AVALIAÇÃO DA IMDb
5,7/10
37 mil
SUA AVALIAÇÃO
Uma oficial de admissão de Princeton que está prestes a conseguir uma grande promoção coloca sua carreira em risco ao conhecer um estudante alternativo que pode ser o filho que ela deu anos ... Ler tudoUma oficial de admissão de Princeton que está prestes a conseguir uma grande promoção coloca sua carreira em risco ao conhecer um estudante alternativo que pode ser o filho que ela deu anos atrás em uma adoção secreta.Uma oficial de admissão de Princeton que está prestes a conseguir uma grande promoção coloca sua carreira em risco ao conhecer um estudante alternativo que pode ser o filho que ela deu anos atrás em uma adoção secreta.
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Avaliações em destaque
I was really surprised at the review ratings for this movie.At first I considered not watching it because of the average rating, but when flipping through it it appeared like a movie to consider watching, after all some ratings, for me, have been way off. I am not into really bad slap stick comedy or bad acting, or in mediocre been done before scripts. I began watching the movie and almost regretted it, after a slow start, and after a few over acted comedy parts, but upon finishing it, I was glad I stuck it out. The overly comic parts were far and few between, and turned out to be a little of the comic relief that balanced the emotional and some what unique script. The acting by Tina,Ben,Paul,and Travaris was actually good (they gave Tina a bit much of the overly comic parts, but what can you do). Overall, I was impressed with the movie and its "differentness".
I would recommend this movie to those who aren't overly critical on every detail and aspect of a movie, to those who like sensitive movies that overcome pasts and trials and fight for people and ideals, and to those who can weigh the value of people who are not perfect or who do things perfectly, but who change and grow and fight to do better.
I would recommend this movie to those who aren't overly critical on every detail and aspect of a movie, to those who like sensitive movies that overcome pasts and trials and fight for people and ideals, and to those who can weigh the value of people who are not perfect or who do things perfectly, but who change and grow and fight to do better.
For those of you who are thinking that this film is a comedy, you would be wrong. It is more of a drama with some funny moments thrown in (although I never laughed out loud; not even once). As a matter of fact, by the time the film was over I was actually feeling a little sad. The story centers on an admissions officer for Princeton University, Portia Nathan (Tina Fey) who is responsible for combing through thousands of submission requests and evaluating who should be allowed to attend this prestigious school. On top of that, the current dean of admissions is retiring and Portia and her rival Corinne (Gloria Reuben) are both up for the job. Gearing up for her annual recruiting trip, Portia is contacted by John Pressman (Paul Rudd) to come and check out his somewhat fundamental and "earthy" school. Upon arrival John tells Portia that he thinks that one of the kids in his school is actually the child that she gave up for adoption when she was in college. Jeremiah (Nat Wolff) has been a slacker most of his life, but it turns out that he is a natural genius and was just bored in school most of the time. He gets very interested in attending Princeton and so the story begins. The film started out mildly comical, but as the story went along it became more and more serious. The two characters that did add a little light-heartedness to the film were Susannah (Lily Tomlin) who is Portia's mother and an eccentric soul. She is not much into relationships of any kind whether it is a mother/daughter or a romantic relationship. The other character that I really liked was Nelson (Travaris Meeks-Spear) who is John's adopted son who is just looking to be normal and to not go gallivanting around the globe all the time with his father. I think the cast as a whole did a really good job and the story was not boring, but I think that billing it as a comedy was the wrong way to go. The story was a lot more serious than I expected it to be, so I think that as word gets out, this film may not do as well as expected. It was not a bad film, but I am not sure that it is worth the price of a ticket. I am giving this film an amber light.
Admission (2013)
The title is built around a pun which is the turning point of the movie—an admission, or at least a revelation, about a long lost child. The leading woman is the wonderful Tina Fey who I wish I could say was wonderful here. She plays an admissions official at Princeton, and lots of Ivy League clichés and would-be jokes parade by.
And that's the overview—a pre-packaged kind of routine film, not very imaginative to start with and never pushed or pulled the way a comedy, or a romance—or both!—ought to be.
