A wealthy art gallery owner is haunted by her ex-husband's novel, her memories of their relationship, and her regrets about her life.A wealthy art gallery owner is haunted by her ex-husband's novel, her memories of their relationship, and her regrets about her life.A wealthy art gallery owner is haunted by her ex-husband's novel, her memories of their relationship, and her regrets about her life.
- Nominated for 1 Oscar
- 21 wins & 154 nominations total
Robert Aramayo
- Turk
- (as Rob Aramayo)
Bobbi Salvör Menuez
- Samantha Morrow
- (as India Menuez)
Evie Pree
- TV Woman #1
- (voice)
Beth Ditto
- TV Woman #2
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's been some years since Tony's flame was extinguished, his career just not to be that distinguished, you've moved on and settled down, like majorettes whose skin's a gown, though his new novel, looks to be, not one to miss. As the story links reality to fiction, the life you've lived is reimagined with conviction, certain parallels replayed, around a man you had betrayed, it's a clever reworking, vivid depiction. As leaves turn you're left without any illusion, of the cathartic pleasure of the retribution, of the years of hurt and rage, that's inked their way across the page, in a wonderfully performed, and fraught effusion.
Listen, I'm not a movie guru, I don't study arts, I'm just your average Joe that loves movies. I've seen lots of movies, I don't discriminate, terror, drama, action, animated you name it, I can perfectly differentiate between a bad from a good movie, I don't need the biased comments of the so called movie critics on IMDb. Thanks God I didn't pay attention to all the misguided comments about this movie, Nocturnal Animals is a beautiful & stylish movie, great photography, solid acting and a solid plot that will stay with you long after you finish it. I don't understand why there's so much envy and hate in the film industry, the wannabe movie critics can't take that a guy who came from the fashion world actually can created a pretty good movie. My fellow reader, please don't miss the chance to see this movie.
You must see this movie. it is so impressive and I felt those emotions while woman reading the book...sorry my english I can not explain more.
So I just Finished Nocturnal Animals and to put as bluntly as possible I absolutely loved it and it might end up being one of my top 10 favorite movie of the year. Well it's basically two movies in one. One half appeals to my lust for grim blood soaked, dark genre fare while the other half plays like an interpersonal glossy drama that's just as compelling. Both feel as if they could hold entire films in their own right and grabbed me till the very end. It's much better if you go in cold so I won't really say much more but if you love a good thriller, crime drama or just good film making in general and it's playing near you please do yourself a favor and let Mr Tom Ford take you on a trip through some movie magic.
That's some terrifying stuff right there! Fashion designer Tom Ford has written and directed his second movie, a multifaceted revenge thriller which is even better than his first, 2009's "A Single Man".
Both are visually stylish, of course, which is expected from fashion guru, both have interesting premise and good actors, and both have this cold, unsettling atmosphere which tries to keep the viewer at some distance.
In short, Ford has managed to take everything good from his solid debut project and bring it to the next level with "Nocturnal Animals". It's more lively, gripping, effortlessly cool and deeper.
There are two stories, interwined in a way which may make viewers wonder whether it's real or imagined by the character. But it is ambiguous in a best possible way, not trying to f--k with our minds and then leave us hanging.
An unhappily married woman (Amy Adams) thinks she wants his first husband (Jake Gyllenhaal) back. And she reads his novel, a violent thriller, which seems like a revenge tale. And then things get more, er, complex.
On-screen events are exciting already but Ford the writer turns out surprisingly skillful at making it even varied, without getting stuck or losing steam, or letting us think that we know where all this ends up. He even playfully takes jabs at his main fashion job and the lifestyle and personal sacrifices that come with it.
And the whole result really makes you feel something for the characters, unlike many of the thrillers that only manage to arouse the viewer during their best bits.
It's not mostly about Adams and Gyllenhaal. There is a number of smaller but important characters and cool performances. We have Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Armie Hammer, Michael Sheen, Laura Linney.
The cast is good enough reason to watch it. Everybody adds something worthwhile to the experience, even Sheen and Fisher and especially Linney who all have rather small roles used to move the story along.
