A working girl rises in an ad agency after impressing a baby-food client with her lifelike dolls.A working girl rises in an ad agency after impressing a baby-food client with her lifelike dolls.A working girl rises in an ad agency after impressing a baby-food client with her lifelike dolls.
Ransom M. Sherman
- Powers
- (as Ransom Sherman)
Sheila MacRae
- Peggy
- (as Sheila Stephens)
Fred Aldrich
- Train Passenger
- (uncredited)
John Alvin
- Danny
- (uncredited)
Carl Andre
- Subway Commuter
- (uncredited)
Mary Bayless
- Club Patron
- (uncredited)
Rodney Bell
- Traffic Cop
- (uncredited)
Edward Biby
- Passerby
- (uncredited)
Arline Bletcher
- Passerby
- (uncredited)
Storyline
Did you know
- TriviaThe stack of baby photos which they sort through includes one used in Yankee Doodle Dandy (1942) eight years earlier.
- GoofsAlmost an hour in, as Zachary Scott is convincing Betsy Drake to present Sam's campaign to Cyrus Baxter, he leads her out of the office door, saying, "Now remember, Patsy, the code of the firm..." As Sam's office door closes, at the top of the door can be seen the very bright studio lights that were used to light the scene before."
- Quotes
Caravan Club Waiter: [at the Caravan Club Morley is at the table while Holmes dances with Patsy] Fresh drink, sir?
Sam Morley: Yes, a double. And, waiter...
[takes out some money]
Sam Morley: here's ten dollars for your trouble. Go to the dance floor and tell Mr. Holmes he's wanted on the phone.
Caravan Club Waiter: Sorry, sir. Mr. Holmes gave me twenty dollars *not* to call him to the phone. Anything else, sir?
Sam Morley: [puts money back] A sharp knife.
- ConnectionsReferenced in I Love Lucy: The Fashion Show (1955)
- SoundtracksPretty Baby
(uncredited)
Music by Egbert Van Alstyne and Tony Jackson
Lyrics by Gus Kahn
Played during the opening credits and occasionally in the score
Sung by Dennis Morgan
Featured review
A thoroughly enjoyable piece of fluff. Nothing to deep just a well cast, well acted hour and thirty two minutes of entertainment. I just stumbled across this film and hand't checked to see what it was about or who was in it. I'm glad I didn't though; based on the description I might have skipped this little gem. Dennis Morgan and Zachary Scott were both great, as was Betsy Drake. But as usual Edmund Gwenn stole the show. I'm surprised they could find stars to work with him; he always effortlessly stole the show in anything he was in. I recently saw him in" Them"; a low budget sci-fi film and he added weight that part as well. This story starts out with a simple inadvertent dissection by young women that just wants a seat on the subway. That simple act winds up complicating her life, like she never anticipated. And others wind up draw in by their own assumptions. This is a prime example of late forties, early fifties comedy. And is a dramatic demonstration of how much the world has changed in just fifty years. People watching this film from the viewpoint of someone born after 1960 won't recognize the morals or values in this film. But this really is the way most people were like back then; for the most part. So it's a humorous character study, and another glimpse of time gone by.
Details
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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