The Squeeze

Early film from Michael Apted (2000 Bond film, The world is not enough, 7up series for TV, etc.) Stacey Keach gives a wonderfully seedy performance playing against type as an English, alcoholic ex-policeman searching for a kidnapped child. Watch out for English comic Freddie Starr in a straight role as Keach's friend and saviour. Filmed in London during the heatwave summer of 1976, most people of my age who were children at the time would remember London like this. The film uses great locations- The Thames, the Underground, tatty 1970s pubs, etc. The opening scene in the Underground station and the climax of the film are particularly good. Keach plays the seemingly hopeless alcoholic with great dignity. The film has a slick pace, an atmospheric twangy 1970s soundtrack, great action scenes and a familiar cast. It may be hard to find this film, it is often tucked away on TV in the middle of the night for some reason, but I would recommend it to all crime/gangster film fans.

Unlikely duo (British comedian and actor) Freddie Starr, and (American Actor) Stacy Keach; team up in this eccentric 1970's Brit Gangster-Kidnap-Heist. In combination with Edward Fox, David Hemmings, and Stephen Boyd; this ensemble deliver a movie that successfully encapsulates both the time and the place (Central London UK). Leon Griffith's intelligent Screenplay, and David Hentschel's driving musical score, create a 'perfect-storm' of a movie-drama that it's mega-budget movie peers, could only dream of. Punching way above it's weight, this overlooked Gem comes with the Highest Recommendation.

The British 1976 crime drama, an early work of director Michael Apted ("Gorky Park", "Blink", "The World Is Not Enough") Stacey Keach plays an alcohol-addicted London ex-cop who becomes involved into a kidnapping drama and tries to free the daughter of a friend from a brutal gangster mob.

Stacey Keach's performance is brilliant, and Michael Apted is not only focussing on the thrilling crime plot but also on the portrait of a self-destroying loser nature and alcoholic. The rest of the cast is also outstanding, featuring Edward Fox as despaired father of the kidnapped daughter and David Hemmings as brutal gangster boss. There are some scenes of typical seventies' sex, hard violence and breath-taking action like a money transporter robbery at the end.

David Hentschel's electronic progressive rock score in the style of Goblin, Pink Floyd and Alan Parsons Project supports the dark atmosphere and hard action of this thrilling and sometimes disturbing crime drama. A great, little forgotten movie.

This is a minor lost classic of a British gangster film done in the same vein as The Sweeney, Get Carter and The Long Good Friday. It proves that it doesn't have to be American to be authentic and realistic. In fact it's the film's gritty locations which add weight to the storyline. Former Detective Inspector Naboth, now a struggling private eye who live s in the bottle is called upon when his ex-wife is kidnapped. Stacey Keach is Jim Naboth who is called upon by ex-wifes new lover Edward Fox who is blackmailed into taking part in a bank heist. Look out for the scene when Stacey Keach is wearing nothing but a shoe to cover up his manhood after being forced to hand over all his clothes to villain boss "Irish Jack" who is a sadistic thug, except when it comes to his own daughter whom he dotes upon. Another controversial scene is when Jill(Carol White) who is the ex wife of Stacey Keach is forced to do a strip in front of the gangsters who are holding her captive. She is even made to choose what music she wants to strip to for their entertainment.

Freddie Starr is excellent as "Teddy" who is a wet nurse to Stacey Keach and does his best to keep him away from the bottle and seedy pubs. The 1970's feel to this film reaches a dramatic climax towards the end when the robbery actually takes place and theres a few twists and turns in store.

Stacy Keach. David Hemmings. Edward Fox. Stephen Boyd. Carol White. And Freddie Starr. Made in 1977 by Michael Apted, they rarely show films like The Squeeze on telly anymore and at time of writing, it's yet to even receive a DVD release. And this is outrageous really because, grim and seedy as you like, it remains one of the most underrated and authentic Brit-crime thrillers to ever leave its grubby prints on the screen.

A large part of that authenticity lies with its gritty locations: a cigarette smoke-fugged London Underground, dismal pubs and Soho 'massage parlours', and a pre-gentrified Battersea and Clapham, vividly portrayed in birds-eye view. Familiar currency to a certain iconic 1970s British cop show...