The Convert
- 2023
- 1 h 59 min
Um pregador leigo chega a uma colônia britânica na década de 1830. Seu passado violento logo é questionado e sua fé é posta à prova, pois ele se vê preso no meio de uma guerra sangrenta entr... Ler tudoUm pregador leigo chega a uma colônia britânica na década de 1830. Seu passado violento logo é questionado e sua fé é posta à prova, pois ele se vê preso no meio de uma guerra sangrenta entre as tribos Maori.Um pregador leigo chega a uma colônia britânica na década de 1830. Seu passado violento logo é questionado e sua fé é posta à prova, pois ele se vê preso no meio de uma guerra sangrenta entre as tribos Maori.
- Prêmios
- 1 vitória e 5 indicações no total
Enredo
Você sabia?
- CuriosidadesIn a 2024 interview with Screen Rant, Lee Tamahori spoke about the depiction of Maori warfare in the film and the contrast of directing it versus his experience on 007 - Um Novo Dia para Morrer (2002): "...we haven't seen combat like this much on film. There's been a film called The Dead Lands (2020), and another couple. There is now a highly trained number of Rakau experts. This is Maori hand to hand combat with edged weapon. They call them patu and taiaha. So there's weapons like most indigenous cultures had spears clubs edged weapons. So there's a lot of people trained in that now, young Maori. They're all in the film. They're a combat unit, which we put together. Action is just something you make up in your head and you do it shot by shot by shot by shot, and work your way through it. To me it is always important, and in the difference between a James Bond action sequence and a Convert action sequence is The Convert the action has to be scarily authentic. It has to be brutal. It's fast. There's no slow motion, no trickery going on. It's just shot by shot by shot, edited down to a point. Whereas with something like most modern action films have speed ramps, and all sorts of post-production tricks on them. But I didn't want to do anything other than show the brutality of hand-to-hand combat as it was."
- Erros de gravaçãoWhen they land for the first time, Munro talks to the crew of the landing boat then rides his horse along the beach. There is a wide shot towards the end of this scene where the boat obviously isn't on the beach.
Avaliação em destaque
Tamahori coaxes every last ounce of actors skill, and doesn't spare any punches in crafting the honest reveals that are his films.
This is a thoughtful and insightful look at a lay preacher who lands up in a very early colonial outpost where colonial oppression is already being enacted. To balance this he shows that there were some Europeans who cared for and highly respected Maori.
Yes, there is shockingly realistic and bloody battle between tribes, but there are also lovingly depicted examples of their cultural norms, which put the English's(still) lack of care for those in their tribe into sharp contrast.
The way that the actors are framed in the landscape, the mud and squallor of the European camp, the beautifully peaceful and happy hill top encampments of the Maori. There were several reasons why Maori didn't build by the swamps and wetland valley floors. Once was the ability to defend, and another they weren't flooded out and muddy.
I came away shaken by this chilling view of my ancestors as awful colonisers and callousness to their own (to the point of murdering to get pecuniary advantage), and in awe of the mana (power, goodness, worth of respect) of Maori leaders. This contrast continues right to the present day in Aotearoa/New Zealand.
This is a thoughtful and insightful look at a lay preacher who lands up in a very early colonial outpost where colonial oppression is already being enacted. To balance this he shows that there were some Europeans who cared for and highly respected Maori.
Yes, there is shockingly realistic and bloody battle between tribes, but there are also lovingly depicted examples of their cultural norms, which put the English's(still) lack of care for those in their tribe into sharp contrast.
The way that the actors are framed in the landscape, the mud and squallor of the European camp, the beautifully peaceful and happy hill top encampments of the Maori. There were several reasons why Maori didn't build by the swamps and wetland valley floors. Once was the ability to defend, and another they weren't flooded out and muddy.
I came away shaken by this chilling view of my ancestors as awful colonisers and callousness to their own (to the point of murdering to get pecuniary advantage), and in awe of the mana (power, goodness, worth of respect) of Maori leaders. This contrast continues right to the present day in Aotearoa/New Zealand.
- actnowclimatenz
- 10 de mar. de 2024
- Link permanente
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- How long is The Convert?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Dönüşüm
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.491
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.963
- 14 de jul. de 2024
- Faturamento bruto mundial
- US$ 764.882
- Tempo de duração1 hora 59 minutos
- Cor
- Proporção
- 2.39:1
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