User reviews

"Three Billboards outside Ebbing, Missouri" marks a milestone for writer/directer Martin McDonagh and is an idea piece on a mother's struggle with her town after posting billboards containing a call to action in regards to her murdered daughter. With outstanding screen writing and near perfect editing, this powerhouse of a film is easily one of the best all year and is driven with force and intensity by its lead, Frances McDormand.

What begins as a narrow and focused drama, gradually escalates to a film with big themes and ideas, relevant social commentary, and much more subplots than anticipated. "Three Billboards outside Ebbing, Missouri" is packed with questions and a few answers about anger, revenge, violence, and kindness. The story shows people in a realistic light I've never quite seen before. We're presented with characters and their genuine emotions. Nothing feels sugarcoated of fluffed but it never lacks emotional impact either.

The movie balances its seemingly contradictory tones beautifully by crafting a dark comedy that feels heavy due to strong subject matter, while at the same time, utilizing comedic moments that feel completely natural to the character's motivations. It's obvious great care was taken into this script and the method in which it's constructed.

One of the most talked about elements to this film are the strong performances; particularly by Frances McDormand and Sam Rockwell. Rightfully so, this is some of their best (if not their best) work these eyes have beheld and they steal the show in every film they're in. That's not take away from Woody Harrelson and Lucas Hedges, as well as the entire cast who give memorable performances and paint shockingly believable characters that we feel we know personally.

If there is anything that might turn audiences away from this film, it might be its harsh subject matter despite none of it every being depicted as well as its language and execution with the material. Personally, this has a strong impact and I wouldn't have changed anything about it. It's a highly recommended film with a lot to ponder at the end and is definitely a contender for best movie of the year. Definitely don't miss this one.

When you think about great cinema, you often imagine some grandiose epic setting which all that greatness builds upon. The likes of Gone With the Wind or Godfather or The Shawshank Redemption, such films span through decades or cover the major historic events.

But a great story isn't necessary grand on the outside. Three Billboards Outside Ebbing, Missouri is like a tiny rabbit hole size of those three wooden screens, but stick a head in - and you'll see a huge empty space laid with people's sorrow, guilt and regret. And that emptiness sucks you in and leaves no way to stay untouched.

But there's also hope. Hope for justice. Hope for retribution. And maybe even hope that it's still not too late to change something, or to change yourself. That nothing is absolutely black and white. That even in the darkest moments of our lives there's some room for a sense of humor, maybe a sad and bitter one but still one worth a warm smile.

This world is a crooked place, where crime often goes unpunished. And Peter Dinklage's small role in this film, as a reference to another not so pretty world where the "happily ever after" way doesn't quite exist, is a stinging reminder of that. TBOEM does not, however, try to pull the magic sword out of the stone and go crush the wicked and protect the righteous. Instead, it shows that sometimes, crumbling under the weight of the evil things that fall on us, we lose our own limits and become those who sow evil ourselves. Anger does beget even more anger.

And maybe the reason that makes America great indeed is that, with all the messed up stuff happening without and within, it's in your culture to value forgiveness, something Christianity teaches everyone but not everyone tends to listen. To suffer without guilt, yet to offer a helping hand to your offender when he's down and wounded. To break the circle of evil and help each other wake that yearning for decency that everyone has inside them, albeit dormant sometimes. Forgiveness is tough, and, just like revenge, it doesn't bring back the things - or people - we've lost. But at least it helps to hold onto what could still be here.

Yeah, it's just a movie, and most people aren't as deep and philosophical as the movie characters can afford to be. But if some unrealistic complexity (and sometimes even wisdom) of the simple people could make some real regular people on the other side of the screen stop and think over their own real regular ways, maybe that's exactly what we need from time to time. Because life is still here, and so are the multiple choices it gives, And which road to choose today, we can still decide along the way.

Frances McDormand is a grieving mother who puts up "Three Billboards Outside of Ebbing, Missouri" in this 2017 black comedy directed by Martin McDonagh.

Mildred Hayes (McDormand) is disgusted that the police haven't found her daughter's rapist and killer, so she takes out billboards asking why the chief of police, Willoughby (Woody Harrelson) hasn't done anything about the case.

The billboards set off anger, violence, and revenge motifs in this small town. Things become worse when a pent-up police officer, Dixon (Sam Rockwell) becomes enraged and starts acting out.