Shannon brings his usual magnetic mix of cool and creepy. Gyllenhaal manages to move between having balls and ball-less state without turning unbelievable or too heroic. Taylor-Johnson as the bad guy even got a Golden Globe for his work (the only one for the movie although Tom Ford got nominated for both best movie / drama and adapted screenplay). He really deserves it, he is evil at its most subtle and delicious. Delicious to watch, I mean.
But I am especially happy about Amy Adams who is often used in the movies as just a pretty face or supporting woman. In 2016, she has had two strong roles, in a thinking man's sci-fi "Arrival", and now this.
Her screen time may be limited but she surely makes the most of it, captivatingly playing out both worlds that the character has hiding inside her. I believed her both as a lively young woman and the jaded older one that's missing all the ideals that she had decided to throw away long time ago.
Based on a novel by Austin Wright which Ford wanted to adapt into two movies initially, one true to original, the other not so much. I am not sure which way he chose ultimately but what a ride, eh?
PS No, I am not giving 9 out of 10 to every movie I watch from now on. The last three have been just some of 2016's best of the best.
Both are visually stylish, of course, which is expected from fashion guru, both have interesting premise and good actors, and both have this cold, unsettling atmosphere which tries to keep the viewer at some distance.
In short, Ford has managed to take everything good from his solid debut project and bring it to the next level with "Nocturnal Animals". It's more lively, gripping, effortlessly cool and deeper.
There are two stories, interwined in a way which may make viewers wonder whether it's real or imagined by the character. But it is ambiguous in a best possible way, not trying to f--k with our minds and then leave us hanging.
An unhappily married woman (Amy Adams) thinks she wants his first husband (Jake Gyllenhaal) back. And she reads his novel, a violent thriller, which seems like a revenge tale. And then things get more, er, complex.
On-screen events are exciting already but Ford the writer turns out surprisingly skillful at making it even varied, without getting stuck or losing steam, or letting us think that we know where all this ends up. He even playfully takes jabs at his main fashion job and the lifestyle and personal sacrifices that come with it.
And the whole result really makes you feel something for the characters, unlike many of the thrillers that only manage to arouse the viewer during their best bits.
It's not mostly about Adams and Gyllenhaal. There is a number of smaller but important characters and cool performances. We have Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Armie Hammer, Michael Sheen, Laura Linney.
The cast is good enough reason to watch it. Everybody adds something worthwhile to the experience, even Sheen and Fisher and especially Linney who all have rather small roles used to move the story along.
Shannon brings his usual magnetic mix of cool and creepy. Gyllenhaal manages to move between having balls and ball-less state without turning unbelievable or too heroic. Taylor-Johnson as the bad guy even got a Golden Globe for his work (the only one for the movie although Tom Ford got nominated for both best movie / drama and adapted screenplay). He really deserves it, he is evil at its most subtle and delicious. Delicious to watch, I mean.
But I am especially happy about Amy Adams who is often used in the movies as just a pretty face or supporting woman. In 2016, she has had two strong roles, in a thinking man's sci-fi "Arrival", and now this.
Her screen time may be limited but she surely makes the most of it, captivatingly playing out both worlds that the character has hiding inside her. I believed her both as a lively young woman and the jaded older one that's missing all the ideals that she had decided to throw away long time ago.
Based on a novel by Austin Wright which Ford wanted to adapt into two movies initially, one true to original, the other not so much. I am not sure which way he chose ultimately but what a ride, eh?
PS No, I am not giving 9 out of 10 to every movie I watch from now on. The last three have been just some of 2016's best of the best.
Did you know
- GoofsTony fires the pistol, a Sig Sauer P226 semi-automatic 9mm, twice and is then knocked out by the dying man he shot. The hammer on a P226 cocks and remains cocked after each round is fired, but when Tony wakes up the next morning the hammer is down. There is no way that could have happened; the hammer should have remain cocked.
- Quotes
Edward Sheffield: [to Susan] When you love someone you have to be careful with it, you might never get it again.
- ConnectionsFeatured in Breakfast: Episode dated 16 October 2016 (2016)
- SoundtracksBaudelaire
Written and Performed by Serge Gainsbourg
Courtesy of Mercury France
Under License from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Animales nocturnos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,500,000 (estimated)
- Gross US & Canada
- $10,663,357
- Opening weekend US & Canada
- $492,648
- Nov 20, 2016
- Gross worldwide
- $30,311,857
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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