An engaging teen-age comedy, thanks to solid casting, more than the usual 1950's imagination, and a willingness to ridicule our national obsession with greed. Dobie's (Hickman) an ordinary teen from a modest background, with a grouchy grocer dad and a sweet-tempered mom. In short, besides a warm personality, he doesn't have much going for him. The trouble is that the girls he's constantly falling for at school are all looking for money or status, which Dobie doesn't have. Doesn't sound humorous, does it.
But thanks to clever scripts, rapid-fire dialog, and Bob Denver as the hopelessly dim beatnik, Maynard, it's funny as heck. The best entries are the early ones, where Dobie tries to win the affections of that greedy little vixen Thalia Meninger (Tuesday Weld). Weld is simply perfect as a cute blonde snot who keeps reminding Dobie of how ordinary he is, while she looks for a rich guy instead. Not many series, serious or otherwise, were willing to raise this sort of class envy on TV, but this one does. Poor Dobie. His only consolation is talking to the camera and ruminating over his girl problems. Cleverly, there's a statue of The Thinker in the background as he speaks to us. That way we know what he's saying is what he's thinking without the script having to tell us so. It's a good imaginative touch breaking the wall between character and viewer. I believe this break with convention is the only TV instance of that day.
But Weld was too good and soon went into movies. So Dobie goes through other similar cuties for whom, in humorous fashion, he's still not good enough. I love the silly poetic way Dobie addresses his reluctant lady friends. Stuff like: "My perfume of India" or "You shine like the stars of my mountain". It's perfect for conveying the show's facetious touch.
The trouble is that after the first year or so, the premise became too predictable, plus the boys are looking a little old for high schoolers. So Dobie and Maynard join the army, but the hijinks are not nearly as funny. As a result, they're soon out of uniform and back in town, enrolled in college where Dobie can resume his problem with girls. Note too how much larger Denver's role becomes as the series continues. Clearly, however, as good as some episodes are, by that time the writers were running out of variations on the old premise. So, in what appears desperation, they try out ill-advised fantasies like Dobie and Maynard as loony South American revolutionaries. By 1963, the series had clearly run its course.
Nonetheless, it's hard to say enough about the supporting cast that had so much to do with the show's success. Frank Faylen as dad Gillis is often over the top but fits right into the show's usual snappy pace. Then there's Florida Friebus as long-suffering mom Gillis, the one character not exaggerated for laughs. And, of course, there's little Sheila James as plain Jane Zelda, smart as heck but hopelessly stuck on Dobie, while forced to put up with his constant rejections. And finally, there's Steve Franken as spoiled rich kid Chatsworth Osborne Jr. who's constantly getting in Dobie's way, flaunting his superiority. (Warren Beatty was the original rich snob, but like Weld, went quickly into the movies.)
Now, if you think about it, the ideas here of romantic rejection, social climbing, and a talentless Dobie could quickly sour if not handled correctly. So it's to the credit of the cast, writers and directors, that they kept the material as light and humorous as they did. And especially to Hickman who made the hapless Dobie so likable without becoming sappy. All in all, for at least a year, this was arguably one of the best, most imaginative shows on TV, and still merits revival.
