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5/10
A Veneer of legitimacy
6 July 2013
It's been remarked by some critics that Laurel and Hardy on the screen played it gay. I think most are reading too much into that, but in the case of The Dancing Masters this might be the exception.

Meet Stan And Ollie proprietors of a dance studio and seeing them at the beginning in costume, especially Stanley in ballerina drag might just make you wonder. It was quite a treat to see them as dance instructors especially Ollie. For such a big guy he moved pretty good.

They've got themselves in a situation. Already owing a lot of back rent to landlord Matt Briggs who has only been staved off from throwing the boys out by wife Margaret Dumont and daughter Trudy Marshall. Stan and Ollie get intimidated into buying insurance from some shady characters. The old protection racket with a veneer of legitimacy.

They are also guardians to Marshall and her boyfriend Robert Bailey who apparently years ahead of his time has perfected laser technology. The invention works, but in Stan and Ollie's hands only too well.

Although not up to the standards of their work with Hal Roach, Stan and Ollie do recapture some of the magic of those previous films. Best scenes are an auction where Ollie is suckered into buying some useless junk and the climax on a runaway bus. That final scene is more like an Abbott&Costello sequence, but it works for Laurel&Hardy.

Allan 'Rocky' Lane plays a favorite of Briggs whom he'd like to match up with his daughter. And Robert Mitchum plays one of the 'insurance' salesmen. Speaking of Lane, Briggs does a rather unconvincing 180 degree turn in regard to Lane and Bailey for the hand of his daughter. That does weaken the film somewhat.

Still die-hard fans of Stan and Ollie should like The Dancing Masters.
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