Annie (the long-suffering girlfriend of Duncan) has an unlikely transatlantic romance with once revered, now faded, singer-songwriter, Tucker Crowe, who also happens to be the subject of Dun... Read allAnnie (the long-suffering girlfriend of Duncan) has an unlikely transatlantic romance with once revered, now faded, singer-songwriter, Tucker Crowe, who also happens to be the subject of Duncan's musical obsession.Annie (the long-suffering girlfriend of Duncan) has an unlikely transatlantic romance with once revered, now faded, singer-songwriter, Tucker Crowe, who also happens to be the subject of Duncan's musical obsession.
- Awards
- 1 win & 5 nominations total
Featured reviews
My wife and I watched this at home on DVD from our public library. We both found it a very worthwhile movie, a bit underrated in my opinion.
It is set and filmed mostly in England, including London, with brief scenes in New York. Chris O'Dowd is Duncan Thomson who in almost all of his spare time obsesses over an American singer/songwriter who was popular 25 years earlier and has essentially disappeared. He and others frequently hold podcast discussions and speculate on where the musician might be.
He has a live-in girlfriend, Rose Byrne as Annie Platt. She feels Duncan neglects their relationship, rightly so, and on a whim posts a contrarian, somewhat negative comment to Duncan's website. Then she gets a surprise response, supportive of her views, from none other than the long-missing musician.
Ethan Hawke is that musician, Tucker Crowe. Basically he thinks all the adoration he receives is silly, himself having low regard for his early work. As fate would have it his British daughter is having a baby requiring him to travel to London where he and Annie will have a chance to meet.
The story gets a bit complicated but in a good, interesting way. Annie is approaching 40, she has no children, she is afraid life is passing her by. Tucker feels he has frittered his life away and approaching 50 wants to have another chance. Good story, authentic acting, a meaningful movie with lots of funny moments sprinkled in.
It is set and filmed mostly in England, including London, with brief scenes in New York. Chris O'Dowd is Duncan Thomson who in almost all of his spare time obsesses over an American singer/songwriter who was popular 25 years earlier and has essentially disappeared. He and others frequently hold podcast discussions and speculate on where the musician might be.
He has a live-in girlfriend, Rose Byrne as Annie Platt. She feels Duncan neglects their relationship, rightly so, and on a whim posts a contrarian, somewhat negative comment to Duncan's website. Then she gets a surprise response, supportive of her views, from none other than the long-missing musician.
Ethan Hawke is that musician, Tucker Crowe. Basically he thinks all the adoration he receives is silly, himself having low regard for his early work. As fate would have it his British daughter is having a baby requiring him to travel to London where he and Annie will have a chance to meet.
The story gets a bit complicated but in a good, interesting way. Annie is approaching 40, she has no children, she is afraid life is passing her by. Tucker feels he has frittered his life away and approaching 50 wants to have another chance. Good story, authentic acting, a meaningful movie with lots of funny moments sprinkled in.
Rose Byrne and Chris O'Dowd are a long-time couple living in a seaside town in this winning film about music fandom and romantic rejuvenation. She's a museum curator in her local area. He's a classics professor who, in his spare time, devotes his life to discussing and extolling the music of a legendary rock star who disappeared from performing and from making albums two decades ago. O'Dowd's character has even created an online forum for the rock star's most rabid fans. The couple's relationship begins to take a turn when the rock star (Ethan Hawke, ever reliable in his charisma) attempts a career resurgence.
A film about a faded rock star coming back out of the shadows is not a new theme, but here it feels so crisp. Hawke's performance is perfect, as are Byrne and O'Dowd, a seeming odd couple whose devotion is showing signs of strain. O'Dowd's character is quite funny when he keeps finding out new information about his idol.
Although there are romantic comedies on the subject of music and midlife perspective, this one proves extra eloquent and engaging. It's not just a film about finding love. It's also about discovering the difference between a fan's rose-colored glasses and reality; a dinner scene captures this theme brilliantly. Even if the rest of the film hadn't been any good (which is not the case), I still would have recommended this film on the strength of that scene alone.