Lots of swearing, lots of violence, and lots of laughs to be had in this film. It was strange to watch as I had just seen another film, Past Life, that focused on the subject of anger and pain, and how it can eat a person up and destroy them. This film is yet another good illustration of that, as Mildred stops at nothing to make a point.

The one-liners are amazing, and Mildred's speech to the priest who comes by to ask her to remove the billboards is hilarious. The movie is filled with strong performances and equally well-developed characters. We see all of their sides - violent, kind, vengeful, angry, sad; we finally realize they're just people driven in some cases to extremes.

Harrelson's performance is touching -- we're prepared to dislike him but his sincerity and humanity come through. As Dixon, Rockwell seems like a monster, but once he acts out, he's able to focus his energy a little better.

And then there's McDormand, a powerhouse. She's not good ol' Marge in Fargo. She's a tough woman with a broken heart who takes out her anger any way she can. It's a beautiful, multilayered performance. Highly recommended, asking the questions of where revenge and hatred can take us, and deciding when and if it stops.

Three Billboards Outside Ebbing, Missouri is a dark comedy that has an a-list cast with names like Frances McDormand, Woody Harrelson, Sam Rockwell, John Hawkes, and Peter Dinklage. It centers around Mildred Hayes, a woman whose daughter was raped and killed, and who believes that the local police have not done enough about it. In reaction, she erects three billboards outside of her town that send a message to the sheriff about the state of the investigation.

Writer/director Martin McDonagh (Seven Psychopaths, In Bruges) has outdone himself with this one. In my opinion, if this isn't one of the top Oscar contenders come awards season, then Hollywood has officially lost its mind.

Basically everything about this film works: from the acting, to the writing, to the direction. Mcdormand gives the performance of her career here, giving us humor through all the pain clearly shown on her face. Rockwell also gives his best performance here as a cop who isn't that bright and is more than a little racist.

Three Billboards Outside Ebbing, Missouri is probably the most unpredictable film of the year, and that's coming from a year that includes films like Baby Driver and Logan. There are scenes where you think that you know where the plot is going, but then midway through it completely flips the script.

For the entire run-time of this film, I was invested. It has the perfect run-time; it ends exactly when it needs to and there is not a scene that feels out of place.

It seems like one of the hardest things to do in film nowadays is to balance comedy and drama. However, this movie does it effortlessly. Each scene has just the right amount of comedy and drama, and sometimes, despite the fact that you're laughing, it's easy to forget that jokes are being made.

Also, the message that this film gives off resonates very powerfully with you after the film finishes. It makes you see the good side in humanity, despite our flaws. No character in this film is a cliché one-dimensional shell of a person. Everybody has a reason for being there, which is more than some films recently have offered.

Three Billboards Outside Ebbing, Missouri is easily one of the best and most enjoyable films of 2017, and it will make you laugh, cry, and think all in one sitting. There are not any clear flaws with this film that I can find, but I am still searching.

I give Three Billboards Outside Ebbing, Missouri an A+.

Martin McDonagh has made critically acclaimed throughout his career. I haven't seen In Bruges but I liked Seven Psychopaths. However, it's with Three Billboards Outside Ebbing, Missouri that made me realise what a talented writer and director he is.

Three Billboards Outside Ebbing, Missouri follows Mildred, a mother that rents three billboards to challenge the authorities in order to find and capture her daughter's murderer after they fail to do so.

With this film, Martin McDonagh has crafted one of my favourite dramas to ever exist. I was thoroughly entertained throughout and couldn't spot a single thing I didn't like. One of the best parts of this film is its unpredictability. With a story like this, I thought I knew where it was headed but McDonagh managed to surprise me every time. Without taking the route many films do with this kind of story, McDonagh subverts our expectations by taking us on a more psychological journey with the characters of Mildred, Dixon and Willoughby. The writing is one of the smartest I've ever seen as McDonagh writes characters with immense depth and emotion. No character is perfect and as the films unfolds, McDonagh peels back the layers of each one of them to create an arc you wouldn't expect them to have on their odyssey of anger, revenge and love. The realistic and humane approach McDonagh takes made me genuinely care about the characters. There are also moments of dark humour spread across but they don't take away from the dramatic elements and impact you're meant to feel.

