The African Queen

John Huston directed this classic WWI romantic adventure that stars Humphrey Bogart as Riverboat Captain Charlie Allnut, an alcoholic and aging veteran of the river who is persuaded to lead pious Rose Sayer(played by Katharine Hepburn) by her missionary brother(played by Robert Morley) who is later beaten and left to die of fever by the German occupiers. Rose buries her brother, then sets out on the river journey, determined to avenge her brother's death(and do God's work) by tracking down and destroying a German submarine with a torpedo. Along the way, the mismatched couple connect and fall in love... Fine adventure with two perfectly cast stars at their best. Bogart won an overdue best actor Academy Award for his wonderful performance, with superb direction making this an authentic and memorable journey indeed, overcoming the predictable(yet believable) inevitability of the romance.

A real gem of film-making! Bogart and Hepburn shine in this two-actors-adventure-movie and even without the breathtaking visual effects of todays' films, it outshines them in its simplicity and authenticity.

The plot is very good and straight and the situation where the two characters (polar opposites) interact is an eye candy for all film goers. Bogard's Oscar as well-deserved and Hepburn could won her fifth with that powerful performance. I consider the film a pioneer in war/jungle movies making and the fact that the "commandos" are so different (a Sunday school teacher and a drunk) makes it all the better.

If you have not seen it run and get it. You won't regret it.

To me this film will always be the validation of Humphrey Bogart's long and distinguished career. His portrayal of the hard drinking Charlie was what made this film what it was. Also, he showed just how great an actor he was when he was able to match up against the woman who is generally considered to be the greatest actress in film history, Katherine Hepburn. Also, this film will always be recognized for having the perfect mix of action, romance and comedy and it will always be a classic.

This is one of those films whose special effects and scenery must have been astounding at the time (1951), but which seem mediocre at best today. BUT, and that's a big 'but', this does not detract from the greatness of the movie overall. The scenery truly is beautiful, for one thing--and the direction and cinematography is great.

However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.

The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.

Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)

To face a script in which most of the plot revolves around the dialogue of only two people in one location must be terrifying. Thank goodness for Katharine Hepburn and Humphrey Bogart. John Huston's adaptation of C.S. Forester's The African Queen was solid. And the decision to film on location in Africa helped develop the concept of nature as a viable character within the plot helps solidify the film. But without Katharine Hepburn, and Humphry Bogart, this film could have been reduced to a nice little travelog on the beauty and terror of African and the pretty animals living there. Within The African Queen each character undergoes metamorphosis. Charlie Alnutt grows from an apathetic man who enjoys the inside of a bottle, to a courageous man. Rosie in turn allows herself to be human, and vulnerable perhaps for the first time in her life. With lesser actors these changes would have appeared rushed, unexplained,and a dull beginning to an inexplicable romance. But it isn't. It's a captivating film. Rosie's brittle smile, Charlie's face as his vices are destroyed, these are moments of brilliance in an incredible film. I highly recommend it.

It's also worth noting that this was not an easy film to make. These performances survived crew and cast illnesses, constant mechanical errors and inclement weather. For more about the conditions it was created under, I suggest you read Katherine Hepburn's The Making of The African Queen or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind. She's not the sanest author in the world, but all the more enjoyable.