AVALIAÇÃO DA IMDb
7,1/10
76 mil
SUA AVALIAÇÃO
Nos guetos de Paris em 2010, um policial disfarçado e um ex-agente tentam se infiltrar em um gangue para desarmar uma bomba de nêutrons.Nos guetos de Paris em 2010, um policial disfarçado e um ex-agente tentam se infiltrar em um gangue para desarmar uma bomba de nêutrons.Nos guetos de Paris em 2010, um policial disfarçado e um ex-agente tentam se infiltrar em um gangue para desarmar uma bomba de nêutrons.
- Prêmios
- 1 vitória e 1 indicação no total
Bibi Naceri
- Taha Bemamud
- (as Larbi Naceri)
Dany Verissimo-Petit
- Lola
- (as Dany Verissimo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
People people people...anyone expecting Citizen Kane out of this movie needs to have their head examined. BUT...if you were looking for a thrilling, fast paced roller-coaster, that's what you will find.
For the past year, I have been seeking out alternatives to American cinema because it has become so formulaic and awful. I troll IMDb and eBay to see what else is happening in the world. Sure, B13 is derivative, but it is certainly more exciting than another "re-imagining" of a 70s cop show.
The opening sequence took my breath away. I was half-way through the film before I felt it was sage to dart to the kitchen for a drink. I said to my wife "THIS is the movie I've been searching for." Even the subtitles were good. The verbiage and spelling were very authentic and slang-conversational. It did not feel forced as many foreign films do. It was definitely subbed with the British market in mind, as some of the banter evoked thoughts of Lock, Stock or Layer Cake or Football Factory.
If I want a truly compelling story, I'll look elsewhere, but check out B13 for the some great fight scenes, excellent scenery and mind-blowing athleticism.
For the past year, I have been seeking out alternatives to American cinema because it has become so formulaic and awful. I troll IMDb and eBay to see what else is happening in the world. Sure, B13 is derivative, but it is certainly more exciting than another "re-imagining" of a 70s cop show.
The opening sequence took my breath away. I was half-way through the film before I felt it was sage to dart to the kitchen for a drink. I said to my wife "THIS is the movie I've been searching for." Even the subtitles were good. The verbiage and spelling were very authentic and slang-conversational. It did not feel forced as many foreign films do. It was definitely subbed with the British market in mind, as some of the banter evoked thoughts of Lock, Stock or Layer Cake or Football Factory.
If I want a truly compelling story, I'll look elsewhere, but check out B13 for the some great fight scenes, excellent scenery and mind-blowing athleticism.
The French answer to Ong Bak coulda been the final word, with superior production values and a serviceable if not exactly profound story-line (how much story can you get in an 80 minute film that's 50% action though?). Unfortunately it's let down by "Hollywood style" over-editing of the action scenes. David Belle & Cyril Raffaelli have *real* skills, and showing them off is the raison de etre of the film - so why chop most of the best moves into 3 separate shots, so we can't really appreciate them? It's a tribute to the performers and Raffaelli's choreography that they're still amazing to watch! I'd love to see a re-edit that simply removes the unnecessary insert shots and shows the moves in their full glory. Despite this objection, I still rate the film 8/10 :)
I don't know quite what I just saw. I'll have to watch it at least a few more times before I make a proper review, but for NOW, let me just attest that the action was so intensely awesome that I forgot to breath; I actually found myself short of breath more than once just from watching.
I have followed eastern action cinema for years and have been continuously intrigued and impressed with their inventiveness and physical expression, but without doubt this film has not just raised the bar for western martial arts/action movies but for the entire Action Movie genre.
The stunt work is flawlessly executed, and utterly amazing.
These guys are insanely talented, and whilst they do what they do best, you just cannot but sit in awe.
I was so excited after watching this film I felt sick!
I have followed eastern action cinema for years and have been continuously intrigued and impressed with their inventiveness and physical expression, but without doubt this film has not just raised the bar for western martial arts/action movies but for the entire Action Movie genre.
The stunt work is flawlessly executed, and utterly amazing.
These guys are insanely talented, and whilst they do what they do best, you just cannot but sit in awe.
I was so excited after watching this film I felt sick!
9lyre
This film takes everything that has been learned in the last 100 years about how to make an action movie and distills it into a perfect 85 minutes.
The stars are true athletes, including David Belle, the co-founder of the sport of Parkour. He has spent 18 years perfecting his skills, which means that most of the spectacular stunts are real, not done with special effects.