Aside from Martin McDonagh's outstanding writing and direction, the acting is some of the best you'll see. Frances McDormand is an actress that consistently delivers exceptional performances and her performance as Mildred is one of her best. She is an absolute force to be reckoned with and deserves winner the Oscar for her work here. Sam Rockwell is extraordinary as Dixon. This is his best performance yet and he deserves all the awards he got for this film. Woody Harrelson is terrific as usual and plays Willoughby with enormous skill. John Hawkes, Peter Dinklage, Lucas Hedges and Caleb Landry Jones are also great.

Every single aspect of Three Billboards Outside Ebbing, Missouri is done exceptionally well. Without a doubt, this is one of the greatest films of 2017. With its dark subject matter, impeccable writing, directing and extraordinary acting, I consider this film to be one of the best dramas to ever exist.

Having recently won the People's Choice Awards at TIFF, Three Billboards outside Ebbing, Missouri is very easy to see why it won.

Three Billboards is a dark but also funny and heart-felt story about one woman's quest to get justice for her daughter's rape and murder. After Mildred Haynes buys three billboards with words written on them accusing the town's well-liked sheriff of having not found her daughter's killer, it sets a series of events that turns the citizens and the cops against her.

The thing I can say about Three Billboards without going into spoilers is that it is wildly unpredictable. One moment you think things are going one direction as expected then it takes hard left turn that only adds to the dynamic between the characters. As the pressure within the town builds and anger is pointed towards Mildred, we see many of these characters evolve in order to deal with tragedy and grief and learn to find peace. And the movie goes through a roller-coaster of emotions. One moment you are laughing your butt off from the hilarious dialogue then you feel like someone just punched you in the gut. With every victory you think this story brings you feel like it was taken away from because of the world's unfairness and injustice. In lesser hands the mixture of dark and comedic tones would not work, but director and writer Martin McDonagh knows how to balance them to perfection.

The performances here just through the roof. Frances McDormand delivers a performance that will for sure get her into the Lead Actress awards race at the Oscars. As Mildred, McDormand just cuts loose with her performance with every line of hate, cynicism and cursing towards everyone she feels doesn't truly understand the internal pain she is going through. But McDormand does now and then show a soft side to Mildred. It shows that Mildred is just person like everyone who has her own way of dealing with the tragedy of loosing her own child. And Sam Rockwell also gives one of the best performances of his career as the flawed and very misguided cop Dixon. The character of Dixon is short-tempered, volatile, and not bright with some baggage of his own that the locals accuse him of. But Sam Rockwell brings his charm and sincerity to what could be a rather unlikable character. And in the latter half, you see Dixon go through a tremendous arc of learning to care about others rather then just being angry towards them. Other great performances that should be called out are Woody Harrelson, Peter Dinklage, John Hawk and Caleb Landry Jones.

Three Billboards outside Ebbing, Missouri is easily one of the best movies this year and is worth seeing once it comes out in wide releases.

It seemed that the pregnant police detective Marge Gunderson from 'Fargo' would forever be the most memorable character of Frances McDormand's acting career. But now I'm not so sure. Mildred Hayes, the heroine from 'Three Billboards', is a serious contender. This might well be her best performance ever.

The part of Mildred Hayes was written with McDormand in mind. Hayes is a divorced single mother, living with her son on the outskirts of a small, remote town. She had a daughter too, but the girl was raped and killed on a quiet mountain road not far from home. Frustrated by the lack of progress of the investigation, Hayes decides to rent three dilapidated billboards, publicly accusing the local police chief of incompetence. By doing so, she attracts the attention of the media, angers almost the entire town and causes a succession of increasingly violent actions.

Although the film is about grief, anger, revenge and violence, it is extremely funny. Above all because of Mildred Hayes' stubborn character and her ability to verbally humiliate people by her extremely sharp tongue. The monologue she delivers when a priest visits her house to tell her she has gone too far, is priceless.

Apart from McDormand's performance, the screenplay is another great feature of this film. The story is full of unexpected twists, gradually shifting the positions of the main characters towards each other. None of the characters are one-dimensional: they all reveal surprising parts of their personalities as the story moves forward.

And then there is the overall, almost Coen-esque atmosphere of a small town full of colourful characters. There is a racist cop, a friendly midget, a smart advertising guy and a pretty girl who is so dumb she doesn't know the difference between polo and polio.

It is hard to mention something negative about this film. 'Three Billboards' is, from start to finish, a great movie. I can't imagine anyone not enjoying it.

