The Party's Just Beginning

The Party's Just Beginning... well after watching it there wasn't any party on my couch. The movie was pretty boring to watch, senseless, with a story not interesting enough to keep you on the edge of your seat. It's a story about depressed people, but not even a good one. The acting of Karen Gillan and the rest of the cast isn't bad, far from it, but if you have a lame story it doesn't matter how good you act, it still remains a lame movie. It's one of those movies I watched once and that I will never watch again as there are thousands and thousands better movies.

I've loved Karen Gillan ever since Doctor Who and I've followed her career since then. Her debut as a director comes off as true to herself, as if every single step was made with Karen's approval first. This film feels so determined in the story it wants to tell and absolutely commited to its characters and plot development. Karen's performance is also admirable as she turns into this reckless person who is struggling to cope with loss. I'm glad she chose to deal with heavy themes like this because it's important to make them visible for anyone out there who may feel identified with such a troubled state of mind.

It's a great first effort for her and hopefully she will continue down this path of making small but highly compelling indie films. If her future endeavours are also set in her native Scotland, it will certainly add a much more absorbing atmosphere, since she really succeeded in capturing a strong sense of Scotland's environment. It's what she knows, so if she embraces her roots she could even make Scotland as if it was another character, much like Woody Allen did with New York or Jean-Luc Godard did with Paris. By all means, Karen, be my guest and keep doing your thing, I'm excited for more.

Stuck in a dead-end job and unable to cope with the recent loss of her best friend, a dissolute young woman's life spirals further out of control as she engages in various self-destructive behaviors while trying to suppress her grief and recall a much happier time in her life. Though it's not quite as compelling as it could be, this is still an interesting blend of poignant drama and character study that tackles important themes like anger, loneliness, bigotry, acceptance, and serves as an excellent showcase for Gillan (set in her hometown of Inverness, Scotland) in one of her most memorable outings to date as writer, director, and lead actress, with a haunting performance that conveys various emotional stages through her eyes, facial expressions, and body language. **½

24 year old Liusaidh (Karen Gillan) lives an aimless life in Inverness. She works at the cheese counter in a supermarket. She gets drunk in bars, screws random strangers, and eats chips to finish the nights. She watches a guy jump off a bridge and seems uneffected. She sees a neighbor hang himself. Her best friend Alistair is struggling with his homosexuality. She encounters Dale (Lee Pace) intent on committing suicide from the same bridge.

This is Karen Gillan's theatrical directing and writing debut. The intention is interesting. In more skilled hands, the back and forth in time would be better handled. A veteran filmmaker would have some definitive physical identifiers to differentiate the two timelines. It leaves the structure of the movie a little confused. At first, I thought she may be Sixth Sensing. Otherwise, this is an effective performance of self-destruction. It's also an interesting first stab. It's not mind blowing but it shows some promise.

Very good for a first time effort and was nice to see bits of home on screen (that walk home would be mental though). It's a bit scattered and Karen may have over reached a bit as there are a few too many different issues thrown in BUT shows promise for the future.