The plot is action-movie perfect as well: A criminal kingpin, a damsel in distress, an honest cop, a noble criminal, corrupt officials, double crosses, nearly superhuman enemies. And at stake: honor, truth and the lives of millions.
There are hardly any extraneous elements, few scenes that don't make sense, no characters that do something really stupid when they should have known better. Every loose end is wrapped up in a very satisfying way. And there's even meaningful social commentary. All (though I said it before) in 85 minutes.
Why do other action movies drag on for two or even three hours and have long slow spots? Why do other action movies have plot holes big enough to walk through? Why do some of them lack drama, get silly and end up feeling like a waste of time? Why can't they all be as taut and tightly written as this one?
Because it's hard. It's hard to reach this level of perfection. It's hard to make a movie in which every scene counts. It's hard to get the plot, the acting, the action and the emotions right.
It's so hard it took 100 years. But here it is. Don't miss it.
The stars are true athletes, including David Belle, the co-founder of the sport of Parkour. He has spent 18 years perfecting his skills, which means that most of the spectacular stunts are real, not done with special effects.
The plot is action-movie perfect as well: A criminal kingpin, a damsel in distress, an honest cop, a noble criminal, corrupt officials, double crosses, nearly superhuman enemies. And at stake: honor, truth and the lives of millions.
There are hardly any extraneous elements, few scenes that don't make sense, no characters that do something really stupid when they should have known better. Every loose end is wrapped up in a very satisfying way. And there's even meaningful social commentary. All (though I said it before) in 85 minutes.
Why do other action movies drag on for two or even three hours and have long slow spots? Why do other action movies have plot holes big enough to walk through? Why do some of them lack drama, get silly and end up feeling like a waste of time? Why can't they all be as taut and tightly written as this one?
Because it's hard. It's hard to reach this level of perfection. It's hard to make a movie in which every scene counts. It's hard to get the plot, the acting, the action and the emotions right.
It's so hard it took 100 years. But here it is. Don't miss it.
Thrilling and violent movie with a phenomenal starring pair and in which Cyril Raffaelli and David Belle cast all the Stuntmen themselves . Set in the rundown ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb . When the government learns that local kingpin (Larbi or Bibi Narceri , Sami Narceri's brother ; even though Bibi Naceri co-wrote the script, he still had to audition for the part of Taha along with other actors) has acquired a nuclear weapon , Damien (Cyril Raffaelli) and Leito (David Belle , the originator of Le Parkour ) are called upon to avoid an atomic bomb on destroying the blocks at the heart of District 13 with tactical precision and as save the city . With acrobatic skillfulness and adrenaline pumping belief in their own abilities, they throw themselves out from incredible heights, and jump from roof to roof ; locked doors and 'No Trespassing' signs become irresistible challenges . They confront their enemies in order to find out location the bomb (the bomb code is: 9293709B13) and his sister (Dany Verissimo who spent two whole days on a roof in the freezing cold in ripped clothes, handcuffed to a bomb and Luc Besson wrote the part of Lola specifically for her) who was formerly kidnapped , but someone is still after them and are forced to once again take up violent means to survive .
