Ivanhoe

It was in this film that the legendary stuntman, Paddy Ryan, did a spectacular fall into an amazingly small amount of water. I started working in the UK in 1960 and there was still talk among casts and crews of Paddy's famous fall. I met Paddy a few times and asked him about the stunt dive. He said it was no big deal. He remembered being asked by some publicist why he did such dangerous things. He replied that he looked down from the great height, imagined he saw his pay check lying there, and took off! I suggested that he should write his memoirs. He said he had started and had spent a long time writing it all out by hand and had almost finished when his manuscript was stolen from, if I remember correctly, his car. He said he was too fed up to sit down and do it all again. What a loss!

I can't comment on the film as an adaption but I did find that it was quite entertaining standing alone. Some have criticized Robert Taylor for being too stiff, but I found him to be suitably formal and chivalrous. Elizabeth Taylor and Joan Fontaine both provided ample glamour and grace to their roles. They are also both very photogenic to say the least. The performance of George Sanders intrigued me the most. Though a villain, he actually became more sympathetic to me as the movie progressed. The relationship of the four major characters was what kept me interested. Although I am sure it took careful planning and execution (and a lot of extras) to stage the fight scenes, I actually thought they were quite perfunctory. Solid if not spectacular, 7/10.

"Ivanhoe," filmed in bright techicolor was nominated for best picture in 1952.

Miklos Rosza again provides us with a major musical score. I always felt that his scores, so rich in textures, would be a prelude to his Oscar-winning score in "Ben-Hur." (1959)

The film deals with the ongoing fight between the Anglo-Saxons and Normans, the latter having ruled England since the infamous Battle of Hastings in 1066. While fighting in the crusades, Richard the Lionhearted has been kidnapped and held captive in Austria. This has been done with the help of the Austrian emperor Leopold and Prince John, Richard's evil brother, who assumes the throne in his brother's absence.

I laughed at the beginning of the film when Robert Taylor, who plays Ivanhoe, loyal to Richard, asks someone for a translation as he doesn't read Austrian. Didn't they mean German? While it is true that Germany did not become a unified country until 1871 following the Franco-Prussian war, the dialect spoken in the entire region was German.

Taylor rallies to the aid of his people. Hurt, he is given refuge by the Jewess Rebecca, played with warmth and skill by Elizabeth Taylor. Her father, Isaac the Jew, played by the always serious Felix Aylmer, promises to help pay the ransom for Richard so that his people can have religious toleration in England. Naturally, Rebecca loves Ivanhoe but so does Lady Rowena played by a much reserved Joan Fontaine. Her guardian, the father of Ivanhoe in the film, is portrayed by Finlay Currie, who played in numerous bible films.

The Technicolor and cinematography are breathtaking in the film.

A story of love and devotion, especially that of George Sanders, who sacrifices all for Rebecca.

I love this film, especially the jousting tournament scene. I think one of the reasons why it touched me so deeply because the tournament scene was based on 'The Tournament of the Black Lady' held by King James lV of Scotland in 1507 at Edinburgh Castle. He competed against five knights (whom he defeated) and presented himself in black armour to conceal his identity. His Queen of Love and Beauty was his African attendant, Ellen, whom he dedicated to the tournament to. Sir Walter Scott would have had this fresh in his mind when he was re-writing the Robin Hood story.

Although the story of Ivanhoe has been brought to screen several times, this is the version that I have always considered outstanding. Yes, I admit that it is a free adaptation of Sir Walter Scott's novel, much is changed. I also admit that it is a clearly Hollywood production of the early 1950s with cast elites of the time. Yet, IVANHOE is extremely entertaining as an epic movie.

MIDDLE AGES ON SCREEN: The picture of the medieval England of the 12th century is very appealing. Viewers get a right impression of the lifestyles, believes, and values of the time. And it is not only because of the costumes and sets... the film is supplied with such moments that allow us to travel in our imagination to the distant Middle Ages. I loved the tournament, for instance, when the "knight with the hidden face" (Ivanhoe) is supposed to prove his courage. Here, a mention must also be made of the castle siege and the very natural action. Another important medieval aspect that is developed in the film is man's chivalric love to a woman. Ivanhoe comes back to his homeland and refers to the vows of chastity he has made with his beloved Lady Rowena (Joan Fontaine). This delicacy combined with straightforward love and courage with sacrifice are very beautiful...and very medieval (consider this aspect in Gibson's BRAVEHEART as well). Finally, funny moments are accurately embedded in the context. The scenes with humble Squire Wamba (Emlyn Williams) constitute the heart of the movie's humor.

PLAYERS: The cast give very fine performances. Although these are mostly great stars of the early 1950s and may be not that famous to the general audience at present, Robert Taylor is absolutely amazing as Ivanhoe. He perfectly expresses chivalric courage, purity of intentions and honor. I also liked young Liz Taylor who is noticeably not that professional on screen as she later was. Yet, her girlish beauty in the role of a Jewish girl, Rebecca, is magnificent. Except for Taylors, Joan Fontaine in the role of the virtuous Lady Rowena is terrific - real Lady, yet a bit boring. There are also such mainstays of epics like George Sanders, Felix Aylmer and Finlay Currie. Who can forget their roles in QUO VADIS? or SOLOMON AND SHEBA? Thanks to the famous cast, the film can be placed in the accurate cinema period. Yes, it cannot be forgotten that IVANHOE was made in the early 1950s and thanks to this awareness you partly know what to expect from such a film. However, the movie's old age talks even more for its value. IVANHOE is just standing a test of time.

EPIC PROPORTION FILM: IVANHOE is also filled with spectacular scenes. The first one worth consideration is the opening scene when Ivanhoe is traveling through Austrian valleys and hills looking for the captured Richard the Lionheart. Mind the excellent colors' selection and the sunset by the castle at Durnstein where the king was kept for ransom. The cinematography is outstanding. Another beautiful scene is the feast that Cedric (Finlay Currie) gives to his guests. This luxury of medieval cold castles, the hospitality of the Saxons and the manners of the wealthy are in focus. But these moments are not there for nothing...they serve the purpose to supply the viewer with a unique atmosphere.

What more to say? IVANHOE by Richard Thorpe, in spite of its 54th birthday, is a great medieval epic that I would recommend to everyone. For me, it is one of those films that I have seen several times and still dream to see once again. I am always in a very nice mood whenever I see this movie 7/10