'Once Upon A Time In China III (1992)' may be considerably less epic, and arguably a lot more safe, than its predecessors, but it's still an entertaining martial arts movie. Although elements of traditionalism vs Western influence are still prevalent, primarily in the form of Wong Fei-Hung's apparent jealousy of a Russian official who studied abroad with 13th Aunt, and the motivation for the lion dance competition at the core of the story comes from a desire to prove China is superior while also somehow sewing seeds of discontent between other nations in the hope they'll destroy each other, there's a lot less thematic focus on the shifting landscape of China circa 1900. As such, the film seems to lack the keen sense identity of its predecessors, even if it isn't a million miles away from them in terms of intention and execution. Still, there's plenty of opportunity to showcase Eastern traditions (the lion dancing at the core of the story is the primary example) and to pull off several exciting set-pieces that balance wirework with grounded choreography in a free-flowing, almost poetic fashion.
There are several really entertaining set-pieces sprinkled throughout the picture, all of which make excellent use of their performers' impressive skills and director Tsui Hark's admiral disregard for things like physics. It's arguably less believable than its predecessors, at least in terms of choreography, but it's also really inventive and fun and that's what matters most. The finale is interesting because it adds some life-or-death stakes to an already dangerous lion dance royale rumble, pitting Jet Li's hero - along with his apprentice Ah Foon and his new friend Ghost Foot Seven - against a slew of opposing dancers more interested in harming their opposition than outmaneuvering them. An earlier set-piece puts the star at a disadvantage and forces him to think on his feet; it's perhaps the closest these films have ever come to showing him in real trouble, and you're not quite sure if he's going to be able to come out on top (at least not uninjured).
There's a lot of comedy to go along with the action, as Wong Fei-Hung meets up with his father and has to figure out how to tell him he's going to marry 13th Aunt. The protagonist's jealousy also causes a few chuckles, even if his suspicions of his romantic rival do turn out to have a ring of truth to them. It's never hilarious, but it keeps you in good spirits and puts a smile on your face on occasion. The drama elements of the piece are somewhat muted, but there are a couple of classic character arcs that are actually quite satisfying.
As usual, the period setting is beautifully evoked and the picture has a storybook quality to it that makes it rather appealing to watch even when its at its least exciting. There's an emphasis on outside locations rather than sets, something which has always set this series apart from quite a few of its predecessors. The feature does have several lulls in pacing and it also isn't as focused as it could have been. There are moments which make you wish for a tighter edit, which would surely have improved the end result by making it more consistently engaging. Still, its set-pieces are fantastic and its execution is admirable.
In the end, this is an enjoyable effort that may be less effective than its predecessors, but is just about as entertaining. Its action is great, its comedy is charming and its aesthetic is immersive. It's a solid martial arts movie.
There are several really entertaining set-pieces sprinkled throughout the picture, all of which make excellent use of their performers' impressive skills and director Tsui Hark's admiral disregard for things like physics. It's arguably less believable than its predecessors, at least in terms of choreography, but it's also really inventive and fun and that's what matters most. The finale is interesting because it adds some life-or-death stakes to an already dangerous lion dance royale rumble, pitting Jet Li's hero - along with his apprentice Ah Foon and his new friend Ghost Foot Seven - against a slew of opposing dancers more interested in harming their opposition than outmaneuvering them. An earlier set-piece puts the star at a disadvantage and forces him to think on his feet; it's perhaps the closest these films have ever come to showing him in real trouble, and you're not quite sure if he's going to be able to come out on top (at least not uninjured).
There's a lot of comedy to go along with the action, as Wong Fei-Hung meets up with his father and has to figure out how to tell him he's going to marry 13th Aunt. The protagonist's jealousy also causes a few chuckles, even if his suspicions of his romantic rival do turn out to have a ring of truth to them. It's never hilarious, but it keeps you in good spirits and puts a smile on your face on occasion. The drama elements of the piece are somewhat muted, but there are a couple of classic character arcs that are actually quite satisfying.
As usual, the period setting is beautifully evoked and the picture has a storybook quality to it that makes it rather appealing to watch even when its at its least exciting. There's an emphasis on outside locations rather than sets, something which has always set this series apart from quite a few of its predecessors. The feature does have several lulls in pacing and it also isn't as focused as it could have been. There are moments which make you wish for a tighter edit, which would surely have improved the end result by making it more consistently engaging. Still, its set-pieces are fantastic and its execution is admirable.
In the end, this is an enjoyable effort that may be less effective than its predecessors, but is just about as entertaining. Its action is great, its comedy is charming and its aesthetic is immersive. It's a solid martial arts movie.