This film has gotten only lukewarm reviews so far, which is odd. I am hopeful that audiences and other critics will give it the recognition it deserves. Gladly recommended.
A film about a faded rock star coming back out of the shadows is not a new theme, but here it feels so crisp. Hawke's performance is perfect, as are Byrne and O'Dowd, a seeming odd couple whose devotion is showing signs of strain. O'Dowd's character is quite funny when he keeps finding out new information about his idol.
Although there are romantic comedies on the subject of music and midlife perspective, this one proves extra eloquent and engaging. It's not just a film about finding love. It's also about discovering the difference between a fan's rose-colored glasses and reality; a dinner scene captures this theme brilliantly. Even if the rest of the film hadn't been any good (which is not the case), I still would have recommended this film on the strength of that scene alone.
This film has gotten only lukewarm reviews so far, which is odd. I am hopeful that audiences and other critics will give it the recognition it deserves. Gladly recommended.
Juliet, Naked is a rom-com with its head on straight. Neither over the top nor dark, it strikes the right tone of realism and romance despite the formulaic approach of boy meets girl, etc. Rose Byrne's protagonist, Annie, a smart and strong-willed anthropologist and curator at a small museum in a Brit seaside town, has a balanced profile of wit and realism. She's a lady not easily seduced by ancient rocker, Tucker (Ethan Hawke), who comes into her life via the Internet and her boyfriend, Duncan (Chris O'Dowd).
Typically for a romantic comedy, Annie is bored with professor/lover Duncan and finds his scholarly preoccupation with Tucker to be tedious. Until she meets Tucker, and the real romance of this comedy begins.
Director Jesse Peretz and his writers skillfully adapted the Nick Hornby novel to keep the tone light despite a heart attack and multiple progeny by different women having Tucker scramble for sanity when they all meet in the hospital. That is one of the film's fine moments of a lunatic family reunion. Contrasting the de-riled family, Annie turns out to be an anchor for Tucker, with whom she had already formed an Internet connection.
The nice thing about this budding romance is it's slow, not sex filled, and rooted in a skepticism on both sides that rings true in the face of a rom-com formula frequently demanding instant passion and commitment. Even Duncan, his scholarly interest in Tucker bordering on obsessive, comes off as in love with Annie, but not silly, just self-absorbed and oblivious to her needs.
Juliet, Naked is a fresh take on the rom-com, easy going and poignant, but infused with enough love to make the romance authentic and the comedy light enough to allow for genuine affection in the face of daunting family and professional intrusions.
Typically for a romantic comedy, Annie is bored with professor/lover Duncan and finds his scholarly preoccupation with Tucker to be tedious. Until she meets Tucker, and the real romance of this comedy begins.
Director Jesse Peretz and his writers skillfully adapted the Nick Hornby novel to keep the tone light despite a heart attack and multiple progeny by different women having Tucker scramble for sanity when they all meet in the hospital. That is one of the film's fine moments of a lunatic family reunion. Contrasting the de-riled family, Annie turns out to be an anchor for Tucker, with whom she had already formed an Internet connection.
The nice thing about this budding romance is it's slow, not sex filled, and rooted in a skepticism on both sides that rings true in the face of a rom-com formula frequently demanding instant passion and commitment. Even Duncan, his scholarly interest in Tucker bordering on obsessive, comes off as in love with Annie, but not silly, just self-absorbed and oblivious to her needs.
Juliet, Naked is a fresh take on the rom-com, easy going and poignant, but infused with enough love to make the romance authentic and the comedy light enough to allow for genuine affection in the face of daunting family and professional intrusions.
