AVALIAÇÃO DA IMDb
3,8/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.A gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.A gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.
- Prêmios
- 7 vitórias no total
Johnny Collins
- Collins
- (as John Collins)
Nik Morgan
- Spyder
- (as Nick Morgan)
James Bickert
- Jimbo
- (as Rusty Stache)
Avaliações em destaque
As a self proclaimed expert on biker movies (I've seen them all), this one is totally out to lunch. It's a bad egg oddity that would have to be put into a category all by itself. Caged up and left alone. What makes it different? It's evil. Everything about it is ugly and mean spirited. These bikers are not people you can identify with but they are not really the villains either. These goons are light years away from the cheesy pretty boy or grease monkey depictions you see on Sons of Anarchy or Hell Ride. They're even different than the glorified image of real bikers in The Wild Angels and Hell's Angels on Wheels. They are probably close to the real thing circa The Hell's Angels 1965 than has ever graced the silver screen. These are murdering, raping, filthy mouthed scum of the earth. They party hardy. The film feels like it was made by real life criminals. I would not like to meet them.
It was fun for a while, but now I'm getting rather tired of the fad for 'grindhouse' movies, which see directors deliberately striving to replicate the flagrant content and gritty style of 70s and 80s exploitation films. They may boast memorable titles and cool retro poster art, but they rarely prove to be any cop, their grungy affectations and knowing outrageousness being poor substitutes for real talent.
The latest effort to proudly fly the 'grindhouse' flag is 'Dear God No!', a violent biker flick from writer/director James Bickert, who is so intent on achieving his desired aesthetic and meeting his quota of bad taste and debauchery (thereby ensuring marketability) that he seems to forget about trying to make a decent film.
The most disagreeable aspects of the film are not the sex and violence—after all, those who willingly watch this type of film expect, nay DEMAND such excess—but rather the acting, script and direction. Performances range from the bad to the diabolical, the plot is all over the place, and Bickert's visuals display little in the way of originality (unless lingering on a stripper for so long that it actually becomes boring counts).
My rating: a generous 4.5 out of 10 just for the OTT splatter and rampant sleaze—file somewhere between equally disappointing 'grindhouse' efforts 'Run! Bitch Run! and Nude Nuns With Big Guns.
The latest effort to proudly fly the 'grindhouse' flag is 'Dear God No!', a violent biker flick from writer/director James Bickert, who is so intent on achieving his desired aesthetic and meeting his quota of bad taste and debauchery (thereby ensuring marketability) that he seems to forget about trying to make a decent film.
The most disagreeable aspects of the film are not the sex and violence—after all, those who willingly watch this type of film expect, nay DEMAND such excess—but rather the acting, script and direction. Performances range from the bad to the diabolical, the plot is all over the place, and Bickert's visuals display little in the way of originality (unless lingering on a stripper for so long that it actually becomes boring counts).
My rating: a generous 4.5 out of 10 just for the OTT splatter and rampant sleaze—file somewhere between equally disappointing 'grindhouse' efforts 'Run! Bitch Run! and Nude Nuns With Big Guns.
Not sure where this came from but I like it. This beyond awesome and heavy on the upper female nudity flick is pretty far out crazy. It's a biker film made by perverts for perverts. You will definitely feel like a dirty person while laughing at the demented dark humor. It's very funny in a "not quite right" sort of way. Outlaw bikers run up against an insane Nazi conducting mad experiments on his family members and the local wildlife. When these worlds (different genres) collide it gets totally wacky (the horror genre!) and delivers buckets of the marinara sauce. It's staggering how much is packed into this film from Psychedelic Drug movies, Nazisploitation, Nunsploitation, Biker, Spaghetti Western, Monster Movies, Home Invasion flicks (Last House on the Left), Nature Gone Bad Films, Hicksploitation, etc. Even more staggering, it actually works. For such an outrageously convoluted film, it all comes together without any loose ends. The plot twists are different from your standard Revenge film, get crazier every 15 minutes and you never quite know where this thing is going until the very last frame which will hit you like a Drano enema. It's not a comedy. It's full of scares, shocks and seat clawing tension. Did I mention the female parts? Loaded with every size. Every actress looses their clothes. Quite wonderful. I'm not sure when this thing is being released on DVD but I saw it with an audience and you should too. It screams audience participation. It was so nice to see something other than stupid teens in the stupid woods. I thank the perverts who made this and made my day. See it.
Well what can I say about this one. Being a huge fan of 70's and 80's slasher, exploitation and grind-house cinema I was quite excited when I saw the cover of this DVD at my local DVD store and had to buy it.
