The Incoherents

Enjoyable movie with a Replacement's like soundtrack.

Greetings again from the darkness. If you have yet to experience a mid-life crisis, it only means you haven't lived long enough. Of course, this 'crisis' often has little to do with age, and can seep into your marrow at any time ... even when you think your life is plodding along just fine. These little thoughts or doubts or ideas start creeping in, and soon the only thing on your mind is a sports car, a younger partner, traveling the world, writing a novel, changing careers, or yes, starting a rock band.

Meet Bruce. He's working a dead-end job as a 40-something year old paralegal. He's married to the lovely Liz and they have two children and a fine house. Bruce's boss takes advantage of his lack of ambition by assigning menial tasks and requiring overtime. When a burned-out Bruce arrives home in the evening, he sees the 'To-do' list his wife has posted on the fridge, and he guzzles a beer before heading down to the basement to play music and write songs. It's his escape from life, but also his tie to younger years when he and his buddies had a legitimate band named The Incoherents.

Jeff Auer stars as Bruce, and he also wrote the screenplay. When his wife Liz (Kate Arrington) green-lights his dream of getting the band back together, Bruce contacts the Hamilton brothers, drummer Tyler (Ben Foster lookalike Casey Clark) and bass player Keith (Walter Hoffman), and they all meet up at the pub owned by their former lead guitarist Jimmy (Alex Emanuel, also the film's Music Director and a Producer). The long-standing riff between Jimmy and Bruce dates back to the band's initial run, but soon the chill warms and the band is rehearsing at Annette O'Toole's studio. She calls them a "lost cause."

The (middle-aged) boys enjoy playing gigs, but can't seem to draw a crowd thanks to their utter ignorance of marketing or social media. Enter Jules (Vincent Lamberti), an agent of by-gone years who is blunt in his assessments, even if he seems to bring little else to the band. While all of this is happening, Liz is pushing to open her own long-wanted graphic design business. The idea of both spouses pursuing their dreams is quite intriguing, but the film misses a huge opportunity by focusing almost entirely on Bruce and the band. Liz is left with the scraps of a few reaction scenes (a waste of Ms. Arrington's talent).

This is director Jared Barel's first feature film, and it's likely many of the missteps will be avoided in future projects. Bruce is front and center for most of the run time, but there are other characters who seem to be much more interesting - though most of their backstories are simple teases. On the bright side, the dream of being a rock star is the dream of many, as is recapturing the vitality of a youth long passed. So the relatability factor is present.

Bruce and Liz have 2 kids, which are treated mostly as after thoughts that only come in to play when both parents have something they want to do on the same weekend. Somehow the $80 for a babysitter becomes an obstacle that can't be overcome ... this despite the band's numerous $30 per rehearsal hour in the studio and Liz's plane trip to attend her sister's book signing and put together a business plan. Very little of the real world stuff makes sense, which leaves the band part feeling a bit superfluous and hokey. Amy Carlson ("Blue Bloods") has an awkward scene as a super-promoter, and we do get see Fiona Silver perform. There are some good ideas here, but it feels like the filmmakers were a bit too close to the project for it to ever really click.

Loved the movie! I think it's one of those movies that hard to categorize, because everyone can relate to it somehow (either you like comedy, or drama, or musical; either you listen to rock, or pop, or folk, or you are not into music at all). I watched it together with my family, and everyone enjoyed it so much. The movie is about the band, The Incoherents, which decided to reunite. I actually couldn't believe it was a fictional band, because of the chemistry between actors in the band was so real. The soundtracks were amazing and really catching! Great job by the producers and music supervisor! But this movie is not only about music, it's about love, friendship, dreams, family, hope, and many other things. The cast was great! Some of my favorite characters in the movie were Jimmy (played by talented and handsome Alex Emanuel), Bruce (played by intriguing Jeff Auer), and Liz (fabulous Kate Arrington). I can go on and on about other actors, as everyone was very talented and so enjoyable to watch. I like watching indie movies, and this one has a beautiful indie vibe, and, at the same time, it's made on such a high professional level, which is a great combination, IMO. Hope my review would be helpful to viewers! Highly recommended!

Thought the film was great even though the plot isn't really relatable to anything in my life. I still found the story touching and engaging and you stay entertained with the music and great bands featured! Would highly recommend for you Friday night flick this week!!

Anyone who is 1) over the age of 40 and 2) ever played in a band can relate to this film. Middle age approaches quicker than Malmsteen sweep picking, and one is left wondering what happened to all the hopes and dreams.

The truth is, the hopes and dreams never left, only the time to pursue them. That is what we find in this film. The crap rehearsal spaces, the in fights, creative control arguments will be all to familiar and play as a sort of "our band never made it big" kind of Spinal Tap that any musician can relate to, like looking through an old book of photographs. Alex Emanuel (Jimmy), does a fine job as what I consider the heart and soul of the band and wrote some pretty ass kicking music for the film as well.

Unlike many indie films shot in NYC, this one doesn't fall into the cliche of try to score cheap credibility by using every "hip" place the neighborhood has to offer. The film concentrates on the story rather than try to be a post card or love letter to the Big Apple. One does not feel that this is the story of a New York band, it could be any band of middle age people in any city in America trying to give their dreams one last shot.