Persépolis

I rated this film a 9 more as a visual complement to the comic book (of two volumes, now bound as one), which I believe to be a masterpiece. If you left the film less than emotionally attached to the characters, PLEASE give the book a chance, because, as is often the case, episodes and histories of a lot of the characters, including Marjane, are left out to adapt the story to a film medium. Having said that, there are great sequences, expressionistic animation, and the wiseass grandma is left fully intact from the books! I can understand why some people weren't emotionally compelled by it though, since the movie doesn't take the time to fill the audience in on all the quirkiness and endearing qualities of the characters as Satrapi originally conceived them.

Persepolis tells the amazing story of a young girl growing up in Iran around the time of the Islamic Revolution. Marjane Satrapi does a wonderful job of bringing her story to life and drawing the viewer into her what it was to grow up during a time of political revolution. Using a unique style of animation, that closely follows the style of the graphic novel, the audience is pulled into a world that is much different than the world they are used to.

Marjane's story is often times humorous and often times heart breaking without resorting to heavy handed sentimentalism that is often seen in Hollywood movies. There were times that I laughed out loud during the movie, particularly the "Eye of the Tiger" sequence which had me in stitches. Other times during the film I had to wipe a tear from my eye. I won't spoil any of those moments for anyone, but there were parts of the film that left me crushed.

The characters in the story were all very interesting and all seemed very real. I loved watching Marjane grow from a child to an adult and seeing how she dealt with struggles as extreme as a revolution and as simple as the end of a relationship. Most of the supporting characters were interesting as well and extremely well thought out. The most memorable of the side characters though, would have to be Marjane's grandmother. She almost acted as Marjane's moral compass throughout the film and in most cases she did it with a great cynicism and humor that only someone who has lived through so much could have.

As an American I will probably never know what it is like to live in a state of such political oppression as the one depicted in the film. It is an extremely hard thing to even imagine what people go through during such political struggles. However, one of the things that makes this movie unique is that a lot of it is told from the point of view of a child that does not really understand the politics of what is going on around her. This really helped draw me into the movie. Since I do not understand what it is like to be in the situation, having the story told from the point of view of someone that doesn't really grasp the enormity of the events unfolding around her really helped to bring me into the story. It was very helpful in trying to comprehend the scale of what was happening in the movie, not that I claim to totally comprehend what this young girl must have gone through.

The animation style of the film is definitely interesting and unique. It is a lot different than anything I have seen before and I really enjoyed the style that was used. The more simplistic animation that was used definitely worked well with the story being told from the point of view of a child. The child in the story could not totally grasp all the details of what was going on during the revolution and having a less detailed style of animation definitely helped emphasize this. Also, having a style of animation that was so different than what audience are used to also helped emphasize that we were viewing a world that was, in many ways, much different than our own.

Overall I really enjoyed the film and it is one that I may eventually want to see again. I really would like to read the graphic novels that it was based on and probably even a few of the other graphic novels written by Marjane Satrapi. I think she is a wonderful talent and I hope she continues to make such interesting films, perhaps bringing some of her other graphic novels to the big screen.

Adapting "Persepolis" in my opinion was a very important project. Especially (but not only) during times of fear and extreme distrust regarding other ethnicities it's necessary to communicate better understanding for these cultures. Films are capable reach millions of people all around the world. Therefore this medium is a very effective way to do this (unfortunately it can also get misused in the opposite direction).

Seen from this cultural perspective "Persepolis" is an entertaining feature which also meets a certain social responsibility. To me it is the right picture at the right time. In a individually visualized way this animation picture shows Marjane Satrapis personal biography and gives you an idea about the historical background of the Iran and the way of living in this part of the world. Besides several tragic moments "Persepolis" never loses it's humour.

In a short: "Persepolis" is a very true and affectionate adaption of the original comic also drawn by Satrapi who directed the film. An important issue and not only for this reason I truly recommend it !

The black-and-white animation, highly stylized and two dimensions which doesn't attempt to render the usual cartoon 3-D, summarizes in quick, intelligent flashes, often impressionistic, growing up in Teheran and Vienna from a highly personal point of view. The narrative is as original as the art. The narrator, Marjane Satrapi, only daughter of an educated Teheran couple, first sketches in briefly how the Shah first came to power,only to lose it and have it replaced by the fanatical religious regime of today. Educated in a French school, she and her family are rapidly alienated from the so-called revolution; she is sent to Vienna to continue her education, falls in with a group of punks and eventually returns both depressed and disillusioned to Teheran where, with other university students, she must submit to the rule of extreme Islamists.

The story covers a great deal of ground from the point of view of a young pro-Western culture radical, and is told with humor and intelligence. She laughs at herself as much as at the semi-lunatic Guards of the Revolution.

Satrapi's hold on reality is much strengthened under the influence of her highly honest grandmother who teaches her not co compromise, not to betray and not to give in.

This is no fairy tale with flying horses and beautiful princesses, but a serious, unsentimental and sometimes brutally honest film covering, among other events, the story of the millions of Iranians and Iraqis who died in a now forgotten seven year war around the Persian Gulf.

In 1978, in Iran, the smart girl Marjane Satrapi lives the troubled period of the history of her country with the Islamic Revolution with her ideologist parents and grandmother. When she is a teenager, her parents send her to Vienna due to the war with Iraq. Marjane befriends a group of outcast students, finds love and deception and returns to her country to the arms of her family. However, the life with the fundamentalist in the government is repressive and she leaves her country again to live in France.

"Persepolis" is an interesting animation where the contemporary history of Iran is disclosed through the eyes of the lead character. This feature gives a great lesson of history highlighting the most important moments of the life of Iranian in their country. This dramatic animation has many levels but is highly recommended for adults and offers excellent dialogs and messages. My vote is eight.

Title (Brazil): "Persépolis"