Been dying to see this since I first saw the trailer for a few reasons. One, it looked like an entertaining romantic comedy that would be worthwhile. Two, the creation of a fake musician who resurfaces years later in front of a superfan? That's creative. Three, Rose Byrne is a treasure and I'll watch her in anything. After watching, the film met the expectations it had set up and I am satisfied with the film. Ethan Hawke makes a good Tucker Crowe, yo.
The film is about the relationship of a couple whose differences cause arguments. The girlfriend has to put up with her snobbish husbands crazy obsession with a musician who released an album and disappeared decades ago. One day, while communicating on a message board, Rose Byrne's character starts actually chatting with this musician and he soon resurfaces which changes the lives of all that are involved.
I thought the film was sweet and well acted on all fronts. Dowd was impressive as a superfan who is certainly grating. Hawke was completely believable as an aging and tortured musician trying to make things right. Byrne is good in everything she does, no difference here. The "fake 90s music" created to exemplify the career of Tucker Crowe is awesome because it seems authentic. The whole mystique and rumors around the Crowe's career is amazing.
At its core, its a story we have seen many times before. However, the film is told in the scope of something interest with the unbelievable probability of a rockstar coming into the life of a superfan after a bad review was written online. Its a relatable film that is just pleasing all throughout. Its not going to make waves but its a sweet and charming effort that is worth a watch.
7.5/10
The film is about the relationship of a couple whose differences cause arguments. The girlfriend has to put up with her snobbish husbands crazy obsession with a musician who released an album and disappeared decades ago. One day, while communicating on a message board, Rose Byrne's character starts actually chatting with this musician and he soon resurfaces which changes the lives of all that are involved.
I thought the film was sweet and well acted on all fronts. Dowd was impressive as a superfan who is certainly grating. Hawke was completely believable as an aging and tortured musician trying to make things right. Byrne is good in everything she does, no difference here. The "fake 90s music" created to exemplify the career of Tucker Crowe is awesome because it seems authentic. The whole mystique and rumors around the Crowe's career is amazing.
At its core, its a story we have seen many times before. However, the film is told in the scope of something interest with the unbelievable probability of a rockstar coming into the life of a superfan after a bad review was written online. Its a relatable film that is just pleasing all throughout. Its not going to make waves but its a sweet and charming effort that is worth a watch.
7.5/10
Ethan Hawke's Tucker looking for the reset in life most of us wish we had. Oh to do things over and do them right. This was a wonderfully casted movie. I am in danger of becoming a Chris O'Dowd groupie. He must be so busy. I keep doing searches on him and find more gems he is in. And as a bonus, the Kink's Waterloo Sunset, on my list of top ten tunes. That song takes me to placces i have never been and love I have never known.
I am not a reviewer and can only say I like what i like. I liked this movie and hop you enjoy it as much as I did.
Did you know
- TriviaRose Byrne was six months pregnant during filming. The filmmakers used clever camera shots (such as medium to close up shots) and carefully placed accessories (like handbags and laptops) to conceal it in the film.
- GoofsWhile Duncan is playing Tucker Crowe's album for Carley and she's looking around the room, there's a poster on the wall for The Pit Club with Crowe's last show in 1993, but it lists Anberlin as headliner of the next show; however, Anberlin wasn't formed until 2002. Also listed on the poster are Drowning Pool (formed 1996), White Rabbits (members met in 2004), Mudvane (formed 1996) and Sick Puppies (formed 1997).
- Quotes
Duncan Thomson: Art isn't *for* the artist, no more than water is for the bloody plumber.
- Crazy creditsThere is a scene in the closing credits where Duncan reviews Tucker Crowe's latest album.
- SoundtracksLAX
Written by Conor Oberst
Performed by Ethan Hawke, Nathan Larson, Dana Lyn, Bill Campbell and Matt Ray
Published by Bedrooms: Bedrooms and Spiders (BMI)
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Amor de vinilo
- Filming locations
- Broadstairs, Kent, England, UK(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,444,895
- Opening weekend US & Canada
- $60,886
- Aug 19, 2018
- Gross worldwide
- $4,511,157
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.39 : 1
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