hero though, and pretty soon it become angel Pam vs. Devil JR.
- GoofsThe size and layout of Southfork Ranch cannot possibly hold the number of bedrooms the series suggests it has. When the show first starts, four bedrooms would be needed (one for Miss Ellie and Jock, one for JR and Sue Ellen, one for Bobby and Pam, and one for Lucy). The following year, a nursery is added along with a guest room for John Ross's live-in nurse, totalling six. In later years, Sue Ellen has her own room for a while, and during episodes of the 1984-85 season, there would need to be at least eight bedrooms to accommodate the family and various guests. Additionally, many of the bedrooms have their own bathrooms and walk-in dressing rooms, which cannot possibly match up with the exterior of the house.
- Crazy creditsThe actors are supposed to be billed "in alphabetical order." Barbara Bel Geddes is billed as if she's a 'B' while Priscilla Beaulieu Presley as a 'P'.
- Alternate versionsThree episodes that aired as two-hour episodes "The Family Ewing" (Season 9), "Return to Camelot" (Season 10), and Conundrum (Season 14), are edited into two separate episodes for syndication.
- ConnectionsFeatured in The 31st Annual Primetime Emmy Awards (1979)
Details
- Release date
- Country of origin
- Language
- Also known as
- Oil
- Filming locations
- Calder House - 4800 Park Lane, Dallas, Texas, USA(interiors: southfork Ranch in season 1)
- Production companies
- See more company credits at IMDbPro
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