Fey, it seems, wants to be a serious romantic leading actress, and she's chipper and cute and she could, with a much better script, pull off a kind of sympathetic Meg Ryan type. That's at least what I smell here. Her romantic partner, the sometimes very funny Paul Rudd, is again weighted down by having little to really make funny.
I'm not sure how a director like Paul Weitz keeps getting work. He has a whole series of disappointing movies, even a hand-me-down like "The Little Fokkers," and I'm sure some have made some money, but they would have been better (and made even more money) in better hands. The proof is in all this pudding.
On the surface you might think there are funny paths to take in "Admission," and maybe even some hilarious pratfalls (Fey's mom is more happily over the top and has some moments), but it's just a mildly enjoyable fizzle all the way. You won't walk away angry, just a little flat.
The title is built around a pun which is the turning point of the movie—an admission, or at least a revelation, about a long lost child. The leading woman is the wonderful Tina Fey who I wish I could say was wonderful here. She plays an admissions official at Princeton, and lots of Ivy League clichés and would-be jokes parade by.
And that's the overview—a pre-packaged kind of routine film, not very imaginative to start with and never pushed or pulled the way a comedy, or a romance—or both!—ought to be.
Fey, it seems, wants to be a serious romantic leading actress, and she's chipper and cute and she could, with a much better script, pull off a kind of sympathetic Meg Ryan type. That's at least what I smell here. Her romantic partner, the sometimes very funny Paul Rudd, is again weighted down by having little to really make funny.
I'm not sure how a director like Paul Weitz keeps getting work. He has a whole series of disappointing movies, even a hand-me-down like "The Little Fokkers," and I'm sure some have made some money, but they would have been better (and made even more money) in better hands. The proof is in all this pudding.
On the surface you might think there are funny paths to take in "Admission," and maybe even some hilarious pratfalls (Fey's mom is more happily over the top and has some moments), but it's just a mildly enjoyable fizzle all the way. You won't walk away angry, just a little flat.
I love Tina Fey and Paul Rudd never gets old either (literally and metaphorically). The movie itself has quite a few flaws though. Never sure if it is a comedy or a drama. Walking that line was never going to be easy and it stumbles more than a few times. Tina and Paul do their best to keep it on tracks.
The kid actors are pretty decent, but don't have much to go through in their arks. Of course the movie is about lost love and about family in general. But even those things are not mixed in the right mixture. There is either too much of something or too little of another thing. A shame that the talent and the massive effort on Tinas part does not really get the movie it would deserve.
The kid actors are pretty decent, but don't have much to go through in their arks. Of course the movie is about lost love and about family in general. But even those things are not mixed in the right mixture. There is either too much of something or too little of another thing. A shame that the talent and the massive effort on Tinas part does not really get the movie it would deserve.
i actually do think that the film was more of a drama than a comedy. it was surely not the type of the film i expected before i watched it. Since it had Tina Fey and Paul Rudd, i surely expected the film to be either similar to Date Night or This is 40. But the film was quite different from those two in a good way. it was such a joy to see both of Fey and Rudd acting in a more drama- like comedy without all of the exaggerating acting. Although for me it did seem that Tina Fey's performance was a bit constrained it was still quite nice to see her portray a role which was just a normal person which we encounter every day around us. Paul Rudd also gave a quite lovely and warm performance in portraying his character. The film was not a crazy comedy full of jokes, but rather it was a decent more drama-like film which encouraged people to start taking responsibility for what they do and have done.
Você sabia?
- CuriosidadesPortia's mother Susannah (played by Lily Tomlin), has an art piece on her wall showing a fish riding a bike. This is in reference to Irina Dunn's quote "A woman needs a man like a fish needs a bicycle", later popularized by Gloria Steinem. This is thrown in to show Susannah's feminist views. She also quotes Erica Jong at one point.
- Erros de gravaçãoWhen someone tells Jeremiah to tuck in his shirt he does, but it varies inconsistently between untucked and tucked-in in subsequent shots.
- ConexõesFeatured in Maltin on Movies: Pacific Rim (2013)
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- How long is Admission?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Solicitud de admisión
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.007.317
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.154.984
- 24 de mar. de 2013
- Faturamento bruto mundial
- US$ 18.637.201
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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