The Unsinkable Molly Brown

I had the pleasure of accompanying my great aunt and one of her contemporaries to the opening of this movie in Denver in 1964. Because they had known the old girl herself (the real Mrs. Margaret Brown, that is) back in the early years of the century, both in Leadville and Denver, they were keen on seeing what Hollywood and Debbie had done with the story.

I remember vividly watching their reactions turn from initial pleasure with the opening number to puzzlement when Debbie started to chew the scenery and behave like, well, Debbie Reynolds. This was followed by Ed Begley and the boys in the saloon hooting it up, and the two old ladies next to me started to frown a bit and whisper something to the effect that "it was not like that at all." They were becoming quite restless until the Denver bits began, but they seemed to accept the remainder of the story with a good deal of resignation that it was all just good fun and nonsense, and wasn't that what going to the movies was all about?

Afterward, as we strolled over to the Brown Palace for dinner, they regaled me with a complete history of the real Mrs. Brown and the many mutual friends they had enjoyed meeting at that same venue from roughly 1895 to 1915 when they were themselves just being presented into Denver society. I learned, among other things, that Mrs. Brown was considered an eccentric but generally well-liked and articulate woman who, despite never really being accepted at the toniest levels, became a legend in her own time after the Titanic episode. That part of the story was not only true, but actually a larger-than-life experience, the details of which they agreed should have been featured more profoundly in the film version.

The next time I drove down Wadsworth Blvd. and saw Mrs. Brown's "Summer House," a rather grand Victorian edifice like the better known one in the center of Denver, I tried to picture Debbie Reynolds in that setting and could not quite fit the two together. That in spite of the fact that Debbie herself grew up in El Paso at the southern end of the same Rocky Mountains that rise northward through Colorado.

I don't know what it was, but I couldn't really get into this movie, be affected by it or enjoy it very much. Well, yeah, the society party scenes were a hoot, the scenery was pretty, the chereography of the "Friend" song was good, but that was about it. The rest was just... there, not horrible, but definitly not above average, either.

Debbie Reynolds should have been very well suited to the role of Molly Brown, but for all her teeth-gritting, yelling, and wailing, she just doesn't rise to the occasion. Why this is often considered her best role, and why she was nominated for an Oscar for it, I really couldn't tell you. Harve Presnell has a soaring voice, but again, just is average. The Merideth Willson score is rather pedestrian. (Apparently several songs were cut from the Broadway show; maybe they were better.) But really, this guy did The Music Man? And the Titanic sinking is done and dispensed with in maybe two minutes, if that. Come on! The one reason this musical was made was because of Mrs. Brown's legendary courage after that sinking. Not much evidence of that here. Oh, and yes, the musical is pretty accurate in terms of the many legends surrouding Margaret Brown, but not so faithful to the real person. (Many minute things: she was never rescued from a flood as a baby, she was actually born and raised in Hannibal, Missouri, her husband was always called J.J., never Johnny, they never really did reconcile, she actually had two children with him that were not mentioned, she never really was accepted by the Sacred Thirty-Six, her many contributions to the juvenile and suffrage movements were ignored as always, etc. and so forth. She was never even called Molly, always Margaret.) You get the point...

It simply wasn't anything special.

"The Unsinkable Molly Brown" made its debut on Broadway in 1960. Tammy Grimes, as the Molly Brown of the title, received, perhaps, the best reviews of her acting career. When it was made into an MGM musical, Miss Grimes, lost her creation to Debbie Reynolds, who had a bigger name and was a favorite of the movie going public.

Meredith Wilson, the man behind another hit, "The Music Man", created a musical comedy that showcased a fictionalized account of the larger than life character of Molly, a woman who went from humble beginnings to bigger, and better things. As a matter of fact, she was truly "unsinkable" as proved by having survived the Titanic disaster.

Not having seen this film for quite some time, didn't quite make it for this viewer, on a second viewing, in spite of glowing comments from other IMDb contributors. However, it must be noted, our memory of having seen it before was more positive than the impression we got in watching it again. Part of the problem is the plot, which is silly, in the way the material is presented. Then again, this film has a dated feeling.

Debbie Reynolds threw herself into the role of Molly with gusto. It's one of her best achievements in the movies, and it should be recognized. Herve Presnell, who played Johnny Brown on Broadway, seemed destined for bigger and better things, as he shows here with his handsome looks and powerful singing voice. The cast includes several character actors that enhance the movie, notably, Ed Begley, Hermione Baddeley, Jack Krushen and Martita Hunt, among others.

The film could be seen as a curiosity, although it shows its age. The songs, with only a few exceptions don't have the quality of other Meredith Wilson's work. Only a couple of songs stay with the viewer after all is said and done. Charles Walters' direction was not too inspired and perhaps that seems to be the basic flaw with this "Molly".

Debbie Reynolds stars in this boisterous adaption of the Broadway musical, The Unsinkable Molly Brown, based on the life of legendary Denver society woman and heroine of the Titanic disaster. It's a film role perfectly suited to Debbie Reynolds both musically and dramatically.

The Meredith Willson musical ran for 532 performances on Broadway and starred Tammy Grimes there. In the Hollywood tradition though, a movie name was thought to be needed. 1964 was a bad year for Broadway actresses who originated roles and did not get the film role. Julie Andrews also knew exactly how Tammy Grimes felt.

The one big difference is that no one had to dub Debbie Reynolds. Her singing and dancing is all a part of one remarkable role where the character ages and matures and there's a big difference in those two life functions. I'm of the firm belief that MGM cast her in this part because of her musical numbers in How the West Was Won which they also produced. Debbie may also still have been under contract to them from the old days.

Harve Presnell came over from Broadway to play her husband John J. Brown of Leadville, Colorado and who makes them both rich beyond their wildest dreams. But Molly's dreams are larger than John's and it causes their parting. Presnell has a terrific baritone voice and he unfortunately came along at the tail end of movie musicals. His next film was Paint Your Wagon and he got to sing They Call the Wind Maria which requires a real singer to do, not something Lee Marvin or Clint Eastwood could fake. Presnell's developed into a fine character actor though.

Years ago I happened to meet Ed Begley's widow at an event. She mentioned to me that her husband for all the great dramatic parts he played including winning an Oscar for Sweet Bird of Youth was at heart a song and dance man. He loved to get up and perform at parties and such. I said to her that the role of Debbie Reynolds's father in The Unsinkable Molly Brown must have been one he loved and she said it was his favorite. Begley certainly looks like he's having a great old time in the part.

Meredith Willson's score, while not as good as The Music Man still has some fine numbers. Debbie's infectious singing of I Ain't Down Yet is the high point. For Presnell his anthem to Colorado My Home if it isn't, it should be that state's official song.

The only criticism I have of the film is that as good as Molly Brown is here there was so much more to the woman that The Unsinkable Molly Brown doesn't even get into. She was a suffragette, a leader in reform of juvenile offender laws, a noted philanthropist, she wasn't just a party girl who got a chance for heroism on the Titanic. I wish that had been dealt with in the film and the Broadway musical.

For a rollicking good musical experience though, you cannot beat The Unsinkable Molly Brown. No putting this woman or this film down, ever.

One of my favorite shows with plenty of singin' and dancin' all the way from the simple countryside, to the big city, and over to the even bigger city life of Europe. Debbie plays a tomboy country girl who can't wait to leave the outback and live the high life in Denver. On the way to this better life she crosses paths with a prospector who changes her life and not always for her betterment as far as she is concerned. She finds that her dreams of wealth and a place in high society are not necessarily what will make her happy in the real world. This is a very delightful film with lots of beautiful scenery, props, and great performances by the entire cast.