Francofonia: Louvre Sob Ocupação

Título original: Francofonia

2015
Not Rated
1 h 28 min

AVALIAÇÃO DA IMDb

6,6/10

3 mil

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Reproduzir trailer1:53

2 vídeos

13 fotos

Drama History

Adicionar um enredo no seu idiomaA history of the Louvre during the Nazi occupation and a meditation on the meaning and timelessness of art.A history of the Louvre during the Nazi occupation and a meditation on the meaning and timelessness of art.A history of the Louvre during the Nazi occupation and a meditation on the meaning and timelessness of art.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,6/10

3 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 2 vitórias e 7 indicações no total

Self
(cenas de arquivo)
(não creditado)

Dwight D. Eisenhower

Self
(cenas de arquivo)
(não creditado)

Adolf Hitler

Self
(cenas de arquivo)
(não creditado)

Eric Moreau

Un capitaine allemand
(não creditado)

Marika Rökk

Self
(cenas de arquivo)
(não creditado)

Direção
- Aleksandr Sokurov
Roteirista
- Aleksandr Sokurov
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

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Curiosidades
During production, this film was often rumored to be shot in a single take, making it an ideal sequel to Aleksandr Sokurov's previous 'museum film', Arca Russa (2002). Eventually, a more traditional editing technique was chosen by Sokurov to tell the story.

Erros de gravação
Since the narration is in Russian, it seems as though every time Paris is referred to as the seat of government of France, it's translated in English subtitles as "capital," rather than "Capitol."

Conexões
Referenced in Vecherniy Urgant: Maxim Trankov/Tatiana Volosozhar (2015)

Trilhas sonoras
Kindertotenlieder
Written by Gustav Mahler

Avaliações de usuários15

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Liberte, Egalite, Fraternite

Director Sokurov eschews the usual form for this type of film, which would be documentary, in favor of a sort of historical drama. It switches back and forth from the present era to WWII to the 18th century. It is an attempt to explain the history of The Louvre by integrating several different phases in its existence; The acquisition of much of the artwork by Napoleon in his conquests, transporting it out of harms way before the Nazi occupation, and a contemporary recap of the logistics and hazards involved in each phase.

Can I be frank? I found the whole exercise somewhat confusing. I would get the gist of a particular scenario, only to have the director switch gears and move to another era and another circumstance, and having to readjust my focus and concentration on this new problem (where are we now?, I kept asking myself). I enjoyed glimpses of the Great Hall, the Mona Lisa and several other treasures that go to make The Louvre the epicenter of western culture. All I was asking was a little clarity.

Maybe he just could have made it a documentary.