Thirty Seconds Over Tokyo

Thirty Seconds Over Tokyo is the most accurate portrayal of the Doolittle Raid on Japan during World War II. Whenever a movie is made from a book, there are usually changes made for "dramatic effect". However, there does not seem to be any such changes in this movie, as there is plenty of drama in the original story. Most of the dialogue was taken directly from the book by the same name. There are some scenes that may seem to be "propaganda" or "corny", but one must remember that in 1943, the atmosphere was different in the United States and the rest of the world. All of the characters in the movie were real life people from the Doolittle Raid and from accounts in the book and other sources, they are accurately portrayed by the actors in the movie. The main character, Ted Lawson, was the original technical advisor, but he was replaced by Dean Davenport (Lawson's co-pilot) after Lawson was re-called to active duty. Most of the flying scenes were done with actual B-25's accurately marked and even the take-off, which was done on a sound stage, used real aircraft on an aircraft carrier mock-up. The scenes that used miniatures were also well done for the time period (before digital effects). The movie "Pearl Harbor" also has an account of the Doolittle Raid, but it is very, very inaccurate. This movie is worth watching for everyone who has a desire to see historical events and is a must for all aviation and military buffs.

I know it's a World War Two propaganda movie. And I know that Hollywood treatments of historical subjects must be taken with a huge boulder-size grain of salt. That being said, this is a credible movie that is worth watching. The fact is that the Doolittle Raid DID happen, that in early 1942 the outcome of the war against Japan was at best uncertain, and that Japanese aggression post Pearl Harbor posed a clear and imminent threat to the United States. It's hard to believe that Japan was THAT powerful, but it was. Japan occupied or controlled about one-quarter of the surface of the world, including most of eastern China, all of Manchuria, the ENTIRE Korean peninsula, ALL of southeast Asia, including ALL of Indonesia and Singapore, the Philippines, and the entire western Pacific Ocean. And Japan accomplished this ALL BY ITSELF. So the Doolittle Raid was a truly momentous event, as the movie aptly shows. The Doolittle Raid marked the beginning of the end for Japan, because it blew away the myth of Japanese invincibility and proved to the world that it was just a matter of time before a fleet of sixteen B-25 Mitchell bombers would be followed by huge air armadas of B-29s that would crush Japanese militarism for all time and eventually convert Japan from an implacable enemy to an allie and a friend.

THIRTY SECONDS OVER TOKYO has men training for a dangerous mission, led by Col. Doolittle (Spencer Tracy) who leads them into an adventure that begins with fully loaded bombers making their ascent into the wild blue yonder aboard Naval aircraft carriers. The cooperative team efforts between the Navy and the Air Force is demonstrated throughout and the result is a film that looks almost documentary in its approach to the subject matter.

But you have to get beyond some sentimental interludes for romance and that's where the story weakens somewhat, despite the sincerity of the moments depicted between VAN JOHNSON (as Lt. Dawson) and his loving wife (PHYLLIS THAXTER). Nevertheless, by the time the story reaches its powerful conclusion, you'll be rooting for the reunion of the husband (a wounded war hero who has lost one leg) and his wife who is expecting a baby.

Sterling performances help put the movie over. Never for a moment is the acting less than exceptional--and that includes VAN JOHNSON in the leading role, ably supported by SPENCER TRACY, ROBERT WALKER, ROBERT MITCHUM, DON DeFORE, SCOTT McKAY, STEPHEN McNALLY (billed as Horace McNally) and, in an unbilled small role, BILL WILLIAMS. All give natural portrayals that are as compelling as the events of the bombing over Tokyo, the crash landing in China and the many events that follow. Relationships between Americans and the Chinese make for the most touching elements in the crash scene and the hospitalization.

A fine tribute to the war effort, it's among the best of the service films produced by any of the major studios during WWII.

I am a retired professional pilot with thirty-eight years experience and I can tell you what the Doolittle Raiders did took more raw courage than you can possibly imagine if you are not a pilot yourself. Simply taking off from an aircraft carrier is dangerous enough for a naval aircraft. Now do it with a heavily loaded bomber not designed for the task flown by pilots who had never even been on a carrier before. Okay, that's scary enough, now I'll try to explain the technical difficulties. Simply stated, to take off a multi engine aircraft at very low airspeed (Necessary for the short length of the deck) is to invite disaster. This is because if you lose an engine as you lift off, the torque from the good engine would roll the aircraft over on its back and into the sea. Now if you survive those rigors you still have to fly to Japan, brave the anti-aircraft fire and fighters, unload your bombs, try to make to China (Low on fuel) find some primitive landing strip at night, which may have fallen into enemy hands by the time you arrive. This movie is but a small tribute to these brave heroes, so please forgive any perceptions of WWII propaganda. Supreme courage? You bet!

Van Johnson, Spencer Tracy and a supporting cast make this movie one of the special few war films that show a naturalistic view of men in combat. Johnson is scared, confused at times, and when he's at the controls, exactly like so many pilots I know - professional. There are elements of jingoism in this film, although remarkably toned-down, certainly less than "..Colonel Blimp", a British war-time effort. Johnson is the classic middle-class guy caught up in a shooting match, same as he was in "Battleground". Some younger viewers may see the special effects as hokey, but I feel the model work was and is unsurpassed, and without any blue-screen trickery! The Hornet flight-deck scenes are amazing in the use of full size B-25's. One other note -"Japanese" are seen on screen only from a distance, curiously.