Após serem exilados de sua tribo, dois caçadores-coletores se encontram com personagens bíblicos e finalmente terminam na cidade de Sodoma.Após serem exilados de sua tribo, dois caçadores-coletores se encontram com personagens bíblicos e finalmente terminam na cidade de Sodoma.Após serem exilados de sua tribo, dois caçadores-coletores se encontram com personagens bíblicos e finalmente terminam na cidade de Sodoma.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Matthew Willig
- Marlak
- (as Matthew J. Willig)
Avaliações em destaque
This is nowhere as bad as some are making out - it has touches of Python and a lot of Mel Brooks - it is pretty lazy in places with too much adlibbing - at least I hope it was adlibbing...
But this is pretty good entertainment - and it's not really about cavemen - it's about the Old Testament set mainly in Sodom - and it is kind of like Life of Brian - though clearly not in the same class.
One can understand why marketers don't want problems with an upset congregation, but at the end of the day this works pretty well as both broad comedy and a gentle satire.
Considering that I was expecting a total donkey with a side order of turkey this was pretty much a fun film - and no where near as bad as I'd heard. Can be watched without loss of brain cells...
But this is pretty good entertainment - and it's not really about cavemen - it's about the Old Testament set mainly in Sodom - and it is kind of like Life of Brian - though clearly not in the same class.
One can understand why marketers don't want problems with an upset congregation, but at the end of the day this works pretty well as both broad comedy and a gentle satire.
Considering that I was expecting a total donkey with a side order of turkey this was pretty much a fun film - and no where near as bad as I'd heard. Can be watched without loss of brain cells...
As a fan of most of Jack Black's work so far (at least the non Tenacious D stuff that is in comedy) and a fan of Michael Cera's great straight man work on Arrested Development and Superbad, I was very disappointed in this film. It is a great premise for a movie but it fails to deliver many laughs, it is basically one of those "all the funny parts are in the trailer" movies and was I think a really wasted opportunity for what could have been a very funny film. Jack Black is okay doing his usual act and Michael Cera is very good in his typical straight man role but the laughs don't exactly come flowing through. There are a couple of very good cameo appearances in the movie, I don't want to spoil the surprise, and they help to make up for the overall poor quality of the rest of the film. Worth seeing probably but definitely not at the movies for $12.
OK first let's take a quick paragraph to analyze the history of successful comedy duos. There's Abbot & Costello: a simple-minded clown (Costello) and his more-intelligent, straitlaced keeper (Abbott). Then there's Martin & Lewis: another simple-minded clown (Lewis) and his more intelligent, suave keeper (Martin). Laurel & Hardy: same formula. Mork & Mindy, Laverne & Shirley, Ren & Stimpy, the list goes on. This successful pattern, with minor variations, repeats itself through the years. The clown is always kept in line by his/her more intelligent & responsible keeper.
Here we have a switcheroo. With Black & Cera, the idiot (Jack Black) is in charge, while the smart one (Cera) is taking orders. The dynamic, especially with the extreme opposite personalities of Black & Cera (outgoing vs. introverted), is a riot. Both are equally hilarious, and when they play off each other, it can be downright asphyxiating. I can't believe that this is the only film that features the two of them together like this, but that alone makes "Year One" worth running out to see.
Apparently critics haven't been kind to this movie. I've read the reviews on Rotten Tomatoes and almost all of the negatives harp on how this doesn't stand up to writer/director Harold Ramis's past hits like Caddyshack, Vacation, Ghostbusters, etc. So what? Beethoven's 9th symphony may not have been as powerful as his 5th but we still like it.
"Year One" delivers some great laughs, period. Beginning in what seems to be caveman times but quickly shifting into Old Testament Biblical times, it takes us on a wild romp through episodes of Cain & Abel, Abraham & Isaac, Sodom & Gomorrah, and a particularly boy-hungry high priest played by Oliver Platt (you will NEVER recognize him). Irreverent, yes. Funny, yes. Offensive, I doubt it. Not any more than "History of the World Part 1" or "Monty Python's Holy Grail". Definitely less biting than "Life of Brian". But it does pack some bite.
The story isn't particularly new, but it serves its purpose to serve as a vehicle for some witty gags. And again I must harp on the Black-Cera delivery that makes it work. Jack Black plays an inept, loud-mouthed hunter who is constantly coming up with stupid ideas that get them in big trouble. Cera plays a meek gatherer who follows along with everything, quietly trying to explain the idiocy of it all while being ignored. The comedy flows so naturally you'd think it was all improvised like in a Christopher Guest film. But I read in an interview that there wasn't much improv at all. Just a carefully planned script and excellent delivery.
The comedy is mostly family-friendly, but there are some adult innuendos and suggestive gags that may cross the line on occasion. If you & your family feel comfortable laughing about circumcisions, then hey no problem.
Although similar in theme, I would never compare "Year One" to "History of the World" or "Holy Grail". Instead, the comedy reminds me more of "The Rocker" (with Rainn Wilson playing a washed-up 80s metal drummer trying to survive in a band today) or maybe even "Men in Black", odd as that may seem.
There are rumors that Black & Cera may have parts in Ramis's upcoming "Ghostbusters III", and if so I'll definitely run out and see it. Until then, "Year One" remains your only chance to experience this one-of-a-kind matchup. Don't miss out.