There is so much pent-up rage over the handling of rape, and police behavior in general, that I think Frances McDormand's character in this film really struck a chord with people. She's on a crusade for her daughter who was raped and killed, and yet no progress has been made in the investigation. She doesn't care who she offends, she won't be intimidated into silence, and she'll stand up for herself in some violent ways. In an interesting twist, the police chief (Woody Harrelson) has pancreatic cancer, so aside from being called out on his investigation, he's dealing with that. The scene McDormand and Harrelson have in an interrogation room, and a specific moment of that is easily the film's best. Harrelson provides a voice of wisdom in the film, and the three letters he pens are also quite touching. There is humor as well, in just how boneheaded one of the policemen (Sam Rockewell) is, and the gem of a moment when Peter Dinklage, otherwise largely wasted, utters the line "Penelope said 'begets'?", in a subtle burn of the 19-year-old now dating McDormand's ex-husband.

The film started strong, but along the way started losing me. It suffers artistically from a lack of restraint, and everything seems exaggerated. The profanity. The characters, who start becoming cartoonish. The level of violence. The coincidences. It seems to me that McDonagh's writing is a real issue here. Her last words to her daughter were "I hope you get raped," really? To leave that in the script is egregiously bad, and an insult to the viewer's intelligence. The Molotov cocktails, really? The guy being in the station to begin with, and of course wearing ear buds, really? A man thrown out of a window, and no arrest, really? And on and on, until an ending which is pretty awful if you think about it. It's just tough to appreciate the message of the film or its cast in light of all this. It was entertaining to watch, but in my humble opinion, not worthy of all the acclaim.

Saw 'Three Billboards Outside Ebbing, Missouri' on the promise of one of the year's best trailers, the immensely talented cast, the intriguing subject matter, the receiving and pending of numerous accolades and being familiar with Martin McDonagh's previous work.

On the most part 'Three Billboards Outside Ebbing, Missouri' was incredibly well done. Understandably it is not for all. The film has already been criticised for implausibility, bigotry, the ending and its lack of character likeability and over-the-top actions, though often without acknowledging the film's many strengths and resorting to condescension (a big bugbear of mine) towards people who liked it let alone loved it.

Did have a couple of issues with 'Three Billboards Outside Ebbing, Missouri' myself. The ending is far too abrupt and without resolution in a film crying out for one.

Epileptics should beware too of a dizzyingly edited attempted murder scene, understand why it was edited that way but will admit that it did make me feel ill watching it (luckily it quickly passed).

Abbie Cornish felt out of place here, she doesn't have a lot to do (not enough to single handedly ruin the film, she would have to have a far more major role to do that) but everything about her just jarred.

There are some implausible behaviours and consequences, Dixon's actions were more than just a sackable offense for instance.

However, there is so much to like about 'Three Billboards Outside Ebbing, Missouri'. With the sole exception of Cornish, who isn't in it enough to ruin the film, the acting is brilliant. Frances McDormand's performance is a career high and one of the year's best, very heartfelt and fiery, even if you don't condone some of her actions it is hard not to feel for her as she goes through every mother's worst nightmare. Woody Harrelson is heart-breaking and has the film's most sympathetic character perhaps (either he or Peter Dinklage's, although Dinklage doesn't have the film's most tragic scene).

Sam Rockwell is similarly a revelation, you initially dislike his character but later on his 180 is incredibly moving and he is the character who changes and redeems the most. Peter Dinklage always makes anything better and it's the same here just by his presence alone and his performance is the most likeable one, especially towards the end where one actually feels sorry for him.

Another standout is the writing, do not let the heavy use of profanity put you off. There are parts that are darkly comic and induce a number of chuckles and laugh out louds. The film also works as being one that is morally nuanced and complex, the characters are not "likeable" ones, neither were they intended to be, and make questionable decisions but they undergo changes that sees them in a different perspective (Dixon especially).

A large part of me found it difficult to not relate to Mildred, her actions are extreme at times but there are parents in the same situation that feel similarly seeing as grief is an incredibly powerful and complex emotion. It's the tragic elements that resonate most though, with its heavy going themes handled very poignantly and harrowingly. 'Three Billboards Outside Ebbing, Missouri' has a story that is deliberate but also gripping, with an adept balance of its varied tones. Which is why it is sad that it ends as unsatisfyingly as it does.

