58
Metascore
10 reviews · Provided by Metacritic.com
- 83Entertainment WeeklyLeah GreenblattEntertainment WeeklyLeah GreenblattA clever, sharp-fanged mélange of classic midnight-movie horror and modern indie ingenuity.
- 75New York PostSara StewartNew York PostSara StewartA supernatural “What’s Happening to My Body?” parable in company with “Carrie,” “Ginger Snaps” and last year’s “Thelma,” Wildling is low-key with an undertone of menace, skillfully directed by Fritz Böhm in his feature debut (though some of his nighttime scenes are so dark it’s genuinely hard to tell what’s going on).
- 70Arizona RepublicBill GoodykoontzArizona RepublicBill GoodykoontzIt’s a promising debut for Böhm, with a lot of promise. But it’s a home run for Powley, who makes Wildling worth watching even when it shouldn’t be.
- 60We Got This CoveredMatt DonatoWe Got This CoveredMatt DonatoWildling may swerve last-minute into a less dense finale, but Bel Powley's performance is worth this fierce and untamed coming-of-self arc that's so exquisitely female-centered.
- 60The Hollywood ReporterJustin LoweThe Hollywood ReporterJustin LoweShifting the film into action mode necessitates several leaps of faith to keep pace with the plot as Powley goes crashing through the forest with near abandon.
- 60Los Angeles TimesNoel MurrayLos Angeles TimesNoel MurrayBöhm doesn't do so well with Wildling's scare scenes and gore, because he seems more focused on making a coming-of-age character study than an effective fright-flick. But he has one remarkable character in Anna, who's played by Powley as a feral gal with a heartbreakingly doleful soul.
- 56Paste MagazineAndrew CrumpPaste MagazineAndrew CrumpAs Wildling’s center, Powley keeps our attention in her orbit, and Böhm constructs a universe around her that’s worthy of her talent (if at times too murkily filmed for its own good). But the movie loses its thread 15 minutes or so into its running time.
- 50The New York TimesBen KenigsbergThe New York TimesBen KenigsbergThis creature feature from the director Fritz Böhm is functional but lacks flavor, an imaginative spark that might distinguish it from any number of other I-was-a-teenage-monster movies.
- 50ReelViewsJames BerardinelliReelViewsJames BerardinelliWildling starts out strongly but the qualities that make the first 20 minutes engrossing and harrowing drain away and the movie morphs into a thoroughly unsatisfying excursion into fantasy-tinged horror.
- 40Village VoiceApril WolfeVillage VoiceApril WolfeThe attention paid to images does not translate to character development, story, or dialogue, leaving little emotional resonance, while making me seriously wonder if the men telling these stories understand much at all about female sexuality.