Here we have a switcheroo. With Black & Cera, the idiot (Jack Black) is in charge, while the smart one (Cera) is taking orders. The dynamic, especially with the extreme opposite personalities of Black & Cera (outgoing vs. introverted), is a riot. Both are equally hilarious, and when they play off each other, it can be downright asphyxiating. I can't believe that this is the only film that features the two of them together like this, but that alone makes "Year One" worth running out to see.
Apparently critics haven't been kind to this movie. I've read the reviews on Rotten Tomatoes and almost all of the negatives harp on how this doesn't stand up to writer/director Harold Ramis's past hits like Caddyshack, Vacation, Ghostbusters, etc. So what? Beethoven's 9th symphony may not have been as powerful as his 5th but we still like it.
"Year One" delivers some great laughs, period. Beginning in what seems to be caveman times but quickly shifting into Old Testament Biblical times, it takes us on a wild romp through episodes of Cain & Abel, Abraham & Isaac, Sodom & Gomorrah, and a particularly boy-hungry high priest played by Oliver Platt (you will NEVER recognize him). Irreverent, yes. Funny, yes. Offensive, I doubt it. Not any more than "History of the World Part 1" or "Monty Python's Holy Grail". Definitely less biting than "Life of Brian". But it does pack some bite.
The story isn't particularly new, but it serves its purpose to serve as a vehicle for some witty gags. And again I must harp on the Black-Cera delivery that makes it work. Jack Black plays an inept, loud-mouthed hunter who is constantly coming up with stupid ideas that get them in big trouble. Cera plays a meek gatherer who follows along with everything, quietly trying to explain the idiocy of it all while being ignored. The comedy flows so naturally you'd think it was all improvised like in a Christopher Guest film. But I read in an interview that there wasn't much improv at all. Just a carefully planned script and excellent delivery.
The comedy is mostly family-friendly, but there are some adult innuendos and suggestive gags that may cross the line on occasion. If you & your family feel comfortable laughing about circumcisions, then hey no problem.
Although similar in theme, I would never compare "Year One" to "History of the World" or "Holy Grail". Instead, the comedy reminds me more of "The Rocker" (with Rainn Wilson playing a washed-up 80s metal drummer trying to survive in a band today) or maybe even "Men in Black", odd as that may seem.
There are rumors that Black & Cera may have parts in Ramis's upcoming "Ghostbusters III", and if so I'll definitely run out and see it. Until then, "Year One" remains your only chance to experience this one-of-a-kind matchup. Don't miss out.
The film keeps itself from being too thoughtful by focusing on the pop culture knowledge of history and blending it with modern societal norms to create comedic situations. There are plenty of scenes that will give you laughs that pass as abruptly as they come and a few that are longer lasting. From crude sexual humor to semi-intelligent humor this film targets younger audiences that can look at religion in a comedic light. Most of the jokes for this film are at the expense of the Jewish and Christian religion. By no means is this a proper history lesson for anyone and shouldn't be viewed by ages 15 and under without parental permission. That said it is a funny film throughout. If you enjoy buddy films this one will deliver; especially if you are out with friends who enjoy seeing Jack Black's high energy humor and Micheal Cera's awkward teenager humor as they are pretty much in every scene.
It's crazy to me that this movie has a sub-five rating. It's a goofy comedy so I don't know what people were expecting. The story follows two hunter gatherers as they make their way through Biblical times after being exiled from their tribe.
Jack Black and Michael Cera are the perfect odd couple and both deliver hilarious performances. David Cross is also great as Cain. Hank Azaria, Oliver Platt and Olivia Wilde all make appearances, even Fogel from Superbad gets in on the action.
Is this movie a cinematic masterpiece? No. But I don't think it ever aimed to be one. It's a short, funny movie that elicited several chuckles. I don't understand all the poor reviews. Definitely give it a try.
Jack Black and Michael Cera are the perfect odd couple and both deliver hilarious performances. David Cross is also great as Cain. Hank Azaria, Oliver Platt and Olivia Wilde all make appearances, even Fogel from Superbad gets in on the action.
Is this movie a cinematic masterpiece? No. But I don't think it ever aimed to be one. It's a short, funny movie that elicited several chuckles. I don't understand all the poor reviews. Definitely give it a try.
Você sabia?
- CuriosidadesFinal film directed by Harold Ramis. It's also his last acting role.
- Erros de gravaçãoWhen Oh first appears with gold paint, he has no eyeliner. Midway through his conversation, he has thick black eyeliner.
- Cenas durante ou pós-créditosSeveral bloopers are shown during the first half of the end credits.
- Versões alternativasThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by making changes to dialogue. In particular the BBFC suggested that the distributor remove the line, "my thingy smells like lamb chops" when a character talks about 'multiplying with sheep'; that they remove the line, "did you know he can put his penis in his mouth, the whole thing"; and the line "his poor rectum is absolutely pulverised, which is not usual for a sheep in this region". When the finished version of the film was submitted these changes had been made and the film was classified 12A.
- ConexõesFeatured in The Rotten Tomatoes Show: Taking of Pelham 123/Imagine That/Moon (2009)
- Trilhas sonorasKecak Dance
Traditional
Performed by Tojan
Courtesy of Celestial Harmonies
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Año uno
- Locações de filme
- White Sands National Monument, Novo México, EUA(Alamogordo Daily News Apr 19, 2008, "Funnyman Jack Black films at WSNM.")
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 43.337.279
- Fim de semana de estreia nos EUA e Canadá
- US$ 19.610.304
- 21 de jun. de 2009
- Faturamento bruto mundial
- US$ 62.357.900
- Tempo de duração1 hora 37 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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