With the exception of one scene, 'Three Billboards Outside Ebbing, Missouri' is succinctly edited and grittily and beautifully shot. McDonagh directs very skilfully. Carter Burwell's music score fits perfectly and is a hypnotic, understated and melancholic score in its own right. Just as fitting in a somewhat ironic way is the use of the gorgeous "Last Rose of Summer" exquisitely sung by Renee Fleming, whose voice one familiar with and loves classical music and opera (like me) recognises from anywhere.

Overall, gripping and very well done film if not perfect. The performances are among the best of the year especially but the film itself as an overall whole just falls a tad short of being one of the year's best films. 8/10 Bethany Cox

I went to see this movie because I hadn't seen any trailers to it. It's something I do because trailers are unreliable and spoiling, but also this case was based around the sheer number of good reviews. I can't even describe how surprised i was when i started to invest in the drama, and I really got my money worth when seeing it in the theaters. This is a movie that grips you good from the start, and holds the tension of the backstory right up until the end. The characters are phonemically written, and the actors did a hell-of-a-good job portraying them. This is a movie that could have been written off with a "strong protagonist"-cinda-story, but unfolds to a much more deep and philosophical tone. To be honest! not much happens in this film, but because of the powerfull characters within - every little detail about their lives, becomes of great importance throughout. I can say without a doubt, that this is my favourite movie of the year (2017...Ofc.)

This movie I went into almost blind, but I came out of the theater with it probably being my favorite film in the last year. This film is so smart at being able to keep you at the edge of your seat from simple things that they plug into the film. Heartbreaking and tense situations in the first half of the film come back in some shape or form that leave you questioning what is going to happen. There was genuinely no predicting what the characters were going to do and how they would react to certain events. This unpredictability doesn't just apply to situations, but possibly more notable in character arcs. Without giving to much away, there is a character in this film that does everything possible for you to hate them in the first half, and by the end of the film you are rooting for said character. There's times where the characters that you cared for are becoming real and dis-likable in certain scenes, but to the point of more so being genuinely worried about how their choices will affect them.

Every actor in this film did so tremendous as well. I really can't think of an actor or actress that outshines the rest. But if I had to pick favorites, Frances McDormand and Sam Rockwell were just that. But a lot of that just has to go into the writing of the characters themselves. The cinematography in this film allows the actors to take advantage of facial expression. There's a scene relatively early in the film that is mostly sitting and staring but the actors have such convincing movements and gestures, it goes to a point where you don't need dialogue to tell what they are feeling and what they are thinking about.

Really the only issue I have in this film is some scenes felt a little unnecessary. Can't give away too much without spoiling, but in a film where every character goes through in arc, there's one character that is just there to break tension and crack personally unfunny jokes. But this character did not affect my score and they were barely in the film.

I highly recommend checking this out.

What a movie and what great acting. Frances McDormand has done amazing job and deserves awards for playing Mildred Hayes. Although a very serious subject, this movie is a comedy.

The punch lines are to the point and absolutely hilarious. I went to the Toronto International Film Festival to watch this movie and boy, do I consider myself lucky to have decided to watch it.

The story, screenplay, direction are amazing. After The Grand Budapest Hotel, this movie comes as a breath of fresh air.

It's ironic that the first of Frances McDormand's Oscars came for her portrayal of a sheriff in Fargo. For her second one she plays the antagonist to a sheriff she feels isn't doing her job. The sheriff is a most popular individual in the town, Woody Harrelson. But this is a woman with a mission.

None of the people in Three Billboards Outside Ebbing Missouri are of any kind of heroic stature. They're just I suspect as ordinary as any of us with our good points and bad. One of them, Deputy Sam Rockwell is one unapologetic racist who uses his badge to harass and assault folks of a different skin tone. He's McDormand's greatest antagonist and in the end the two come to an interesting relationship.

McDormand is a mother who just can't accept the loss of her daughter. I'm the son of one who never got over the loss of her daughter. But my sister died of natural causes, McDormand's teen daughter went out one night against parental advice and was raped and murdered.

That was months ago and there's no accepting her loss for McDormand. She got her Best Actress Oscar not just for words spoken, but for some incredible body language and facial expressions. Her rage at what she sees is the lack of interest by law enforcement will not be abated.

