The Sweet Body of Deborah

The eye candy Carroll Baker was up and coming in Hollywood when decides change scenery to Europe on late sixties, perhaps seeking for the protagonism which she rarely had at America, your trip gave what she wants, however on a highest price, at the expense of much nudity scenes, her main attribute, it's a psycho-giallo, sets in fancy landscape as Geneva at frosty Switzerland and the seashore Nice on France and outskirts, whilst a slow pace on first section takes off from middle to forward, with right to an unexpected turnaround at the end.

The plot is weak at first glance, commonly in this genre, Marcel (Jean Sorel) a Swiss citizen is back at his hometown Geneva to spend his honeymoon with wealthy American girl Deborah (Carroll Baker), nonetheless such city brings bad recollections of a not distant past whereby Marcel was blamed for a death by misadventure on car accident of his former girlfriend Suzanne Boileau (Evelyn Stewart), mainly by his closest friend Philip (Luigi Pistilli) still distrauted, thus they decides depart there for breezy air of Nice and shortly thereafter Deborah rents an expensive country-house looking for a peace, but a snooper neighbor Robert (George Hilton) enters in the scene, meanwhile strange things happen concerning Suzanne's death, the ghost strikes back.

Stays clear all that glitters is not gold, the director handles the audience with rare mastery, fine outcome for a lousy story, Also Romolo Guerriere exploited the Carroll Baker's sexual appealing to the utmost of the boundary beyond reasonable, for a relief of lucky viewers!!

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First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.

"The Sweet Body of Deborah" follows the American Deborah (Carroll Baker) who marries Marcel (Jean Sorel) in Europe. The two go to Geneva on their honeymoon, but find their marital bliss disrupted over accusations that Marcel caused his ex-girlfiend's suicide.

The first of many horror and giallo films that Carroll Baker made in the late 1960s–mid-1970s in Italy, "The Sweet Body of Deborah" is one of the more amusing ones—significantly melodramatic, and bolstered with atmospheric set-pieces and cinematography. The first half of the film feels fairly one-note, but it begins to gain steam at the midway point. Lush cinematography of the Geneva Alps contrasted with the sunny atmosphere of Nice leaves the film visually interesting.

The film was clearly dubbed in post-production (in English no less, the language it was shot in in the first place), so there is a disconnect between the filmed performances themselves and the vocal supply that leaves something to be desired. In any case, Baker seems to be enjoying herself here, playing the sensuous new bride who finds herself in grave danger. Jean Sorel is watchable as her hunky leading man.

Overall, "The Sweet Body of Deborah" is a decent giallo mystery with light tinges of horror. It's a treat for fans of Baker, but stands on its own as a solid early entry in the Italian thriller subgenre. Not a masterpiece by any means, but a surprisingly amusing, atmospheric romp. 6/10.

Occasionally suspenseful but basically rather lukewarm sub-Diabolique-goings-on, which has a flashy direction, some elaborate twists, impressive music score and a deliberately murky and grim style in the usual French-Italian manner. It suffers, however, from a maddeningly illogical narrative, platiduous dialogue, too many slow patches and surprisingly uninspired ensemble acting.

"Smalling"

IL DOLCE CORPO DI DEBORAH bears a strange resemblance with Umberto Lenzi's COSI DOLCE...COSI PERVERSA. Same lead actress (Carroll Baker), same plot, same twist ending. Made the same year...who is the copycat? Not important after all, the Lenzi's flick being far more superior in suspense & quality.

For about an hour or so, we follow newlywed Carroll Baker and husband Jean Sorel thru the Swiss Alps, Geneva, the swiss countryside... guess the Swiss authorities paid a lot to make their country have a sufficient screening time to get noticed. No plot at all, just beautiful shots of the mountains & the city. Then some hot sex scenes between Baker & Sorel. Then back to some über-chic club. Then some more hot sex. And, oh, there's Luigi Pistilli accusing Sorel of driving his ex Susan to suicide. That's the beginning of the plot. then they're getting scared by strange phone calls. Oh, er!

La Baker is viewed under any possible shot (no frontal nudity, though :these are the 60's), she can scream all right. But she really doesn't know what she's doing. Obviously, the screenplay either, as it doesn't know how to handle such screen presence. The editing doesn't help, as it jumps from flashy 60's shots of a nightclub atmsophere (flashy camera angles, too) to loooong face to face dialogues between the two leads. No rythm is given, which leads to some boredom after the first half hour.

The last 30 minutes are a bit more satisfying, as the suspense grows thicker, the rythm accelerates and the story really begins. Too bad it comes too late.

Romolo Guerrieri is not a great director here. He's just a man following Luciano Martino and Mino Loy's orders : show more Carroll Baker and to the hell with the story (who cares anyway). No special talent, no great use of the anamorphic screen (Cromoscope here). No specific direction of actors. Just plain average.

But it's not bad (in a Mattei way), it's always fun if you're into some 60's/70's sexploitation mood. (S)Exploitative indeed : the black stripper as an arty-sex show is ridiculously long and may seem infuriatingly mysoginistic today. Mizar's strip in Giuliano Carmineo's PERCHE QUELLE STARNE GOCCE SUL CORPO DI JENNIFER? avoids this trap by eing a victory over machismo. This is pure pre-giallo routine.

But you can't help looking at screen wondering how come someone like Carroll Baker made this in 1968 after HOW THE WEST WAS WON, CHEYENN AUTUMN or HARLOW.

Better stick to the Lenzi territory for some sexy-giallo stuff. COSI DOLCE...COSI PERVERSA is a really better choice.

Superwonderscope says : 5

"The Sweet Body of Deborah" has a very slow start, but once it get's going, it's a decent mystery/crime movie which can entertain you during it's runtime. However, it should be noted that even though the movie has style and isn't amateurishly made or acted, it isn't anything special. There is also a scene where main characters play twister. That cringe has to be seen to be believed. All in all, I give the movie 6.5/10! It's an OK movie for genre fans, but isn't something everyone should see, unless you are largely attracted to Caroll Baker...