In 1950s London, a humorless bureaucrat decides to take time off work to experience life after receiving a grim diagnosis.In 1950s London, a humorless bureaucrat decides to take time off work to experience life after receiving a grim diagnosis.In 1950s London, a humorless bureaucrat decides to take time off work to experience life after receiving a grim diagnosis.
- Nominated for 2 Oscars
- 10 wins & 48 nominations total
John Mackay
- Jones
- (as John MacKay)
Featured reviews
A little slow paced for my taste, but I can't deny that Bill Nighy displayed a masterclass in subtle acting. Also I found it quite interesting that he took the role after sharing a taxi ride with the screenwriter Kazuo Ishiguro who pitched him right in the spot. That's pretty confident of Nighy to accept the role after such an encounter, but yeah, what a great decision on his part. Other standouts on the performance end of things include Aimee Lou Wood and Alex Sharp. They have a bright future ahead of them and I can't wait to see what they choose next. Also shout out to the musical score which helped bolster the emotions and kept me awake.
Pushed to the very brink of a bureaucratic apocalypse a restrained man, Mr Williams, reaches out to low hanging branches to save himself from obscurity after learning of a terminal illness.
What follows is the emergence of uncharacteristic behaviour of Mr Williams to perhaps enjoy the freshness of life. The film does not plunge into clichés and self pity. It is charming and warm. An elderly man coming to terms of the end of his life. People of a certain age will engage in the meaning as it perhaps communicates a timeless message that we as humans are extremely selfish and fail to understand the society we live in.
I encourage everyone to watch the film, get absorbed in the incredible performances by all the actors and actresses. There are notable cameos but it all comes together in a very emotional way. Bill Nighy is excellent and the supporting cast also.
The film will be remembered and will join the ranks of the classics.
What follows is the emergence of uncharacteristic behaviour of Mr Williams to perhaps enjoy the freshness of life. The film does not plunge into clichés and self pity. It is charming and warm. An elderly man coming to terms of the end of his life. People of a certain age will engage in the meaning as it perhaps communicates a timeless message that we as humans are extremely selfish and fail to understand the society we live in.
I encourage everyone to watch the film, get absorbed in the incredible performances by all the actors and actresses. There are notable cameos but it all comes together in a very emotional way. Bill Nighy is excellent and the supporting cast also.
The film will be remembered and will join the ranks of the classics.
Cinema is a great medium for urgent storytelling because people pay attention. "Living" executes beautifully in creating an environment that is easily understood with a character that isn't over-dramatized to definitively share a message that lies at the heart of this story; purpose. Purpose in relationships, work, passion, and of course, in living life. Bill Nighy is convincingly composed and patient in expressing his emotions in the midst of a life-altering realization that never sways the authenticity of his performance. The score is strong, but not overpowering and the cinematography is simple, yet pleasingly complementary to the set design of 1950s London. In a world where excitement drives entertainment, it's the grounded nature of this story that will drive lasting reflection.
Over the years Bill Nighy has become one of my favorite actors. My earliest recollection of him was 20 years ago in "Love Actually", where he played Billy Mack, a washed-up musician who makes a hit Christmas recording. He has a certain style and it resonates with me.
During this filming he was 71 or 72. Here he is the main character, Williams, who is the long-time boss of a small group in the London County offices in the early 1950s. All the men wear Bowler style hats. Williams is always very quiet and very polite, he keeps an arms distance from his crew, not even riding in the same train car to and from work.
As he grew into an adult all he really aspired to was being a Gentleman. Traditionally, an English gentleman was the lowest rank of the gentry, similar to the French nobleman. He worked diligently, was friendly to everyone, but seemingly had no interests outside work. He even had a distant relationship with his married son who still lived with him.
Then he received the diagnosis, he only had a few months to live. His first reaction was to make up for lost time, to meet strangers and have fun. But that was an empty exercise. Of note, during the "fun" a lady stole his Bowler hat, he replaced it with a Fedora, a new style for him, which was a sign of his new perspective. He would do something meaningful before he was gone, he would push through a community project that had been pigeonholed for too long.
So it is really a character study of this simple but complex man, Williams. It works very well. It is a remake of the highly regarded 1952 Kurosawa movie "Ikiru". My wife and I enjoyed it at home on DVD from our public library.
During this filming he was 71 or 72. Here he is the main character, Williams, who is the long-time boss of a small group in the London County offices in the early 1950s. All the men wear Bowler style hats. Williams is always very quiet and very polite, he keeps an arms distance from his crew, not even riding in the same train car to and from work.
As he grew into an adult all he really aspired to was being a Gentleman. Traditionally, an English gentleman was the lowest rank of the gentry, similar to the French nobleman. He worked diligently, was friendly to everyone, but seemingly had no interests outside work. He even had a distant relationship with his married son who still lived with him.
Then he received the diagnosis, he only had a few months to live. His first reaction was to make up for lost time, to meet strangers and have fun. But that was an empty exercise. Of note, during the "fun" a lady stole his Bowler hat, he replaced it with a Fedora, a new style for him, which was a sign of his new perspective. He would do something meaningful before he was gone, he would push through a community project that had been pigeonholed for too long.
So it is really a character study of this simple but complex man, Williams. It works very well. It is a remake of the highly regarded 1952 Kurosawa movie "Ikiru". My wife and I enjoyed it at home on DVD from our public library.
Before watching this, I have often thought of Brief Encounter as the quintessential film on English repression.
I have to add this. And it (openly, honestly) echoes the Lean classic in other ways, including a piano classical piece alongside steam engine imagery in the first act.
And what a lead performance. I've never been blown away by Nighy before. This is incredible. Every crushing moment, every unspoken word, every flinch. I was right there with him.
The closing imagery is beyond beautiful. And stay for the credits, with a beautiful rendition of a song that features in the story (and breaks your heart).
If you ever feel untethered, purposeless, this may mean an awful lot to you. It does to me.
I have to add this. And it (openly, honestly) echoes the Lean classic in other ways, including a piano classical piece alongside steam engine imagery in the first act.
And what a lead performance. I've never been blown away by Nighy before. This is incredible. Every crushing moment, every unspoken word, every flinch. I was right there with him.
The closing imagery is beyond beautiful. And stay for the credits, with a beautiful rendition of a song that features in the story (and breaks your heart).
If you ever feel untethered, purposeless, this may mean an awful lot to you. It does to me.
Did you know
- TriviaThe production designers went to a great deal of trouble to make this film look like it was made in the era it was set, including avoiding quick edits, softening the colour palette and using a relevant font for the film credits.
- GoofsIf you leave Waterloo Station to walk to the Greater London County Council (GLCC) you don't walk across Westminster bridge. They're on the same side South Bank.
- ConnectionsFeatured in 2023 EE BAFTA Film Awards (2023)
- SoundtracksTempo di Valse
Written by Antonín Dvorák
Performed by Berliner Philharmoniker, Herbert von Karajan
Courtesy of Deutsche Grammophon GmbH
Under licence from Universal Music Operations Ltd
- How long is Living?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Vivir
- Filming locations
- Worthing, West Sussex, England, UK(conversation in the Lido Cafe between Mr. Williams and Sutherland)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,038,113
- Opening weekend US & Canada
- $22,784
- Dec 25, 2022
- Gross worldwide
- $12,370,485
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.48 : 1
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