So what she has done is out of whatever money she has scraped up together is pay for three large billboards outside the main thoroughfare of the town of Ebbing, Missouri calling attention to the lack of progress on her daugher's homicide and getting personal with Chief Woody Harrelson. Harrelson in turn has some personal problems of a serious nature which the town knows about and the sympathy that McDormand might have had is turning to resentment toward her.

Her grief isn't the only thing that has turned McDormand into the unpleasant creature she is. Her husband John Hawkes who seems to be no great prize himself left her for a 19 year old chippie. Her son Lucas Hedges is also feeling alienated from both parents.

There's no such place as Ebbing, Missouri but the uniformly fine ensemble of players sure makes you think you're in mid country America looking in on a place that's a cross between Grover's Corner in Our Town and Winesburg, Ohio in the 21st century. Of course the cast is topped by Oscar winners Frances McDormand for Best Actress and Sam Rockwell for Best Supporting Actor. Woody Harrelson also got an Oscar nomination for Best Supporting Actor and the film was nominated in a bunch of other categories including Best Picture.

See this one by all means.

Martin McDonagh (In Bruges, Seven Psychopaths) wrote and directed this very tough but brilliant story about anger, revenge, agony, prejudice - and redemption. Every character in this dramatic tour de force is drawn with equal parts hate and anger - with a dollop of hope and forgiveness and reconciliation in the end. It is a phenomenal achievement.

The language is saturated with foul/vulgar/trash type language but it fits the area and the particular character in this darkly comic drama. After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated. Mildred's son (Lucas Hedges) is seemingly the only stable character despite his absentee father (John Hawkes) and 19-year-old girlfriend (Samara Weaving) antics and his mother's foul pained mood. The pinnacle of angry young men is policeman Dixon (Sam Rockwell in a brilliant performance) whose movements include severely harming the sign maker (Caleb Landry Jones) as well as violating all manner of laws. Peter Dinklage portrays James, the 'town midget' whose role is also key to the denouement of the action.

Rape, murder, arson and many other forms of violence fill the screen but McDonagh makes it all make sense. McDormand, Rockwell, and Harelson are astonishingly but then there isn't a weak member in this extraordinary cast. This is one of the best films of the year, despite the subject matter at the core of it.

Saw this in a theatre. Very entertaining film with relevant social issues. The film deserves best film Oscar n Rockwell best supporting actor. The best part about this film is the character development and the awesome ensemble cast and their performances. Frances McDormands performance is solid but Sam Rockwell cannot be ignored n Woody Harrelson is always a treat to watch. Another great aspect is the writing. McDonagh did a terrific job. He tackled the films serious dark material very well n made the film bearable to watch by adding enuff humor, unpredictability, tension n beautiful locations. The editing n cinematography is good too. This film was captivating n mesmerising n not at all slow as compared to most Oscar nominated films. Havnt seen the directors previous films but will definitely check it out as after watchin this film i can b sure of em being good.

Mildred refuses to give up in her fight for justice for her murdered daughter, she puts up three billboards blaming The Police incompetence.

This film is genuinely outstanding. I felt multiple emotions watching it, frustration, sadness, anger, repulsion, disbelief, and on the odd occasion a little humour.

Officer Dixon, I hate you, a violent, racist, brain dead thug, he comes across as someone who can barely even tie his own shoe laces, let alone undertake any form of detection. Rockwell, is just terrific.

Frances McDormand is astonishing as Mildred, it is a truly brilliant showing from her, I've seen her several times, and I am a fan, I had no idea she was this gold.

The whole cast are terrific, McDormand and Rockwell are superb.

It doesn't show the Police of Missouri in a good light, you're sometimes wondering if this film is set in 1965.

Thought provoking throughout, it's a brilliant film, 9/10.

I wanted this movie to be great. It wasn't. The performance by Frances McDormand is good but not great. She's very good at showing overwhelming anger, but that's all she's allowed. Her character never gets the chance to breathe. Blame the script, not her--she's a terrific actor, but this is a one-note performance.

2. There is a sub-theme about race. Race is an important issue and deserves to be treated honestly, but in this movie, it felt like a side-road that led nowhere. (It actually feels like moral preening on the part of the scriptwriter. It didn't add much to the movie's meaning.

3. Wonderful performances by Woody Harrelson and Sam Rockwell as a police chief and officer. Woody especially brought grace to a character who at first seemed unsympathetic. (BTW, McDormand's ex-husband has a young and beautiful girlfriend, and that relationship is treated as awkward and shameful. Harrelson's wife is young and beautiful, and that relationship is treated as idyllic.)

