A man on the run from a murder charge enlists the help of a beautiful stranger who must put herself at risk for his cause.A man on the run from a murder charge enlists the help of a beautiful stranger who must put herself at risk for his cause.A man on the run from a murder charge enlists the help of a beautiful stranger who must put herself at risk for his cause.
Derrick De Marney
- Robert Tisdall
- (as Derrick de Marney)
Frank Atkinson
- Petrol Pump Attendant
- (uncredited)
Clive Baxter
- Burgoyne Boy
- (uncredited)
Pamela Bevan
- Little Girl at Party
- (uncredited)
Ernest Borrow
- Policeman Outside Courtroom
- (uncredited)
Storyline
Did you know
- TriviaAlfred Hitchcock: Outside the courthouse holding a camera as Robert Tisdall (Derrick De Marney) escapes (at about 0:16:10).
- Goofs(at around 50 mins) When Erica Burgoyne and Robert Tisdall have taken refuge at night in a small town by parking her car next to a siding just before where the railroad underpasses a bridge, the entire scene has been staged and shot as an obvious miniature as revealed by three mistakes:
- the somewhat jerky motion and unnatural lighting of an automobile (indicating that it was pulled) as it moves across the bridge above the railroad
- the express train speeding under the bridge drags a length of cord behind it as it disappears from view
- the camera tracking in closer to the parked automobile hidden in the shelter of freight trains on sidings reveals that the figures of Erica and Robert are actually modeled and painted figurines, motionless until the shot suddenly changes to a medium closeup shot of the two actors.
- ConnectionsFeatured in Reputations: Hitch: Alfred the Great (1999)
- SoundtracksNo One Can Like the Drummer Man
(uncredited)
Written by Samuel Lerner (as Lerner), Al Goodhart (as Goodhart) and Al Hoffman (as Hoffman)
Featured review
Young and Innocent (1937)
The title is appropriate to the point of being redundant, because in nearly every Alfred Hitchcock film the key theme is an innocent man accused. In this case, accused of murder, and the young man is a charming English actor, Derrick De Marney. As the police begin their hunt, he runs into the police chief's daughter, played by Nova Pilbeam, a tomboyish answer to Katherine Hepburn, and the real star of the movie.
This is a late British Hitchcock film, and it feels slightly raw around the edges, but it's so fast and likable and well constructed, you have to love it. In fact, the suspense of getting caught is balanced by some downright slapstick scenes that are brief and hilarious. And a reminder that this is a romp, the whole thing a beautiful, spritely entertainment. Never mind a killer is on the loose, because if one man is innocent of murder, another, out there somewhere, it not.
This is 1937, and by 1939 Hitchcock has moved to the U.S. to do Hollywood movies (including the amazing Rebecca in 1940), and so Young and Innocent and The Lady Vanishes (which has a similar quaint feel) wrap up his long British period. It says a lot for a movie to say I could watch it again, not because it's technically astonishing, but because it's just a joy, and very sweet. Never mind a little corniness or an inevitable ending, it's good!
The title is appropriate to the point of being redundant, because in nearly every Alfred Hitchcock film the key theme is an innocent man accused. In this case, accused of murder, and the young man is a charming English actor, Derrick De Marney. As the police begin their hunt, he runs into the police chief's daughter, played by Nova Pilbeam, a tomboyish answer to Katherine Hepburn, and the real star of the movie.
This is a late British Hitchcock film, and it feels slightly raw around the edges, but it's so fast and likable and well constructed, you have to love it. In fact, the suspense of getting caught is balanced by some downright slapstick scenes that are brief and hilarious. And a reminder that this is a romp, the whole thing a beautiful, spritely entertainment. Never mind a killer is on the loose, because if one man is innocent of murder, another, out there somewhere, it not.
This is 1937, and by 1939 Hitchcock has moved to the U.S. to do Hollywood movies (including the amazing Rebecca in 1940), and so Young and Innocent and The Lady Vanishes (which has a similar quaint feel) wrap up his long British period. It says a lot for a movie to say I could watch it again, not because it's technically astonishing, but because it's just a joy, and very sweet. Never mind a little corniness or an inevitable ending, it's good!
- secondtake
- May 1, 2010
- Permalink
Details
Box office
- Gross worldwide
- $401
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1
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