Maré Alta

Marco Calvani captures the beauty and pain of a contemporary gay man ( Marco Pigossi) in Provincetown who is at a crossroads in his life. Excellent performances and never heavy handed, High Tide sensitively navigates the main character's journey and takes the audience along for the ride as it unfolds. Wonderful cast all around and great supporting performances from Marisa Tomei and Bill Irwin. The film has such a lush look about it as Ptown is clearly another character here. We get a sense that down this garden path is just one story of so many in this fascinating mysterious coastal town at the end of the world. Inspired and truthful, I thoroughly enjoyed being taken on this ride and very much look forward to where Calvani will go from here.

Don't want to add too many spoilers but it rings true to me- a man from another country who wants to be free to live his life truthfully and find love after a painful break up. But he's bound by family ties and tradition and struggling to fully come out to those he loves back home. Expectation, disappointment and regret. The shame of not being free to be totally open even in our time is fascinating. As much as society has changed - the pain and difficulties of coming out fully to one's self and one's family is still present. I appreciate seeing this captured so effectively as I often have this argument in life when people talk about how being gay isn't an issue anymore and that it's accepted everywhere.

As someone who had their own difficulties coming out years ago, and also as an actor who has played parts of men struggling with sexuality and identity it really resonated with me so I wanted to write a review here.

I hope the film gets the attention it deserves. I'm sure it will have a nice life on demand. Kudos to the filmmakers and casting and the work of Marco Pigossi who navigates the central role with such love and compassion and sensitivity. He and the director have created something really special in his performances.

Relishing the freedom to openly be oneself can be a fulfilling and liberating experience, especially for those who have lived most of their lives hiding from disapproving family members and a close-minded society. So it is for Lourenço (Marco Pigossi), a Brazilian transplant seeking to resettle permanently in Provincetown, MA, a goal dependent on him acquiring a work visa to replace a tourist visa that's about to expire. He has an added incentive to fulfill that objective when he meets and falls for Maurice (James Bland), a vacationer from New York who's visiting the oceanside resort town before embarking on an ambitious, long-term nursing residency in the wilds of Angola. But can the two would-be lovers make this relationship work in light of the impending changes in their respective lives, geography and careers? What's more, as this budding romance begins to blossom, Lourenço also wrestles with leftover baggage from an old relationship, unwanted advances from opportunistic lecherous would-be suitors and never-ending pressure from his mother back in Brazil, who is unaware of his closeted sexuality and routinely prods him to settle down and find a wife. While writer-director Marco Calvani capably and sensitively presents a tender, authentic, same-sex love story, the picture nevertheless tells a somewhat familiar tale whose narrative is not particularly original in the annals of LGBTQ+ cinema. It also struggles to blend its own brands of comedy and drama, both of which are handled well in their own right but whose inherent natures frequently come across as too extremely opposed to one another to harmonize in a believable, coherent whole. On top of that, the film also tries to cover too much ground at times, with a number of subplots that could have been easily trimmed or eliminated entirely without causing any undue harm to the picture overall. To its credit, though, this offering sincerely has its heart in the right place, despite the aforementioned shortcomings, backed up by an array of fine supporting performances and gorgeous cinematography showcasing the beauty and character of this charming Cape Cod resort town. Unfortunately, however, "High Tide" is yet another recent release that could have used some significant retooling to help it fully live up to its potential, especially given its predominantly conventional premise. Gay cinema has increasingly been moving forward in new and innovative directions in recent years, so, if filmmakers in this genre attempt to tackle new expressions of tried-and-true formulas like this, they had better have a good grasp of what they're doing if they ultimately hope to succeed in the end.

"Director, you did an incredible job! A friend from Brazil recommended this film, and when I saw the trailer, I felt an instant connection - it was like my life was right there. With ADHD, it's hard for me to focus on movies, but this one completely captivated me. The authenticity and emotion you brought to the screen are impressive.

Marco Pigossi's performance in "High Tide" was widely praised! He's a talented actor who brought depth and nuance to the character of Lourenço. His portrayal of the complexities of love, identity, and vulnerability must have been compelling to watch. Congratulations!

This one really is a masterful film! The beautiful mix of pain, grief, love and hope reminds me of films like Moonlight, God's Own Country, Past Lives and Manchester By The Sea. I saw it in Boston and I had the opportunity of thanking the filmmakers in person for creating this gift. The love making scenes are some of the best I've seen in movies. And the cast is incredible... such a beautiful work of art. I hope everyone gets to see this once it gets to streaming. It's a poem, it's a love song, it's everything one can wish for. I've never been to Provincetown but now I'm dying to go! Congrats to everyone involved!

Heartbreakingly beautiful haunting and realistic depiction of love, loss, rock bottom, desperation, resilience and resurrection

I was so afraid it was going to be a flashy camp boy meets boy blah blah blah

It was the most realistic (and self identifying relatable) of all the phases one can go through in a breakup... and fear of "where am I...what am I know?"

the brilliant and poignant moments hit me hard; harder and more beautifully than expected

Marco (subtle and yet intense), James Bland (vulnerable and self aware) Marisa Tomei (just...!!!) and Bill Irwin (melancholy and sincere) were outstanding. Director Marco let his stars shine and develop and demonstrate REAL human emotion... wisdom... and a common thread of melancholy-tinged hope

He brought out so much from all allowing them disappear into characters. I simply fell in love with, rooted for, cried with, identified with... and wanted them to simply find fulfillment (and forgiveness).

I've not been so immediately moved from frame 1 nor felt each and EVERY actor's emotions in such a long long time

It gave me hope.