4. Police officers don't talk like that among themselves or to others.

5. I particularly didn't like the Chief's take on racist cops, saying essentially that all cops are racist. That may be accepted as dogma by some Hollywood screenwriters, but any chief who talks about his beloved employees--or cops in general--like that shouldn't be a cop. Coming from this character, the sentiment is cheap and clunky and inexplicable.

6. There are a couple of plot holes wide enough to drive a billboard through sideways. The most egregious (no spoiler here) is what happens (actually what should have happened but didn't) immediately following the window scene. (You'll know the scene when you see it.) The thing not happening was necessary keep the plot going. Everything that happened after that feels tainted as artificial and contrived. Likewise a later scene in a bar, involving a coincidence beyond coincidence.

7. It's impossible McDormand's character wouldn't have been arrested several times in the course of the movie, for several serious crimes. Once again, he plot depends on that not happening, and thus the plot again is contrived.

8. There's a letter delivered to Rockwell's character late in the movie which is full of Hallmark Card sentimental drivel. It can't be justified by either what we know of that character or what we know of the writer.

In a world (as the movie trailers used to say) where we are awash in numbskull comic book movies and incoherent special effects spectacles, it was a small miracle this film even came to my local cinema. Too bad I couldn't love it.

Lately, when many people see Awards being dished out to movies they begin to think twice about their worth, in much the same way as when advertisers spend up BIG to tell us their latest product is the BEST on the market - you can often expect a cop-out. With Francis McDormand heading up the cast you might expect the Cohen Bros may have been somewhere in the wings to push it along - in fact, this work offers many of the depressing earmarks of some lesser Cohen productions (maybe that's partly why the Academy selected it?) The overly sensationalistic mix contains all the ingredients that one could cram into a plot filled with a continuous succession of near impossible coincidences (not to mention some perverse PC agenda pushing) With little or no character development and too many stretched situations - we are taken through a series of shocking actions that would land anyone committing just half of them, in jail or would have the local community after the perpetuator's blood! - but no, our 'hero 'Francis violently assaults school kids, dentists, and near anyone she feels like with few saying little more than boo. And for those who attempt to excuse this as "black humour" - the 'humour' is just so 'simplistically' dark as to be virtually invisible.

The local police (an unconvincing bunch of simplistic stereotypes) bash people near to death in broad daylight, and this is all taken as just another day in a town where every inhabitant tends to be on the edge of a mental meltdown. There's almost no-one the viewer can emotionally identify with or support - unless they too, are on the loopy side of Mental Health Denial. Add to the above, a lazy writer determined to create a swear fest - where all the foulest of outright mean language is paraded - in an attempt to out-shock any that's gone before. This is juvenile trendiness in the extreme.

Viewers bright enough to see beyond a manipulative piece of exploitation - may see this rather pretentiously overrated concoction for what it is. While it attracted a lot of people to the ticket box, it's obvious from the Huge amount of viewer feedback - published on IMDb, etc; many of these audiences were bitterly disappointed and would like both their time and money back. And, lets not even get started on the pathetic ending.

The end credits thank the local inhabitants for their co-operation but, I somehow doubt many would welcome them back - given the image painted of them! Lol.

To suggest Three Billboards Outside Ebbing, Missouri, is contrived is to ignore that the entire town is contrived. In fact, Ebbing, Missouri, does not exist, I know, because I looked for it on Google Maps, and if Google does not know where something is, it simply does not exist.

It's no secret that Frances McDormand is quietly powerful and a top- notch performer. Sam Rockwell does his thing in a role that requires less, and Woody Harrelson offers us a rare moment: we almost forget he's Woody Harrelson, even if for a moment, despite his clangy drawl and lack of hair.

I venture to guess this movie is about finding quiet power in a world where extroverts dominate. Being a woman, being a dwarf, being black, being poor, being sick, or possibly being gay, these are aspects we are told should be quiet, while others can be loud and yell and get what they want, because the early bird gets the worm, the squeaky wheel gets the grease, and hard work leads to promotions and a better life because Good Life Choices.

Rectangular billboards are flat circles, time is a fleeting concept, and some problems cannot be solved now or ever, despite what we want or what we need.

Buy some ad space and speak your minds!