Antes do Inverno

Until the final 20 minutes I was watching this drawn by the two main characters. Kristen Scott Thomas and Daniel Auteuil are (as always) superb and their performances rather than the catalyst character, well played by, Leila Bekhti are what keep you engrossed. Scott Thomas and Auteuil are so subtle in their performance that you do feel the emotion, as your own, that which simmers and then manages to just about bubble in both their emotionally closeted worlds. These performances give the revelations revealed or hinted at in the final 20 minutes a lot more power and make what would have been another decent, and very watchable, film about a mature older man becoming obsessed by a young woman and his and his wives helplessness in doing anything about it after too many years wrapped in wealth and family comforts a rather very good film and one that leaves you thinking about consequences and the fallibility of love.

I saw this film at the Leiden film festival 2013 (LIFF). This could have been the umpteenth story about a middle aged man courting a younger woman, thereby endangering not only his marriage but also risking the health of his patients while slacking off his daily job as a surgeon. But luckily it is much more, due to some complications interwoven in the script that make it interesting nevertheless.

The daily package of red roses that are delivered throughout the running time of the film, seems important and thus are we eager all the time to know who is behind it. In the end we still wonder who is sending the roses, however, but it does not really matter in hindsight as many other sub-plots take over and keep us interested.

A possible minus point is the shallow role of the surgeon's wife. She has typically not enough on her hands other than waiting for her husband to come home. Her garden is her only daily occupation that keeps her from complete boredom, so it seems. I had assumed more initiative from her side, as she is obviously not the unlearned and meek kind of woman.

All in all, I can only moderately recommend this film. It is not a total failure, however, due to several sub-plots that keeps us interested. But that is all there is. This film ranked a moderate 26th place (out of 55) for the audience award.

Daniel Auteuil plays a doctor and Kristin Scott Thomas plays his wife. They lead a rather secluded, rather upper-class existence, in a big house, with a very big garden. He works long hours, she does not. He starts getting flowers sent to him, and who is sending them and why, is the central mystery of the film.

This is a slow film, a very, very, slow film. It starts off slowly with domestic scenes and only picks up very slowly. We are unsure about the central mystery. Different indications suggest different answers and different roads to go down.

Around half-way through the film is an unexpected scene which seem to jar with the rest of the film. It is not the most important scene in the film. However it does introduce an important theme. Although having said this, it does not introduce a development in the plot. As such then, do not expect the little scene to have any greater significance than it has. Do not expect anything more.

Film is rather like real-life. Everyday domestic matters feature strongly in the film. Accidents can happen, mistakes can be made, situations can be misunderstood.

The fragility of life is a central theme of the film. So too are personal circumstances and change of circumstances. Film is about relationships, lies, lives and loves. There is passion but it is very pent-up.

It is a slow film, a little dark, with a few brief life-enhancing moments.

Tip: Opera buffs may understand a mistake. 8/10.

Before the Winter Chill, a domestic drama from three-time writer / director Philippe Claudel (I've Loved You So Long), is immediately watchable for its leads, casting Daniel Auteuil and Kristin Scott Thomas as husband and wife in a story woven around their relationships with each other and those around them. The tale is reasonably diverting, and there is enough going on to keep the viewer engaged for the running time, but the material does not aim much higher than movie-of-the-week melodrama. This it does very well certainly, and Leïla Bekhti gives an affecting performance, but it's unlikely that you'll be raving about Avant l'hiver (the film's original title) to your friends and family. Enjoy 'Before the Winter Chill' for the central performances of Auteuil and Scott Thomas, then check out Guillaume Canet's 'Little White Lies' for some real Gallic fireworks.

Philippe Claudel's film 'Before the Winter Chill' begins as if it's going to be a drama about a stalker. It then changes tack, and becomes more of a story about a middle aged man becoming involved with a younger woman. He's not exactly looking for an affair, but his interest in her clearly stems from unhappiness in his marriage, which obviously does not benefit from his behaviour. Yet his "care" for the girl is superficial; his real interest is in the effect she is having on him, and he misses things he might have observed. Yet just as this plotline plays out to its conclusion, the movie reveals a final twist. The problem is that all three stories seem weak and underdeveloped; the strength of feelings on display never quite sufficient to wholly motivate the plot. It's not implausible; but its more a film about the absence of feelings, than the presence of them.