The Tall Texan

The Tall Texan succeeds because of a fortuitous combination of elements-setting, background music, romance, suspense, and characterization. Although termed low budget, the photography amidst impressive rock formations successfully creates the illusion of taking place on the edge of sacred Indian burial grounds somewhere northwest of El Paso in New Mexico's City of Rocks. The background music has the flavor of Aaron Copland as motifs for the Sea Captain (Lee J. Cobb) ,the crooked peddler Tinnen (Luther Adler) and Ben Trask,the Tall Texan (Lloyd Bridges) recur throughout the drama.The Tympani throbs create tension near the close as Ben Trask fights for his life. An intriguing romance develops between a free spirited woman (Laura Thompson-Marie Windsor) and a prisoner accused of a crime he didn't commit (Ben Trask- Lloyd Bridges). A rapid metamorphosis of contempt to admiration to affection develops as Laura discerns Ben's honest unassuming character. Ben Trask's rival, a hot tempered former sea captain wins the hearts of the audience by developing latent altruistic characteristics. Robert Lippert and Elmo Williams have masterfully and tastefully combined these elements into a well-made drama.

Despite a muddled script and a barrel bottom budget, this stark little b&w western remains oddly fascinating, even among today's color fests.

Check out that barren New Mexico desert that never leaves the eye for the hour-plus runtime. It's a perfect backdrop for the six guys and one gal trapped by Comanches in the lonely spaces. The travelers are basically on-foot now that their wagon's been overturned by the warriors. Good thing a more peaceful Indian group just wants to keep them off their sacred burial grounds, but otherwise just keeps them under a watchful eye.

Worse than the Indians, the guys find gold dust while rooting around for water, thus introducing a fresh and maybe more ominous set of complications. So now they're trapped not only by Comanches but by their own mounting greed, especially when Adler finds nuggets on the sacred burial ground -- no wonder the Indians keep watching them. It's that combination that really distinguishes the plot, even though the connecting threads are often obscure (or maybe that's just me).

Anyhow, it's a distinguished cast, laid low by looming Hollywood blacklist, and willing to take on even bottom barrel Lippert Pictures and a rapid 8-day shooting schedule. It's a strappingly adventurous Lloyd Bridges, a forceful Lee J. Cobb, a sneaky little Luther Adler, and an unexpectedly compliant Marie Windsor, a long way from her usual heartless vixens. Anyway, none are particularly likable or dislikable, sort of like many everday encounters.

Note too the underlying subtext of how the panned gold and nuggets should be distributed among the six men and maybe the woman. Should it be an equal division or should each keep his own findings, or maybe even extract from others, that is, if they can agree on amounts, or, worse, just plain get away with stealing it. I'm not surprised, given the political climate of the early '50's, that such a distribution question would be raised ( competing modes of socialism or capitalism). Doing it, however, within this context is especially distinctive.

No, the flick doesn't rise to the level of hidden gem, but does manage a sort of primitive earth spell. So, don't pass it up. The compensations are there.

Lloyd Bridges was 6' tall. Not short by any standard but hardly the 'tall' you see in this film's title.

"The Tall Texan" is sort of like taking the movie "Stagecoach" and "Treasure of the Sierra Madre" and reworking it just a bit. Just like in "Stagecoach" you have the guy who is in trouble with the law--but instead of John Wayne, it's Lloyd Bridges. It also consists of a group of folks in a stage coach on their way from one town to another. It's a lot like "Treasure of the Sierra Madre" because this group of folks stumble upon gold--and spend much of the rest of the film losing their souls in pursuit of this treasure.

There is a bit more to the movie--but basically it's almost exactly what you'd expect from the mergers of these two films. This isn't a bad thing--the movie is entertaining and like the best sci-fi and westerns (in my opinion), the film has a lot to say about human nature today just like in the 1800s. And, it also is excellent because the American-Indians are not all mindless killers but you understand and appreciate their position in this film. Well worth seeing--especially Luther Adler's highly entertaining portrayal.

Fresh off his success as award winning editor on "High Noon", Elmo Williams takes the Directors chair here for the first time. Often compared to Ford's "Stagecoach" this character study of lust and greed is more reminiscent of "Treasure of Sierra Madre." Bridges is superb as the tight lipped convict, Trask(the Tall Texan), however the real acting kudos go to Adler and Cobb as sniveling peddler and sadistic sea captain, respectively. The picture slowly builds to an action packed climax and a deliberately inconclusive ending. This is perhaps the finest picture from Lippert Inc.

Considering that this movie is almost 50 years old, it holds up quite well. Bridges, Adler and Cobb give striking performances in a tale set amongst a group of barren rocks in the Southwest. The plot moves slowly, building to an exciting climax. One of the best western movies of the 50s with a great musical score.