¨13th District¨ is an exciting film that contains suspense , thrills, noisy action , shootouts and violent fights . The main couple is unabashed in its dedication to fanboy stunt work . From the beginning to the final the noisy action and fast movement is unstopped , including breathtaking scenes in which bounds and leaps through apartments blocks and at moments give the impression that they are flying . Cyril Raffaelli as a hard-rock , two-fisted agent is top-notch . This is a frantic rehash of ¨Escape from NY¨ , rightly realized in French style . The highlights of the movie are The Parkour , also known in USA as Free Running whose origin was in ¨Yamasaki¨ film directed by Ariel Zeitoun , Julien Seri and also produced by Luc Besson with his production company called ¨EuropaCorps¨ . Duo protagonist more than make up for in an skill to soar across a rolling medley highrise flats blocks . The way in which the actors prove this abilities , is in fact an activity called Parkour and was invented by David Belle himself , influenced by his father Raymond Belle . Cyril Raffaelli and David Belle had three months to prepare all their Parkour stunts for the film . There weren't any special effects , wire-work, computer graphics... used in 90% of the Parkour scenes . Good cinematography by cameraman Manuel Teran using Steadicam and zooms with numerous locations from Paris slums . The musician Da Octopuss creates a stirring, moving soundtrack fitting to frantic action . Lavishly produced by the successful French producer and director Luc Besson . The flick was stunningly realized by the habitual cameraman, Pierre Morel in his first film, -the second was the successful ¨Taken¨- , though Alexandre Aja was originally hired to direct the movie the first . Filmmaker Pierre gives the action a dance-like quality and the whole movie took 10 months for production , idea, script, casting, filming, etc , as from January 2004 to October 2004 . Followed by "District 13: Ultimatum" by Patrick Alessandrin again with Cyril Raffaelli as Capt. Damien Tomaso , David Belle as Leïto , Philippe Torreton as Le Président De la République and as well as starring in the film, Cyril Raffaelli also choreographed all the fight sequences ; however David Belle didn't practice all his Parkour stunts , most of the ones that you see in the film were of him performing the stunt for the first time . Rating: Better than average, well worth seeing , this is a highly agreeable action movie . The picture will appeal to explosive action fans
¨13th District¨ is an exciting film that contains suspense , thrills, noisy action , shootouts and violent fights . The main couple is unabashed in its dedication to fanboy stunt work . From the beginning to the final the noisy action and fast movement is unstopped , including breathtaking scenes in which bounds and leaps through apartments blocks and at moments give the impression that they are flying . Cyril Raffaelli as a hard-rock , two-fisted agent is top-notch . This is a frantic rehash of ¨Escape from NY¨ , rightly realized in French style . The highlights of the movie are The Parkour , also known in USA as Free Running whose origin was in ¨Yamasaki¨ film directed by Ariel Zeitoun , Julien Seri and also produced by Luc Besson with his production company called ¨EuropaCorps¨ . Duo protagonist more than make up for in an skill to soar across a rolling medley highrise flats blocks . The way in which the actors prove this abilities , is in fact an activity called Parkour and was invented by David Belle himself , influenced by his father Raymond Belle . Cyril Raffaelli and David Belle had three months to prepare all their Parkour stunts for the film . There weren't any special effects , wire-work, computer graphics... used in 90% of the Parkour scenes . Good cinematography by cameraman Manuel Teran using Steadicam and zooms with numerous locations from Paris slums . The musician Da Octopuss creates a stirring, moving soundtrack fitting to frantic action . Lavishly produced by the successful French producer and director Luc Besson . The flick was stunningly realized by the habitual cameraman, Pierre Morel in his first film, -the second was the successful ¨Taken¨- , though Alexandre Aja was originally hired to direct the movie the first . Filmmaker Pierre gives the action a dance-like quality and the whole movie took 10 months for production , idea, script, casting, filming, etc , as from January 2004 to October 2004 . Followed by "District 13: Ultimatum" by Patrick Alessandrin again with Cyril Raffaelli as Capt. Damien Tomaso , David Belle as Leïto , Philippe Torreton as Le Président De la République and as well as starring in the film, Cyril Raffaelli also choreographed all the fight sequences ; however David Belle didn't practice all his Parkour stunts , most of the ones that you see in the film were of him performing the stunt for the first time . Rating: Better than average, well worth seeing , this is a highly agreeable action movie . The picture will appeal to explosive action fans
Você sabia?
- CuriosidadesIn the scene where Leito (David Belle) is being chased near the beginning of the film, he is using Parkour, which was invented by Belle himself and influenced by his father Raymond Belle. There weren't any special effects (wirework, computer graphics...) used in 90% of the Parkour scenes.
- Erros de gravaçãoThe keypad on the bomb is inconsistent between views. In most close-ups it shows, top to bottom: '1 2 3 a' '4 5 6 b' '7 8 9 0', but when Damien tries to enter the last digit, the key 3 is in the bottom right corner.
- Cenas durante ou pós-créditosThe Europacorp logo turns into a writing on a stone wall at the beginning of the movie.
- ConexõesFeatured in B13-U 13º Distrito - Ultimato (2009)
- Trilhas sonorasHip-Hop Supermarché
Written by Fred Dudouet, Franck Mantegari and Ismaïla Diop
Performed by Fred Dudouet, Franck Mantegari and Ismaïla Diop
©2004 EuropaCorp / EMI Music Publishing France
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- How long is District B13?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- € 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.200.216
- Fim de semana de estreia nos EUA e Canadá
- US$ 410.000
- 4 de jun. de 2006
- Faturamento bruto mundial
- US$ 11.169.386
- Tempo de duração1 hora 24 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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