I went home that night with high hopes expecting something along the lines of Fathers day or Hobo with a shotgun - was I disappointed or what! While this film had a few slightly funny moments, especially a scene at the end where I had to laugh out loud, I cant say that there was too much else that I enjoyed about this film.
While I appreciate the shoestring budget that they probably had when making this film and I know that I could not do any better, I still found the acting far too cheesy. I know they were trying to get the feel of old exploitation films, however the acting just came across as a high school film studies class project.
This film could have had a lot of potential, however the cheesy acting, the effects and the over use of nude scenes for no reason let it down.
If you take out the nude scenes from this movie ( that added nothing to the plot or film) the film would only be 75% as long. Having a topless stripper dance on screen is great, however to have one dancing in a movie for 5 minutes straight was 4 minutes too long and seemed to me as a way to make the movie more appealing to someone who thinks that boobs in a film make a great film.
I know the things that I did not like about this film are exactly what fans of this type of cinema including myself normally like and are after in a film, however it just did not work for me.
I'll at least give it one thing, I watched it to the end, which is more than I can say for a few troma films that I have bought in the past.
I went home that night with high hopes expecting something along the lines of Fathers day or Hobo with a shotgun - was I disappointed or what! While this film had a few slightly funny moments, especially a scene at the end where I had to laugh out loud, I cant say that there was too much else that I enjoyed about this film.
While I appreciate the shoestring budget that they probably had when making this film and I know that I could not do any better, I still found the acting far too cheesy. I know they were trying to get the feel of old exploitation films, however the acting just came across as a high school film studies class project.
This film could have had a lot of potential, however the cheesy acting, the effects and the over use of nude scenes for no reason let it down.
If you take out the nude scenes from this movie ( that added nothing to the plot or film) the film would only be 75% as long. Having a topless stripper dance on screen is great, however to have one dancing in a movie for 5 minutes straight was 4 minutes too long and seemed to me as a way to make the movie more appealing to someone who thinks that boobs in a film make a great film.
I know the things that I did not like about this film are exactly what fans of this type of cinema including myself normally like and are after in a film, however it just did not work for me.
I'll at least give it one thing, I watched it to the end, which is more than I can say for a few troma films that I have bought in the past.
DEAR GOD NO! is a straight-out homage to the grindhouse flicks of the 1970s; in particular it seems to be a cross between THE EVIL DEAD and a random biker movie. Instead of being a real film, this is an ultra low budget production packed to the brim with outrageously cheesy gore effects, depraved humour, and female nudity.
I found it repulsive in the extreme, but not for the reasons you'd think. The exploitation elements are all well and good, but it's the script that truly repulsed me. It's dumb beyond belief, full of repetitive cursing and nothing else. The characters are portrayed as the stupidest people imaginable, and despite the presence of a large gang of bikers there are no individuals here - they're all a bland, faceless group.
The plot is non-existent and only serves to link the various exploitation sequences. The degradation of women plays a pivotal role, with the female roles limited to monsters, strippers, or victims. Sleaziness hangs over the whole production, and as a whole this is the type of film that nobody in their right mind could enjoy. Rodriguez's PLANET TERROR is still my favourite of the grindhouse tributes in existence and in comparison this is nothing, it wasn't even worth making a film.
I found it repulsive in the extreme, but not for the reasons you'd think. The exploitation elements are all well and good, but it's the script that truly repulsed me. It's dumb beyond belief, full of repetitive cursing and nothing else. The characters are portrayed as the stupidest people imaginable, and despite the presence of a large gang of bikers there are no individuals here - they're all a bland, faceless group.
The plot is non-existent and only serves to link the various exploitation sequences. The degradation of women plays a pivotal role, with the female roles limited to monsters, strippers, or victims. Sleaziness hangs over the whole production, and as a whole this is the type of film that nobody in their right mind could enjoy. Rodriguez's PLANET TERROR is still my favourite of the grindhouse tributes in existence and in comparison this is nothing, it wasn't even worth making a film.
Você sabia?
- CuriosidadesDuring the newspaper headline montage, the last story has a hidden message from the director.
- Erros de gravaçãoWhen the masked bodyguard's throat is slit, the blood clearly flows from the mask rather than the knife wound, which occurs lower on the neck.
- Cenas durante ou pós-créditosUnder production assistant the name Griffin is listed. A reference to The Invisible Man.
- ConexõesFollowed by Frankenstein Created Bikers (2016)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- О, Боже, нет!
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 21 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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By what name was Dear God No! (2011) officially released in India in English?
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