The Class

I read the reviews on line and decided to manage my expectations. I was pleasantly surprise as I watched the story unfold. I definitely got the sense of the 80s Breakfast Club. The filmmakers touched based on many different relevant topics. I alway love watching Anthony Michael Hall. By the time it was over I wanted to see some more. I would give it an 8 out of 10.

It is not often that you get something that give you thought provoking dialogue. The actors were great and would love to see more of them. Possibly a sequel could be in the works. Anyways if you have time it is worth it. I may go back and watch for a second time.

Bear with me.

We have Lyric Ross who has demonstrated wide emotional depth and tremendous talent on This Is Us playing an edgy teen. There is Debbie Gibson coming in as a teacher who most know as a pop star from the 80s but she is also a Broadway caliber actress. In a gimmick casting we have the vice-principal played by Anthony Michael Hall, a darling of John Hughes films who continued his acting career for decades, as well as John Kapelos also of The Breakfast Club playing a parent to one of the teens. We have a newer talent in Charlie Gillespie who rose to fame in Daytime EMMY winning Julie and the Phantoms (as the Bender type character). We should have a hit on our hands in this "reimagined" (cough remade cough) Breakfast Club. But unlike the 1985 classic, the writing is bad. The directing is bad. The editing is bad. I blame this on the director of this film who also wrote it and cast one of his kids as one of the stars. She is no Molly Ringwald.

Fashioned as a more contemporary version tackling issues not widely discussed in The Breakfast Club, there was so much potential. Good actors and a proven premise combined with a good original song performed by Hannah Kepple of Cobra Kai fame fell short because the cast can only work with what is in the script.

There were some good dramatic moments which could have been played out in more depth but instead were cut between goofy unneeded antics or trying to split the cast up into too many locations. It was disjointed and it always felt like I was coming into the middle of a conversation. Had the stories been allowed to be fully fleshed out, or perhaps the characters been left together and forced to be in each other's space like in The Breakfast Club some magic could have happened. I rated it higher than it probably deserves because the seeds are there and we all have different taste so others will probably love it. The best scene of the movie, in my opinion, is almost at the end so stick around for it.

I wish more directors and producers were willing to talk about the topics that The Class dove right into. In today's day and age, there is a lot young people are going through, unfortunately. There is so much hate and chaos around them. But on the other side, there is also a lot of love and if you look for it, peace too. The Class teaches its viewers that. It is bringing people with different stories together to instead help one another overcome their problems.

I loved and thoroughly enjoyed watching the class! I would recommend anyone who cares about the younger generations to watch this movie to really think about what is going on today.

IN A NUTSHELL: This coming-of-age film is about a group of high school seniors forced to spend a Saturday at school, completing an exam they missed taking or previously failed. By the end of the day, they find their own values, betrayals, and love within themselves and their classmates.

The movie was written and directed by Nicholas Celozzi. Based on their last names, it appears that the director's daughter is one of the cast members.

The famous teen movie The Breakfast Club in 1985 was clearly the inspiration for this film. Sadly, it doesn't have the magic or charm of John Hughes movies.

THINGS I LIKED: Debbie Gibson plays an incredibly patient, compassionate high school teacher. Young moviegoers probably won't know that, in real life, she was a hugely popular singer in the 1980s. She's 52 years old and looks fantastic.

Anthony Michael Hall is a fun addition to this teen-angst movie because he was a common face in a bunch of the successful John Hughes movies of the 1980s.

Hannah Kepple is beautiful and has a beautiful singing voice. What a pleasant surprise!

Teenagers nowadays face increasingly difficult issues in a very complicated world. The film addresses today's issues for teens like coming out, abortion, family drama, friendship, preparing for college, popularity, health, drugs, and more. Most teens just want to be seen and understood while they're trying to figure out who they are.

THINGS I DIDN'T LIKE: Such annoying teenagers.

So much hair tossing.

I thought it was hilarious when one of the characters pulled a gigantic pill bottle out of her jacket, as if anyone would want to carry that around. Surely, she could have slipped a few in a baggie.

There's a lot more drama than comedy. Not all of the comedy lands.

All of the characters cry and spill their beans quite easily. Teen drama.

Some bad editing.

It's weird how the teacher kept leaving her class, abandoning her students. Maybe she wanted to give them privacy to work on their assignments; however, it was established in the beginning of the movie that these were flunking students who needed extra guidance and support.

TIPS FOR PARENTS: Profanity, including F-bombs A guy brings a bong to class A guy drinks alcohol at school Teens flip the bird Violence Talk of death and suicide A teenage girl wears a bustier and super short-shorts to school

THEMES: High school Lack of motivation Drama class Abortion Alcoholism Rejection Abandonment Judging others Racism Creating safe spaces How we affect each other Be yourself Supporting one another.

... which is the test first suggested by Roger Ebert: if in the first 20 mins of a feature film, you cannot come up with even one reason to continue to watch, it is a fail. The producers behind this debacle are not the first to attempt to improve on something that was already perfection (THE BREAKFAST CLUB 1985), nor will they be the last. In a script clearly meant to make the audience focus on the kids, the only cast member here who constantly catches the camera's eye is Debbie Gibson -- she fairly bounces from scene to scene. Casting one of the original members of TBC was a smart touch, but Anthony Michael Hall, now in his 50s, looks older than he is, and seems to be on set just for the payday. A swing and a miss. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))